La Infancia De Jess Childhood Of Jesus
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| Author | : Jessica A. Boon |
| Publisher | : University of Toronto Press |
| Total Pages | : 353 |
| Release | : 2012-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 1442644281 |
"Ultimately, I propose that considering internalization as embodiment is a critical methodological shift in understanding mystical methods in general, and especially for probing recollection mysticism in depth. The inner man as opposed to the outer man is a Pauline and Lutheran commonplace that is too frequently taken out of context, leading historians of the Renaissance in general, and of Spanish Renaissance religion in particular, to value references to internal (or mental) methods of spirituality as an improvement over external (or bodily) rituals. This book takes its cue from the recent 'cognitive turn' in medieval studies that complicates studies of the body in religion by focusing on the embodied aspects of cognition, claiming a continuum between body and soul rather than a hierarchy. I argue that medieval theories of cognition made the divorce of the body from the soul impossible for a Galenic doctor, even one who spoke of the body and the world with contempt, and by implication impossible for his Castilian audience. Without serious consideration of Laredo's reliance on an embodied soul rather than on a body-soul dualism, therefore, no proper assessment of the unitive stage of recogimiento ... can be made."--Introduction, p. 6-7.
| Author | : Peter Malone |
| Publisher | : Scarecrow Press |
| Total Pages | : 349 |
| Release | : 2012-10-12 |
| Genre | : Performing Arts |
| ISBN | : 0810883902 |
Since the dawn of film in the 1890s, religious themes and biblical subjects have been a staple of cinema. One of the earliest focuses of screen presentations was the Bible, especially the New Testament and the Gospels. In Screen Jesus: Portrayals of Christ in Television and Film, Peter Malone takes a close look at films in which Jesus is depicted. From silent renditions of The Passion Play to 21st-century blockbusters like The Passion of the Christ, Malone examines how the history of Jesus films reflects the changes in artistic styles and experiments in cinematic forms for more than a century. In addition to providing a historical overview of the Jesus films, this book also reveals the changes in piety and in theological understandings of the humanity and divinity of Jesus over the decades. While most of the Jesus films come from the United States and the west, an increasing number of Jesus films come from other cultures, which are also included in this study. Fans and scholars interested in the history of religious cinema will find this an interesting read, as will students and teachers in cinema and religious studies, church pastors, parish groups, and youth ministry.
| Author | : Hilaire Kallendorf |
| Publisher | : BRILL |
| Total Pages | : 540 |
| Release | : 2010 |
| Genre | : Social Science |
| ISBN | : 9004183507 |
The canon of Hispanic mysticism is expanding. No longer is our picture of this special brand of early modern devotional practice limited to a handful of venerable saints. Instead, we recognize a wide range of marginal figures as practitioners of mysticism, broadly defined. Neither do we limit the study of mysticism necessarily to the Christian religion, nor even to the realm of literature. Representations of mysticism are also found in the visual, plastic and musical arts. The terminology and theoretical framework of mysticism permeate early modern Hispanic cultures. Paradoxically, by taking a more inclusive approach to studying mysticism in its marginal manifestations, we draw mysticism---in all its complex iterations---back toward its rightful place at the center of early modern spiritual experience. Contributors: Colin Thompson, Alastair Hamilton, Christina Lee, Clara Herrera, Darcy Donahue, Elena del Rio Parra, Evelyn Toft, Fernando Duran Lopez, Piancisco Morales, Freddy Dominguez, Glyn Redworth, Jane Ackerman, Jessica Boon, Jose Adriano de Freitas Carvalho, Luce Lopez-Barat, Maria Mercedes Carrion, Maryrica Lottman, and Tess Knighton.
| Author | : Križ, Katrin |
| Publisher | : Policy Press |
| Total Pages | : 190 |
| Release | : 2020-09-23 |
| Genre | : Social Science |
| ISBN | : 1447355881 |
This book examines a participatory approach in child protection practices in both Norway and the United States, despite key organizational differences. Križ explores ways that children can be empowered to participate in child protection investigations and decisions after removal from home. The author shows how children can be encouraged to develop and express their own opinions and explores tools for child protection workers to negotiate complex boundaries around the inclusion of children in decision-making. She presents valuable insights from front-line child protection professionals’ unique perspectives and experiences within two very different systems, and evaluates the impacts of different organizational practices in promoting children’s participation.
