Landscape Discontent
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| Author | : Andrew Newman |
| Publisher | : U of Minnesota Press |
| Total Pages | : 299 |
| Release | : 2015-04-30 |
| Genre | : Social Science |
| ISBN | : 1452943893 |
On a rainy day in May 2007, the mayor of Paris inaugurated the Jardins d’Éole, a park whose completion was hailed internationally as an exemplar of sustainable urbanism. The park was the result of a hard-fought, decadelong protest movement in a low-income Maghrebi and African immigrant district starved for infrastructure, but the Mayor’s vision of urban sustainability was met with jeers. Drawing extensively from immersive, firsthand ethnographic research with northeast Paris residents, as well as an analysis of green architecture and urban design, Andrew Newman argues that environmental politics must be separated from the construct of urban sustainability, which has been appropriated by forces of redevelopment and gentrification in Paris and beyond. France’s turbulent political environment also provides Newman with powerful new insights into the ways in which multiethnic coalitions can emerge⎯even amid overt racism and Islamophobia⎯in the struggle for more just cities and more inclusive societies. A tale of multidimensional political efforts, Landscape of Discontent cuts through the rhetoric of green cities to reveal the promise that environmentalism holds for urban communities anywhere.
| Author | : Andrés Duany |
| Publisher | : New Society Publishers |
| Total Pages | : 353 |
| Release | : 2013-03-01 |
| Genre | : Architecture |
| ISBN | : 1550925369 |
Landscape Urbanism and New Urbanism - negotiating the relationship between cities and the natural world In contemporary Western society, urban development is regarded as an unfortunate blight from which nature provides a much-needed respite. This apparent dichotomy ignores the interdependence between human settlement and the natural world. In fact, one of the most pressing problems facing urban theorists today is determining how to resolve the tension between the built and natural environments, in the process creating truly sustainable cities. Landscape Urbanism and its Discontents is a collection of essays exploring the debate over urban reform, now polarized around the two competing paradigms of Landscape Urbanism and the New Urbanism. Landscape Urbanism is conceived as a more ecologically based approach, while New Urbanism is more concerned with the built form. Well-known and influential urban theorists such as Andrés Duany and James Howard Kunstler delve into the impact of the tension between the two perspectives on: Smart growth Neighborhood design Sustainable development Creating cities that are in balance with nature While there is significant overlap between Landscape Urbanism and the New Urbanism, the former has assumed prominence amongst most critical theorists, whereas the latter's proponents are more practically oriented. Given that these two sets of ideas are at the forefront of sustainable urban design, the analysis– and potential reconciliation—offered by Landscape Urbanism and its Discontents is long overdue. Andrés Duany is a leading proponent of the New Urbanism and is a founding principal at Duany Plater-Zyberk & Company. Emily Talen is a professor at Arizona State University and the author of four previous books on urban design.
| Author | : Thomas Lahusen |
| Publisher | : transcript Verlag |
| Total Pages | : 329 |
| Release | : 2020-04-30 |
| Genre | : Social Science |
| ISBN | : 3839451248 |
Since the fall of the Iron Curtain, formerly socialist countries have gone through manifold transformations, whilst remnants of socialism remain ubiquitous. The volume explores various spaces of the postsocialist landscape, presenting a mixture of real and imaginary spaces, of memory and nostalgia, of aesthetic and political symbolism, of the global East and the global South, of academic and essayistic writing. It casts a glance at the heterogeneous relics of socialism and their transformation in very different parts of the world. From the description of (post-)socialist interiors, façades, neighborhoods, parks, monuments, and objects towards the imaginary spaces of literature, the contributors describe the concreteness and intimacy of some of the places that span across and even beyond of what is left of the »second world« today.
| Author | : Setha M. Low |
| Publisher | : Oxford University Press |
| Total Pages | : 337 |
| Release | : 2023 |
| Genre | : Political Science |
| ISBN | : 0197543731 |
'Why Public Space Matters' examines how public space contributes to individual and societal flourishing. Based on thirty-five years of ethnographic fieldwork on plazas, walkways, parks, markets and beaches in the United States, Costa Rica, Argentina, India, Kenya and France, it presents a new understanding of the role of social contact, public culture and affective atmosphere in the creation of places essential to everyday urban life.
| Author | : |
| Publisher | : |
| Total Pages | : 448 |
| Release | : 1912 |
| Genre | : Architecture, Domestic |
| ISBN | : |
| Author | : Helen M. Buss |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 235 |
| Release | : 2006-01-01 |
| Genre | : Psychology |
| ISBN | : 0889209413 |
Why does it seem as if everyone is writing memoirs, and particularly women? The current popularity of memoir verifies the common belief that we each have a story to tell. And we do...especially women. Memoirs are not only representations of women’s personal lives but also of their desire to repossess important parts of our culture, in which women’s stories have not mattered. Beginning with her own motivations for writing memoirs, Helen M. Buss examines the many kinds of memoir written by contemporary women: memoirs about growing up, memoirs about traumatic events, about relationships, about work. In writing memoirs, these women publicly assert that their lives have mattered. They reshape the memoir, a form as old as the middle ages and as young as today, into a social discourse that blends the personal with the political, the self with the significant other, literature with history, and fiction with autobiography and essay. Buss urges readers to use their reading experience to help themselves understand and write the significance of their own lives. Repossessing the World is the first book-length critical inquiry into women’s use of a form that has often been dismissed as less important than autobiography, less professional than the novel, and less intellectual than the formal essay. Buss demonstrates that the memoir makes its own art, not only through selective borrowing from these genres but also through the unique way that the tripartite narrative voice of the memoir constructs the personal and public experience of the memorist as significant to our cultural moment.
