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Black Swans
Author | : Eve Babitz |
Publisher | : Catapult |
Total Pages | : 256 |
Release | : 2018-04-01 |
Genre | : Fiction |
ISBN | : 1640090517 |
"Babitz’s talent for the brilliant line, honed to a point, never interferes with her feel for languid pleasures." —The New York Times Book Review A new reissue of Babitz’s collection of nine stories that look back on the 1980s and early 1990s—decades of dreams, drink, and glimpses of a changing world. Black Swans further celebrates the phenomenon of Eve Babitz, cementing her reputation as the voice of a generation. With an introduction by Stephanie Danler, bestselling author of Sweetbitter. "On the page, Babitz is pure pleasure—a perpetual–motion machine of no–stakes elation and champagne fizz." —The New Yorker
Publications
Author | : Folklore Society (Great Britain) |
Publisher | : |
Total Pages | : 598 |
Release | : 1891 |
Genre | : Folklore |
ISBN | : |
To Live and Defy in LA
Author | : Felicia Angeja Viator |
Publisher | : Harvard University Press |
Total Pages | : 353 |
Release | : 2020-02-25 |
Genre | : Social Science |
ISBN | : 0674976363 |
How gangsta rap shocked America, made millions, and pulled back the curtain on an urban crisis. How is it that gangsta rap—so dystopian that it struck aspiring Brooklyn rapper and future superstar Jay-Z as “over the top”—was born in Los Angeles, the home of Hollywood, surf, and sun? In the Reagan era, hip-hop was understood to be the music of the inner city and, with rare exception, of New York. Rap was considered the poetry of the street, and it was thought to breed in close quarters, the product of dilapidated tenements, crime-infested housing projects, and graffiti-covered subway cars. To many in the industry, LA was certainly not hard-edged and urban enough to generate authentic hip-hop; a new brand of black rebel music could never come from La-La Land. But it did. In To Live and Defy in LA, Felicia Viator tells the story of the young black men who built gangsta rap and changed LA and the world. She takes readers into South Central, Compton, Long Beach, and Watts two decades after the long hot summer of 1965. This was the world of crack cocaine, street gangs, and Daryl Gates, and it was the environment in which rappers such as Ice Cube, Dr. Dre, and Eazy-E came of age. By the end of the 1980s, these self-styled “ghetto reporters” had fought their way onto the nation’s radio and TV stations and thus into America’s consciousness, mocking law-and-order crusaders, exposing police brutality, outraging both feminists and traditionalists with their often retrograde treatment of sex and gender, and demanding that America confront an urban crisis too often ignored.