Landmarks In German Womens Writing
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Author | : Hilary Brown |
Publisher | : Peter Lang |
Total Pages | : 220 |
Release | : 2007 |
Genre | : Biography & Autobiography |
ISBN | : 9783039103010 |
This volume focuses on twelve women writers from the Middle Ages to the present day who have made a major contribution to German literature. The essays place the writers in the context of their period and examine how their position as women affected what they wrote and the reception of their texts.
Author | : John Ward |
Publisher | : Peter Lang |
Total Pages | : 268 |
Release | : 2010 |
Genre | : Business & Economics |
ISBN | : 9783034301268 |
The emancipation of Jews that commenced in Germany in the early 19th century pushed many Jews into urban commerce, industries, and intellectual professions. The ongoing modernization and the Jewish prominence in business brought about an anti-Jewish reaction. Jews were seen as the incarnation of the new materialistic "Zeitgeist", dishonest merchants pursuing non-German business practices, and usurpers of economic power. The Jews represented an alien, unwanted economic system. The backlash against the Jewish businessman was reflected in contemporary literature, from Wilhelm Hauff's "Jud Süß" (1827) to the Nazi novel "Shylock unter Bauern" by Felix Nabor (1934). Examines the representation of the Jewish businessman in German literature, in both antisemitic works and apologetic ones. Two "schools of thought" can be discerned in these writings: that the Jews, including the businessmen, can be corrected and assimilated into the German nation (e.g. in Freytag's "Soll und Haben", 1855); and the racist and eliminationist conception of the Jews as unassimilable and inherently detrimental aliens who have to be removed from the body of the nation (as in Wilhelm von Polenz's "Der Büttnerbauer", 1895), with Heinrich Mann's anti-Jewish writings somewhere in between. Discusses also the ambivalent stance of Theodor Fontane. Dwells on two "cautionary tales" written by Jewish authors and addressed to the Jews: the novel "Jud Süß" by Feuchtwanger (1925) and the play "Jud Süß" by Paul Kornfeld (1929), as well as responses to antisemitism addressed to a general audience: "Der neue Ahasver" by Fritz Mauthner (1881), "René Richter" by Lothar Brieger-Wasservogel (1906), and Hermann Bahr's "Die Rotte Korahs" (1919), a philosemitic non-Jewish response.
Author | : MAGGIE ALLEN |
Publisher | : Lulu.com |
Total Pages | : 208 |
Release | : 2019-04-16 |
Genre | : Reference |
ISBN | : 0244777616 |
A useful reference guide for anyone studying Emily Bronte or German Romanticism.
Author | : Elisabeth Krimmer |
Publisher | : Women and Gender in German Stu |
Total Pages | : 319 |
Release | : 2020 |
Genre | : History |
ISBN | : 1640140786 |
This volume examines the world of German women writers who emerged in the burgeoning literary marketplace of eighteenth-century Europe.
Author | : Ruth Whittle |
Publisher | : Peter Lang |
Total Pages | : 216 |
Release | : 2005 |
Genre | : History |
ISBN | : 9783039103225 |
The German Revolution of 1848-49 offered a significant literary opportunity for all those interested in politics in general and the progress of women in society in particular. This book explores the work of a number of women who took up the challenge of breaking into the decidedly male preserve of political writing in this period. The focus is on women with very different concerns: Malwida von Meysenbug, the aristocrat who supported the democratic cause, the assimilated Jew Fanny Lewald; the housewife, musician, composer and teacher Johanna Kinkel; and the radical feminist Louise Aston. The work examines the strategies these women employed to negotiate potentially explosive issues such as the politics of the day, class, religion and gender, as well as the way traditional images like the father-child relationship are exploited to express new thoughts. Using a combination of close textual reading and thematically based analysis the book illuminates the authors' individual works and explores underlying issues that are common to all.
Author | : Frazer Stephen Clark |
Publisher | : Peter Lang |
Total Pages | : 408 |
Release | : 2006 |
Genre | : Art |
ISBN | : 9783039107254 |
Based on the author's thesis (Ph. D.)--University of Oxford, 2002.