| Author | : Mia Yinxing Liu |
| Publisher | : University of Hawaii Press |
| Total Pages | : 262 |
| Release | : 2019-07-31 |
| Genre | : Performing Arts |
| ISBN | : 0824859871 |
Chinese cinema has a long history of engagement with China’s art traditions, and literati (wenren) landscape painting has been an enduring source of inspiration. Literati Lenses explores this interplay during the Mao era, a time when cinema, at the forefront of ideological campaigns and purges, was held to strict political guidelines. Through four films—Li Shizhen (1956), Stage Sisters (1964), Early Spring in February (1963), and Legend of Tianyun Mountain (1979)—Mia Liu reveals how landscape offered an alternative text that could operate beyond political constraints and provide a portal for smuggling interesting discourses into the film. While allusions to pictorial traditions associated with a bygone era inevitably took on different meanings in the context of Mao-era cinema, cinematic engagement with literati landscape endowed films with creative and critical space as well as political poignancy. Liu not only identifies how the conventions and aesthetics of traditional literati landscape art were reinvented and mediated on multiple levels in cinema, but also explores how post-1949 Chinese filmmakers configured themselves as modern intellectuals in the spaces forged among the vestiges of the old. In the process, she deepens her analysis, suggesting that landscape be seen as an allegory of human life, a mirror of the age, and a commentary on national affairs.
| Author | : Quraysh Ali Lansana |
| Publisher | : Haymarket Books |
| Total Pages | : 224 |
| Release | : 2017-05-15 |
| Genre | : Literary Collections |
| ISBN | : 1608467643 |
“[A] superb tribute . . . [an] essential collection” of essays analyzing the works of the preeminent twentieth-century poet and voice of social justice (Booklist). Winner of the Central New York Book Award for Nonfiction Finalist for the Chicago Review of Books Award Poet, educator, and social activist Gwendolyn Brooks was a singular force in American culture. The first black woman to be named United States poet laureate, Brook’s poetry, fiction, and social commentary shed light on the beauty of humanity, the distinct qualities of black life and community, and the destructive effects of racism, sexism, and class inequality. A collection of thirty essays combining critical analysis and personal reflection, The Whiskey of Our Discontent, presents essential elements of Brooks’ oeuvre—on race, gender, class, community, and poetic craft, while also examining her life as poet, reporter, mentor, sage, activist, and educator. “Gwendolyn Brooks wrote and performed her magnificent poetry for and about the Black people of Chicago, and yet it was also read with anguish, delight, and awe by white people, successive waves of immigrants, and ultimately the world.” —Bill Ayers, from the Introduction
| Author | : James Bren |
| Publisher | : James Bren |
| Total Pages | : 182 |
| Release | : |
| Genre | : Sports & Recreation |
| ISBN | : |
Dive into the heart-pounding world of professional wrestling with "The History of the WWE" by James Bren. This comprehensive and meticulously researched book takes readers on an exhilarating journey through the iconic moments, legendary rivalries, and unforgettable events that have defined the World Wrestling Entertainment (WWE). From the early days of its inception to the electrifying spectacles of WrestleMania, Bren captures the essence of WWE's evolution, introducing readers to the trailblazing superstars who have left an indelible mark on sports entertainment. Uncover the gripping narratives behind the rise of household names like Hulk Hogan, The Rock, Stone Cold Steve Austin, and the trailblazing women who sparked the "women's evolution." Bren's narrative skillfully navigates pivotal eras, exploring the Attitude Era's raucous rebellion, the ruthless aggression that followed, and the captivating drama of the modern-day "New Era." Witness the birth of iconic championships, the emergence of unprecedented women's matches, and the groundbreaking moments that have shaped WWE into a global phenomenon. But this isn't just a tale of triumphs; it's a candid exploration of the controversies, backstage politics, and the human stories that often lurked beyond the ring. Delve into the scandals, triumphs, and tragedies that have shaped the WWE into a multifaceted cultural phenomenon. With meticulous detail and engaging storytelling, James Bren captures the raw intensity of wrestling's most iconic moments. Whether you're a lifelong fan or a newcomer to the squared circle, "The History of the WWE" is an immersive chronicle that will leave you captivated, entertained, and with a newfound appreciation for the unparalleled world of WWE. Get ready for a ringside seat to the captivating journey that is the history of the WWE.
| Author | : Hilary P.M. Winchester |
| Publisher | : Routledge |
| Total Pages | : 217 |
| Release | : 2013-10-29 |
| Genre | : Science |
| ISBN | : 1317888537 |
Landscapes is a timely and well-written analysis of the meaning of cultural landscapes. The book delves into the layers of meaning that are invested in ordinary landscapes as well as landscapes of spectacle and power. Landscapes is a powerful and vivid application of the new cultural geography to case studies not previously visited within cultural geography texts.
