The Selected Poems of Miguel Hernandez

The Selected Poems of Miguel Hernandez
Author: Miguel Hernández
Publisher: University of Chicago Press
Total Pages: 436
Release: 2001-10
Genre: Poetry
ISBN: 0226327736

A collection of poems by Spanish author Miguel Hernandez which includes both the English and Spanish translations of the text.

Six Masters of the Spanish Sonnet

Six Masters of the Spanish Sonnet
Author: Willis Barnstone
Publisher: SIU Press
Total Pages: 340
Release: 1997
Genre: Literary Criticism
ISBN: 9780809321278

With poems selected and translated by one of the preeminent translators of our day, this bilingual collection of 112 sonnets by six Spanish-language masters of the form ranges in time from the seventeenth to the twentieth centuries and includes the works of poets from Spanish America as well as poets native to Spain. Willis Barnstone's selection of sonnets and the extensive historical and biographical background he supplies serve as a compelling survey of Spanish-language poetry that should be of interest both to lovers of poetry in general and to scholars of Spanish-language literature in particular. Following an introductory examination of the arrival of the sonnet in Spain and of that nation's poetry up to Francisco de Quevedo, Barnstone takes up his six masters in chronological turn, preceding each with an essay that not only presents the sonneteer under discussion but also continues the carefully delineated history of Spanish-language poetry. Consistently engaging and informative and never dull or pedantic, these essays stand alone as appreciations--in the finest sense of that word--of some of the greatest poets ever to write. It is, however, Barnstone's subtle, musical, clear, and concise translations that form the heart of this collection. As Barnstone himself says, "In many ways all my life has been some kind of preparation for this volume."

The Prison Poems

The Prison Poems
Author: Miguel Hernández
Publisher: Parlor Press LLC
Total Pages: 235
Release: 2008-11-21
Genre: Literary Criticism
ISBN: 1602359881

THE PRISON POEMS is the first complete translation into English of Miguel Hernández’s Cancionero y romancero de ausencias, a classic of 20th century Spanish poetry, comparable in many respects to the work of Lorca and Pablo Neruda. The poems in this book were mostly written while he was in prison after the defeat of Republican Spain.

Modern minstrelsy

Modern minstrelsy
Author: Carole A. Holdsworth
Publisher: Peter Lang Group Ag, International Academic Publishers
Total Pages: 154
Release: 1979
Genre: Literary Collections
ISBN:

«Modern Minstrelsy» «Miguel Hernández and Jacques Brel» is an analogy study of two contemporary writers, the Spanish poet Miguel Hernández and the Belgian «chansonnier» Jacques Brel. Through the tracing of universal thematic parallels in their work, «Modern Minstrelsy» discusses the poetry of Hernández and Brel as affined examples of both a socially oriented contemporary humanism and of a modernized medieval minstrel tradition. Modern and medieval, personal and didactic, violent and tender, the poetry of Hernández and of Brel proclaims the poet's serious societal responsibilities, as spokesman for and about our communal nature.

2011

2011
Author:
Publisher: Walter de Gruyter
Total Pages: 2983
Release: 2013-03-01
Genre: Reference
ISBN: 311031228X

Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 639,000 articles from more than 29,500 festschrifts, published between 1977 and 2010, have been catalogued.

The Comic Spirit of Federico Garcia Lorca

The Comic Spirit of Federico Garcia Lorca
Author: Virginia Higginbotham
Publisher: University of Texas Press
Total Pages: 200
Release: 2014-02-19
Genre: Literary Criticism
ISBN: 029276149X

During the years since his death, Federico García Lorca, Spain's best-known twentieth-century poet and playwright, has generally been considered a writer of tragedy. Three of his major plays are fatalistic stories of suffering and death, and his poetry is filled with dread. Yet most of Lorca's dramatic production consists of comedies and farces. Throughout his poetry and prose, as well as in his most somber plays, runs an undercurrent of humor—dark irony and satire—that is in no way contradictory to his tragic view of life. On the contrary, as Virginia Higginbotham demonstrates, through humor Lorca defines, intensifies, and tries to come to terms with what he sees as the essentially hopeless condition of humankind. Although Lorca's comic moments and techniques have been discussed in isolated articles, the importance of humor has largely been ignored in the fundamental studies of his work. Higginbotham is concerned with Lorca's total output: lyric poetry, tragicomedies and farces, avant-garde prose and plays, puppet farces, and master plays. She describes Lorca's place in the mainstream of the Spanish theater and shows his relationship to some relevant non-Spanish dramatists. Furthermore, she discusses ways in which Lorca's work anticipates the modern theater of the absurd. The result is a comprehensive study of an important, but previously ignored, aspect of Lorca's work. The Comic Spirit of Federico García Lorca includes a Lorca chronology and an extensive bibliography.

Spanish Poetry of the Twentieth Century

Spanish Poetry of the Twentieth Century
Author: Andrew Debicki
Publisher: University Press of Kentucky
Total Pages: 395
Release: 2021-12-14
Genre: Poetry
ISBN: 0813189934

Twentieth-century Spanish poetry has received comparatively little attention from critics writing in English. Andrew Debicki now presents the first English-language history published in the United States to examine the sweep of modern Spanish verse. More important, he is the first to situate Spanish poetry in the context of European modernity, to trace its trajectory from the symbolists to the postmodernists. Avoiding the rigid generational schemes and catalogs of names found in traditional Hispanic literary histories, Debicki offers detailed discussions of salient books and texts to construct an original and compelling view of his subject. He demonstrates that contemporary Spanish verse is rooted in the modem tradition and poetics that see the text as a unique embodiment of complex experiences. He then traces the evolution of that tradition in the early decades of the century and its gradual disintegration from the 1950s to the present as Spanish poetry came to reflect features of the postmodern, especially the poetics of text as process rather than as product. By centering his study on major periods and examining within each the work of poets of different ages, Debicki develops novel perspectives. The late 1960s and early 1970s, for example, were not merely the setting for a new aestheticist generation but an era of exceptional creativity in which both established and new writers engendered a profound, intertextual, and often self-referential lyricism. This book will be essential reading for specialists in modern Spanish letters, for advanced students, and for readers inter-ested in comparative literature.