Author | : Andreas Kramer |
Publisher | : Peter Lang |
Total Pages | : 384 |
Release | : 2006 |
Genre | : Literary Criticism |
ISBN | : 9783906766461 |
This is the first complete bibliography of the writings of Yvan Goll (1891-1950), the French-German poet, novelist, dramatist, journalist and translator. The first part gives full details of Goll's publications during his lifetime, and includes books and pamphlets, contributions to periodicals, newspapers and anthologies, books and journals edited by Goll, translations by Goll, and his published letters. The second part makes it possible to trace the dissemination of Goll's work, with posthumous first publications, posthumous reprints in periodicals and anthologies, translations of Goll's works by others (into twenty languages) and musical collaborations and settings. A comprehensive index of titles or first lines allows the user to trace single works through the various sections; there are also indexes of writers translated by Goll and letters by recipient. This bibliography documents the huge scope of the writings of an author who wrote in three major languages and published in many countries. It contains a wide range of references to texts hitherto unknown, many of them items in journals and newspapers, and is by far the most reliable source to date of what Goll actually wrote.
Author | : Daniel Greineder |
Publisher | : Peter Lang |
Total Pages | : 234 |
Release | : 2007 |
Genre | : Literary Criticism |
ISBN | : 9783039110636 |
The call by German Early Romantic writers for a new mythology is one of the boldest and most unusual demands by any literary theorist. This study asks how an age which variously saw mythology as a historical phenomenon or a collection of artistically useful images came to see the need for its renewal at all. The author traces the evolving role of mythology in the writings of Winckelmann, Herder, Moritz and Schiller and argues that the late eighteenth century saw the emergence of a new conception of mythology which depended less on an established iconography and cultural context and more on the poetic and linguistic functions of mythology. This dehistoricized view of mythology formed the basis of the Romantic project and the author examines the works of Friedrich Schlegel and Schelling as well as the Älteste Systemprogramm des deutschen Idealismus against that background.
Author | : Barbara Burns |
Publisher | : Peter Lang |
Total Pages | : 160 |
Release | : 2006 |
Genre | : Literary Criticism |
ISBN | : 9783039109241 |
Louise von François (1817-1893) was a German realist writer whose work appeared in several editions during her lifetime and was translated abroad. Her most famous novel, Die letzte Reckenburgerin, attracted significant critical attention from her contemporaries and was regarded as one of the most innovative novels of the century. Her other prose fiction, however, is less well known. In the context of the ongoing re-assessment of nineteenth-century women writers, this book evaluates the thematic preoccupations and narrative technique of François's creative work as a whole. Through a study of ten representative texts, most of which have not been subject to detailed literary analysis in the past, the author considers François's powerful portrayals of female self-reliance, and seeks to elucidate aspects of her most cherished convictions, which centred on values of honour and duty, and on a vision of a more equitable and decent society.
Author | : Ruth Whittle |
Publisher | : Walter de Gruyter |
Total Pages | : 208 |
Release | : 2013-08-28 |
Genre | : Literary Criticism |
ISBN | : 3110259230 |
It has been shown that the total number of women who published in German in the 18th and 19th centuries was approximately 3,500, but even by 1918 only a few of them were known. The reason for this lies in the selection processes to which the authors have been subjected, and it is this selection process that is the focus of the research here presented. The selection criteria have not simply been gender-based but have had much to do with the urgent quest for establishing a German Nation State in 1848 and beyond. Prutz, Gottschall, Kreyßig and others found it necessary to use literary historiography, which had been established by 1835, in order to construct an ideal of ‘Germanness’ at a time when a political unity remained absent, and they wove women writers into this plot. After unification in 1872, this kind of weaving seemed to have become less pressing, and other discourses came to the fore, especially those revolving round femininity vs. masculinity, and races. The study of the processes at work here will enhance current debates about the literary canon by tracing its evolution and identifying the factors which came to determine the visibility or obscurity of particular authors and texts. The focus will be on a number of case studies, but, instead of isolating questions of gender, Gender, Canon and Literary History will discuss the broader cultural context.