La Utopia En America
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| Author | : Jean-François Lejeune |
| Publisher | : Princeton Architectural Press |
| Total Pages | : 272 |
| Release | : 2005-02-03 |
| Genre | : Architecture |
| ISBN | : 1568984898 |
This landmark collection of illustrated essays explores the vastly underappreciated history of America's other cities -- the great metropolises found south of our borders in Central and South America. Buenos Aires, So Paulo, Mexico City, Caracas, Havana, Santiago, Rio, Tijuana, and Quito are just some of the subjects of this diverse collection. How have desires to create modern societies shaped these cities, leading to both architectural masterworks (by the likes of Luis Barragn, Juan O'Gorman, Lcio Costa, Roberto Burle Marx, Carlos Ral Villanueva, and Lina Bo Bardi) and the most shocking favelas? How have they grappled with concepts of national identity, their colonial history, and the continued demands of a globalized economy? Lavishly illustrated, Cruelty and Utopia features the work of such leading scholars as Carlos Fuentes, Edward Burian, Lauro Cavalcanti, Fernando Oayrzn, Roberto Segre, and Eduardo Subirats, along with artwork ranging from colonial paintings to stills from Chantal Akerman's film From the Other Side. Also included is a revised translation of Spanish King Philip II's influential planning treatise of 1573, the "Laws of the Indies," which did so much to define the form of the Latin American city.
| Author | : Emily Berquist Soule |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 320 |
| Release | : 2014-04-23 |
| Genre | : History |
| ISBN | : 0812245911 |
In December 1788, in the northern Peruvian city of Trujillo, fifty-one-year-old Spanish Bishop Baltasar Jaime Martínez Compañón stood surrounded by twenty-four large wooden crates, each numbered and marked with its final destination of Madrid. The crates contained carefully preserved zoological, botanical, and mineral specimens collected from Trujillo's steamy rainforests, agricultural valleys, rocky sierra, and coastal desert. To accompany this collection, the Bishop had also commissioned from Indian artisans nine volumes of hand-painted images portraying the people, plants, and animals of Trujillo. He imagined that the collection and the watercolors not only would contribute to his quest to study the native cultures of Northern Peru but also would supply valuable information for his plans to transform Trujillo into an orderly, profitable slice of the Spanish Empire. Based on intensive archival research in Peru, Spain, and Colombia and the unique visual data of more than a thousand extraordinary watercolors, The Bishop's Utopia recreates the intellectual, cultural, and political universe of the Spanish Atlantic world in the late eighteenth century. Emily Berquist Soule recounts the reform agenda of Martínez Compañón—including the construction of new towns, improvement of the mining industry, and promotion of indigenous education—and positions it within broader imperial debates; unlike many of his Enlightenment contemporaries, who elevated fellow Europeans above native peoples, Martínez Compañón saw Peruvian Indians as intelligent, productive subjects of the Spanish Crown. The Bishop's Utopia seamlessly weaves cultural history, natural history, colonial politics, and art into a cinematic retelling of the Bishop's life and work.
