La Poesia De Miguel Hernandez
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Author | : Miguel Hernández |
Publisher | : University of Chicago Press |
Total Pages | : 436 |
Release | : 2001-10 |
Genre | : Poetry |
ISBN | : 0226327736 |
A collection of poems by Spanish author Miguel Hernandez which includes both the English and Spanish translations of the text.
Author | : Eleanor Wright |
Publisher | : Tamesis Books |
Total Pages | : 218 |
Release | : 1986 |
Genre | : Protest poetry, Spanish |
ISBN | : 9780729302104 |
Published by Boydell & Brewer Inc.
Author | : Geraldine Cleary Nichols |
Publisher | : Boston : Twayne Publishers |
Total Pages | : 216 |
Release | : 1978 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Willis Barnstone |
Publisher | : SIU Press |
Total Pages | : 340 |
Release | : 1997 |
Genre | : Literary Criticism |
ISBN | : 9780809321278 |
With poems selected and translated by one of the preeminent translators of our day, this bilingual collection of 112 sonnets by six Spanish-language masters of the form ranges in time from the seventeenth to the twentieth centuries and includes the works of poets from Spanish America as well as poets native to Spain. Willis Barnstone's selection of sonnets and the extensive historical and biographical background he supplies serve as a compelling survey of Spanish-language poetry that should be of interest both to lovers of poetry in general and to scholars of Spanish-language literature in particular. Following an introductory examination of the arrival of the sonnet in Spain and of that nation's poetry up to Francisco de Quevedo, Barnstone takes up his six masters in chronological turn, preceding each with an essay that not only presents the sonneteer under discussion but also continues the carefully delineated history of Spanish-language poetry. Consistently engaging and informative and never dull or pedantic, these essays stand alone as appreciations--in the finest sense of that word--of some of the greatest poets ever to write. It is, however, Barnstone's subtle, musical, clear, and concise translations that form the heart of this collection. As Barnstone himself says, "In many ways all my life has been some kind of preparation for this volume."
Author | : Miguel Hernández |
Publisher | : Parlor Press LLC |
Total Pages | : 235 |
Release | : 2008-11-21 |
Genre | : Literary Criticism |
ISBN | : 1602359881 |
THE PRISON POEMS is the first complete translation into English of Miguel Hernández’s Cancionero y romancero de ausencias, a classic of 20th century Spanish poetry, comparable in many respects to the work of Lorca and Pablo Neruda. The poems in this book were mostly written while he was in prison after the defeat of Republican Spain.
Author | : Sharon Elizabeth Keefe |
Publisher | : |
Total Pages | : 116 |
Release | : 1967 |
Genre | : |
ISBN | : |
Author | : Carole A. Holdsworth |
Publisher | : Peter Lang Group Ag, International Academic Publishers |
Total Pages | : 154 |
Release | : 1979 |
Genre | : Literary Collections |
ISBN | : |
«Modern Minstrelsy» «Miguel Hernández and Jacques Brel» is an analogy study of two contemporary writers, the Spanish poet Miguel Hernández and the Belgian «chansonnier» Jacques Brel. Through the tracing of universal thematic parallels in their work, «Modern Minstrelsy» discusses the poetry of Hernández and Brel as affined examples of both a socially oriented contemporary humanism and of a modernized medieval minstrel tradition. Modern and medieval, personal and didactic, violent and tender, the poetry of Hernández and of Brel proclaims the poet's serious societal responsibilities, as spokesman for and about our communal nature.
Author | : |
Publisher | : Walter de Gruyter |
Total Pages | : 2983 |
Release | : 2013-03-01 |
Genre | : Reference |
ISBN | : 311031228X |
Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 639,000 articles from more than 29,500 festschrifts, published between 1977 and 2010, have been catalogued.
Author | : Virginia Higginbotham |
Publisher | : University of Texas Press |
Total Pages | : 200 |
Release | : 2014-02-19 |
Genre | : Literary Criticism |
ISBN | : 029276149X |
During the years since his death, Federico García Lorca, Spain's best-known twentieth-century poet and playwright, has generally been considered a writer of tragedy. Three of his major plays are fatalistic stories of suffering and death, and his poetry is filled with dread. Yet most of Lorca's dramatic production consists of comedies and farces. Throughout his poetry and prose, as well as in his most somber plays, runs an undercurrent of humor—dark irony and satire—that is in no way contradictory to his tragic view of life. On the contrary, as Virginia Higginbotham demonstrates, through humor Lorca defines, intensifies, and tries to come to terms with what he sees as the essentially hopeless condition of humankind. Although Lorca's comic moments and techniques have been discussed in isolated articles, the importance of humor has largely been ignored in the fundamental studies of his work. Higginbotham is concerned with Lorca's total output: lyric poetry, tragicomedies and farces, avant-garde prose and plays, puppet farces, and master plays. She describes Lorca's place in the mainstream of the Spanish theater and shows his relationship to some relevant non-Spanish dramatists. Furthermore, she discusses ways in which Lorca's work anticipates the modern theater of the absurd. The result is a comprehensive study of an important, but previously ignored, aspect of Lorca's work. The Comic Spirit of Federico García Lorca includes a Lorca chronology and an extensive bibliography.
Author | : Andrew Debicki |
Publisher | : University Press of Kentucky |
Total Pages | : 395 |
Release | : 2021-12-14 |
Genre | : Poetry |
ISBN | : 0813189934 |
Twentieth-century Spanish poetry has received comparatively little attention from critics writing in English. Andrew Debicki now presents the first English-language history published in the United States to examine the sweep of modern Spanish verse. More important, he is the first to situate Spanish poetry in the context of European modernity, to trace its trajectory from the symbolists to the postmodernists. Avoiding the rigid generational schemes and catalogs of names found in traditional Hispanic literary histories, Debicki offers detailed discussions of salient books and texts to construct an original and compelling view of his subject. He demonstrates that contemporary Spanish verse is rooted in the modem tradition and poetics that see the text as a unique embodiment of complex experiences. He then traces the evolution of that tradition in the early decades of the century and its gradual disintegration from the 1950s to the present as Spanish poetry came to reflect features of the postmodern, especially the poetics of text as process rather than as product. By centering his study on major periods and examining within each the work of poets of different ages, Debicki develops novel perspectives. The late 1960s and early 1970s, for example, were not merely the setting for a new aestheticist generation but an era of exceptional creativity in which both established and new writers engendered a profound, intertextual, and often self-referential lyricism. This book will be essential reading for specialists in modern Spanish letters, for advanced students, and for readers inter-ested in comparative literature.