| Author | : American Tract Society |
| Publisher | : |
| Total Pages | : 574 |
| Release | : 1882 |
| Genre | : Tract societies |
| ISBN | : |
| Author | : American Tract Society |
| Publisher | : |
| Total Pages | : 214 |
| Release | : 1901 |
| Genre | : Tract societies |
| ISBN | : |
| Author | : Jessica L. Delgado |
| Publisher | : Cambridge University Press |
| Total Pages | : 297 |
| Release | : 2018-08-16 |
| Genre | : History |
| ISBN | : 1108187862 |
In the first history of laywomen and the church in colonial Mexico, Jessica L. Delgado shows how laywomen participated in and shaped religious culture in significant ways by engaging creatively with gendered theology about women, sin, and guilt in their interactions with church sacraments, institutions, and authorities. Taking a thematic approach, using stories of individuals, institutions, and ideas, Delgado illuminates the diverse experiences of urban and rural women of Indigenous, Spanish, and African descent. By centering the choices these women made in their devotional lives and in their relationships to the aspects of the church they regularly encountered, this study expands and challenges our understandings of the church's role in colonial society, the role of religion in gendered and racialized power, and the role of ordinary women in the making of colonial religious culture.
| Author | : Cesar D. Favila |
| Publisher | : Oxford University Press |
| Total Pages | : 361 |
| Release | : 2023 |
| Genre | : Music |
| ISBN | : 0197621899 |
"It was mid-December 1610 in Mexico City. The Church was in its preparatory season of Advent, leading up to the celebration of Christ's birth at Christmas. The nuns of the Encarnacion convent had just celebrated the feast of the Immaculate Conception of the Virgin Mary, on 8 December. But now, in this time usually filled with joy, some of the nuns were nervous. Their choirbooks were missing. Without them, the nuns would not be able to celebrate the anniversary of Christ's birth adequately. A musician priest of the metropolitan cathedral, located just three blocks from the convent, had caused the nuns' alarm: Antonio Rodríguez Mata (d. 1643) had all five of the missing books. He had borrowed them from Sister Flor de Santa Clara, the convent "vicaria de coro" (choir vicar) but had failed to return them despite the convent's repeated requests. The diocesan vicar general and the attorney general were summoned. The nuns of the Encarnación demanded that Mata be imprisoned if he failed to return the books immediately following the denunciation. The threat of jail time was serious, but so too was the alleged offense: Mata was impeding the nuns from performing their liturgical music for Christmas"--
| Author | : Francesco Cesari |
| Publisher | : McFarland |
| Total Pages | : 382 |
| Release | : 2024-06-06 |
| Genre | : Performing Arts |
| ISBN | : 1476694311 |
With more than 180 films during a career spanning several decades, Jesus Franco (1930-2013) was an extraordinarily prolific and chameleon-like Spanish director, covering virtually every genre from horror to film noir, adventure and erotic, and adapting to all kinds of productions. A one-of-a-kind filmmaker, he was boldly original in the themes, style, and in his idea of cinema. This book examines his life and career between his first short film to the moment he cut his ties with his home country and became an "international" director, with a detailed production history and critical analysis of his films, placing his work within the social and political context of Spanish culture, politics, and cinema. Franco's most critically praised works are covered, namely such cult horror classics as The Awful Dr. Orlof and The Diabolical Dr. Z, as well as his working relationship with Orson Welles, whom he was to direct in a 1964 unfinished adaptation of Treasure Island. Detailed production history and critical analysis of his films are provided, placing his work within the context of Spanish culture, politics, and film industry. The book also includes plenty of never-before-seen bits of information and in-depth discussion of Franco's previously uncovered scripts, essays, and short films, as well as his unmade projects of the period.
| Author | : Charles Dickens |
| Publisher | : Simon and Schuster |
| Total Pages | : 132 |
| Release | : 2013-01-22 |
| Genre | : Fiction |
| ISBN | : 1439142580 |
Charles Dickens's other Christmas classic, with a new introduction by Dickens's great-great-grandson, Gerald Charles Dickens. Charles Dickens wrote The Life of Our Lord during the years 1846-1849, just about the time he was completing David Copperfield. In this charming, simple retelling of the life of Jesus Christ, adapted from the Gospel of St. Luke, Dickens hoped to teach his young children about religion and faith. Since he wrote it exclusively for his children, Dickens refused to allow publication. For eighty-five years the manuscript was guarded as a precious family secret, and it was handed down from one relative to the next. When Dickens died in 1870, it was left to his sister-in-law, Georgina Hogarth. From there it fell to Dickens's son, Sir Henry Fielding Dickens, with the admonition that it should not be published while any child of Dickens lived. Just before the 1933 holidays, Sir Henry, then the only living child of Dickens, died, leaving his father's manuscript to his wife and children. He also bequeathed to them the right to make the decision to publish The Life of Our Lord. By majority vote, Sir Henry's widow and children decided to publish the book in London. In 1934, Simon & Schuster published the first American edition, which became one of the year's biggest bestsellers.