| Author | : Lawrence Boudon |
| Publisher | : University of Texas Press |
| Total Pages | : 950 |
| Release | : 2005-02-01 |
| Genre | : Social Science |
| ISBN | : 9780292706088 |
"The one source that sets reference collections on Latin American studies apart from all other geographic areas of the world.... The Handbook has provided scholars interested in Latin America with a bibliographical source of a quality unavailable to scholars in most other branches of area studies." —Latin American Research Review Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Lawrence Boudon, of the Library of Congress Hispanic Division, has been the editor since 2000, and Katherine D. McCann has been assistant editor since 1999. The subject categories for Volume 60 are as follows: Art History (including ethnohistory) Literature (including translations from the Spanish and Portuguese) Music Philosophy: Latin American Thought
| Author | : Idurre Alonso |
| Publisher | : Getty Publications |
| Total Pages | : 330 |
| Release | : 2021-08-17 |
| Genre | : History |
| ISBN | : 1606066943 |
This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis. In the century between 1830 and 1930, following independence from Spain and Portugal, major cities in Latin America experienced large-scale growth, with the development of a new urban bourgeois elite interested in projects of modernization and rapid industrialization. At the same time, the lower classes were eradicated from old city districts and deported to the outskirts. The Metropolis in Latin America, 1830–1930 surveys this expansion, focusing on six capital cities—Havana, Mexico City, Rio de Janeiro, Buenos Aires, Santiago de Chile, and Lima—as it examines sociopolitical histories, town planning, art and architecture, photography, and film in relation to the metropolis. Drawing from the Getty Research Institute’s vast collection of books, prints, and photographs from this period, largely unpublished until now, this volume reveals the cities’ changes through urban panoramas, plans depicting new neighborhoods, and photographs of novel transportation systems, public amenities, civic spaces, and more. It illustrates the transformation of colonial cities into the monumental modern metropolises that, by the end of the 1920s, provided fertile ground for the emergence of today’s Latin American megalopolis.
| Author | : Carla Grosman |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 239 |
| Release | : 2019-01-15 |
| Genre | : Performing Arts |
| ISBN | : 1527525864 |
The topic of the crisis and recovery of utopia, at both a global and regional level, stands out in these melancholic times in which the capitalist era can no longer legitimize itself as an irreplaceable form of social existence. This book reflects upon the place of utopia, moving from classic Greece to the neoliberal era, specifically as manifested in Latin America. It studies utopia as a political and literary device for paradigmatic changes. As such, it links with the literary mode of the travelogue and its supporting role in the consolidation and perpetuation of the modern/colonial discourse. The book reviews critical approaches to modernity and postmodernity as a philosophical enquiry on the role of symbolic languages, particularly the one played by the image and the theories of representation and performance. With that, and by using decolonialist theory to inform an audio-visual text analysis, it contributes to film philosophy with a model of analysis for Latin American cinema: namely, “the allegory of the motionless traveler”. This model states that Latin America millennial cinema possesses a significant aesthetic-political power achieved by enacting a process of utopic re-narration. This book will appeal to students and academics in the humanities and social sciences and readers interested in film culture, as well as those searching specifically for new perspectives on socio-symbolic decolonialist dynamics operating at the crossroads of cultural politics and political culture in Latin America.
| Author | : Robin Fiddian |
| Publisher | : Oxford University Press |
| Total Pages | : 239 |
| Release | : 2017-08-04 |
| Genre | : Literary Collections |
| ISBN | : 0192513664 |
Postcolonial Borges is the first systematic account of geo-political and postcolonial themes in a range of writings by Borges, from the poetry and essays of the 1920s, through the prose and poetry of the middle years (the 40s, 50s, and 60s), to the stories of El informe de Brodie and the poems of La cifra and other later collections. Robin Fiddian analyses the development of a postcolonial sensibility in works such as 'Mythical Founding of Buenos Aires', 'Tlön, Uqbar, Orbis Tertius', 'Theme of the Traitor and the Hero', and 'Brodie's Report'. He examines Borges's treatment of national and regional identity, and of East-West relations, in several essays and poems, contained, for example, in Other Inquisitions and Seven Nights. The theoretical concepts of 'coloniality' and 'Occidentalism' shed new light on several works by Borges, who acquires a sharper political profile than previously acknowledged. Fiddian pays special attention to Oriental subjects in Borges's works of the 70s and 80s, where their treatment is bound up with a critique of Occidental values and assumptions. Classified by some commentators over the years as a precursor of post-colonialism, Borges in fact emerges as a prototype of the postcolonial intellectual exemplified by James Joyce, Aimé Césaire (for example), and Edward Said. From a regional perspective, his repertoire of geopolitical and historical concerns resonates with those of Leopoldo Zea, Enrique Dussel, Eduardo Galeano, and Joaquín Torres García , who illustrate different strands and kinds of Latin American post-colonialism(s) of the twentieth century. At the same time, manifest differences in respect of political and artistic temperament mark Borges out as a postcolonial intellectual and creative writer who is sui generis.
