La sociología del arte
Author | : Nathalie Heinich |
Publisher | : |
Total Pages | : 127 |
Release | : 2010 |
Genre | : |
ISBN | : 9789506026134 |
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Author | : Nathalie Heinich |
Publisher | : |
Total Pages | : 127 |
Release | : 2010 |
Genre | : |
ISBN | : 9789506026134 |
Author | : José María Mercado Velasco |
Publisher | : Palibrio |
Total Pages | : 481 |
Release | : 2011-04 |
Genre | : Social Science |
ISBN | : 1617648655 |
Al leer este libro, sea muy cuidadoso en no dejar pasar por alto una palabra que no comprendas plenamente. La única razón por la que una persona abandona la lectura de un libro o se vuelve confusa e incapaz de comprender, es porque ha pasado por alto una palabra o frase que no comprendió. Si el libro llega a ser confuso o usted parece no comprenderlo, habrá una palabra justo antes que usted no comprendió. No vaya más adelante, retroceda a ANTES de que se metiera en problemas, encuentre la palabra mal entendida y defínala. Use siempre un diccionario, que este completo, no use diccionarios pequeños.
Author | : Lucio Mendieta y Núñez |
Publisher | : |
Total Pages | : 374 |
Release | : 1962 |
Genre | : Art and society |
ISBN | : |
Author | : Nathalie Heinich |
Publisher | : |
Total Pages | : 170 |
Release | : 2004 |
Genre | : Art |
ISBN | : 9788815097347 |
Author | : John T. Graham |
Publisher | : University of Missouri Press |
Total Pages | : 584 |
Release | : 2001 |
Genre | : Philosophy |
ISBN | : 9780826262868 |
Author | : Néstor García Canclini |
Publisher | : Duke University Press |
Total Pages | : 327 |
Release | : 2014-06-17 |
Genre | : Art |
ISBN | : 0822376970 |
First published in Spanish in 2010, Art beyond Itself is Néstor García Canclini's deft assessment of contemporary art. The renowned cultural critic suggests that, ideally, art is the place of imminence, the place where we glimpse something just about to happen. Yet, as he demonstrates, defining contemporary art and its role in society is an ever more complicated endeavor. Museums, auction houses, artists, and major actors in economics, politics, and the media are increasingly chummy and interdependent. Art is expanding into urban development and the design and tourism industries. Art practices based on objects are displaced by practices based on contexts. Aesthetic distinctions dissolve as artworks are inserted into the media, urban spaces, digital networks, and social forums. Oppositional artists are adrift in a society without a clear story line. What, after all, counts as transgression in a world of diverse and fragmentary narratives? Seeking a new analytic framework for understanding contemporary art, García Canclini is attentive to particular artworks; to artists including Francis Alÿs, León Ferrari, Teresa Margolles, Antoni Muntadas, and Gabriel Orozco; and to efforts to preserve, for art and artists, some degree of independence from religion, politics, the media, and the market.
Author | : Milena Gammaitoni |
Publisher | : Springer Nature |
Total Pages | : 191 |
Release | : 2022-03-30 |
Genre | : Psychology |
ISBN | : 3030944565 |
Offering historical identity fortified by the presence of women belonging to the various areas of creative and intellectual life, this book allows readers to understand greater contexts of their identity. The history of female artists is an indicator of how social identity was erased from the historiography which asserted itself in nineteenth-century Europe. Analysis of the biographical pathways traced here reveals how women in the Middle Ages and beyond have been active protagonists of the arts, received reviews, as well as had an authoritative role as the esteemed and attentive witnesses of the society around them. Reconstruction of social relationships, intellectual and creative production as well as of the life stories of some of Europe’s most important female artists, foregrounds this omission and highlights their extraordinary nature. The different stories contained in this book narrate the lives and works of Hildegard von Bingen, Francesca Caccini, Mary Wollstonecraft, George Sand, Lou Andreas Salomé and Elke Mascha Blankenburg. By reinforcing the awareness of social and historical origins, the informed reader is better equipped to tackle their futures and build up their personalities.
Author | : Laurie Hanquinet |
Publisher | : Routledge |
Total Pages | : 718 |
Release | : 2015-09-16 |
Genre | : Social Science |
ISBN | : 1135008884 |
The Routledge Handbook of the Sociology of Arts and Culture offers a comprehensive overview of sociology of art and culture, focusing especially – though not exclusively – on the visual arts, literature, music, and digital culture. Extending, and critiquing, Bourdieu’s influential analysis of cultural capital, the distinguished international contributors explore the extent to which cultural omnivorousness has eclipsed highbrow culture, the role of age, gender and class on cultural practices, the character of aesthetic preferences, the contemporary significance of screen culture, and the restructuring of popular culture. The Handbook critiques modes of sociological determinism in which cultural engagement is seen as the simple product of the educated middle classes. The contributions explore the critique of Eurocentrism and the global and cosmopolitan dimensions of cultural life. The book focuses particularly on bringing cutting edge ‘relational’ research methodologies, both qualitative and quantitative, to bear on these debates. This handbook not only describes the field, but also proposes an agenda for its development which will command major international interest.