| Author | : B. Aram |
| Publisher | : Springer |
| Total Pages | : 322 |
| Release | : 2014-11-18 |
| Genre | : Science |
| ISBN | : 1137324058 |
Drawing upon economic history, cultural studies, intellectual history and the history of science and medicine, this collection of case studies examines the transatlantic transfer and transformation of goods and ideas, with particular emphasis on their reception in Europe.
| Author | : Luis Arturo Martínez Vásquez |
| Publisher | : Lexington Books |
| Total Pages | : 307 |
| Release | : 2024-01-16 |
| Genre | : Philosophy |
| ISBN | : 1666925624 |
The Liberating Philosophy of Ignacio Ellacuría: Historical Reality, Humanism, and Praxis is the first systematic work on the philosophy of Ignacio Ellacuría to be published in English so far. The Spaniard-Salvadorian philosopher—murdered in Salvador in 1989 by the military—maintains that philosophy is a permanent task grounded in metaphysics as first philosophy, as developed within a historical reality and a preferential option for the poor. As explored by this collection edited by Luis Arturo Martínez Vásquez, Randall Carrera Umaña, and Luis Rubén Díaz Cepeda, Ellacuría's theory is a critical and practical proposal immersed in the colonial history of Central America, but its explanatory and normative power extends to oppressed people all around the world. The contributors to this volume, coming from Spain, Mexico, Argentina, Salvador, and Costa Rica, analyze Ellacuría's philosophy of liberation in conjunction with radical realism and strength, describing it as "a philosophy created by people concerned with the problems and history of our land—such as our colonial past, systemic poverty and dependency—and… responding to these concerns can offer alternatives for a true liberation of all the dominated peoples of the world."
| Author | : Eugene Gogol |
| Publisher | : BRILL |
| Total Pages | : 454 |
| Release | : 2015-10-05 |
| Genre | : Social Science |
| ISBN | : 9004297162 |
Utopia and the Dialectic in Latin American Liberation begins by examining the concept of utopia in Latin American thought, particularly its roots within indigenous emancipatory practice, and suggests that within this concept of utopia can be found a resonance with the dialectic of negativity that Hegel developed under the impact of the French Revolution, further developed by such thinker-activists as Marx, Lenin and Raya Dunayevskaya. From this theoretical-philosophical plane, the study moves to the liberation practices of social movements in recent Latin American history. Movements such as the Zapatistas in Mexico, Indigenous feminism throughout the Americas, and Indigenous struggles in Bolivia and Colombia, are among those taken up--most often in the words of the participants. The study concludes by discussing a dialectic of philosophy and organization in the context of Latin American liberation.
| Author | : Jorge Coronado |
| Publisher | : University of Pittsburgh Pre |
| Total Pages | : 225 |
| Release | : 2009-05-31 |
| Genre | : History |
| ISBN | : 0822973561 |
In The Andes Imagined, Jorge Coronado not only examines but also recasts the indigenismo movement of the early 1900s. Coronado departs from the common critical conception of indigenismo as rooted in novels and short stories, and instead analyzes an expansive range of work in poetry, essays, letters, newspaper writing, and photography. He uses this evidence to show how the movement's artists and intellectuals mobilize the figure of the Indian to address larger questions about becoming modern, and he focuses on the contradictions at the heart of indigenismo as a cultural, social, and political movement. By breaking down these different perspectives, Coronado reveals an underlying current in which intellectuals and artists frequently deployed their indigenous subject in order to imagine new forms of political inclusion. He suggests that these deployments rendered particular variants of modernity and make indigenismo's representational practices a privileged site for the examination of the region's cultural negotiation of modernization. His analysis reveals a paradox whereby the un-modern indio becomes the symbol for the modern itself.The Andes Imagined offers an original and broadly based engagement with indigenismo and its intellectual contributions, both in relation to early twentieth-century Andean thought and to larger questions of theorizing modernity.
