Kunst Werke Berlin
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KW
| Author | : Gabriele Horn |
| Publisher | : |
| Total Pages | : 512 |
| Release | : 2021-09-03 |
| Genre | : |
| ISBN | : 9783954763726 |
A Leading Laboratory for Contemporary Art Turns Thirty KUNST-WERKE BERLIN e.V. is one of the world's most highly renowned organizations for contemporary art. For three decades, the KW Institute for Contemporary Art has been a vital scene of progressive creative practices; pursuing distinctive visions, the curators who have worked here, including Klaus Biesenbach, Anselm Franke, Susanne Pfeffer, and Krist Gruijthuijsen, have set major trends in the international art world. Since KW's early days, the avant-garde program of exhibitions and transdisciplinary events has made significant contributions to the discourse of contemporary art and its impact beyond art's own disciplinary boundaries. Flagship programs have included the Berlin Biennale for Contemporary Art, initiated in 1997, and a wide-ranging exhibition practice that has spawned seminal projects including Berliner Chronik (1994), Stand der Dinge (2000), Regarding Terror: The RAF Exhibition (2005), One on One (2012-13), and The Making of Husbands: Christina Ramberg in Dialogue (2019-20). The list of outstanding artists featured in KW's exhibitions has included Absalon, Kader Attia, Keren Cytter, Cyprien Gaillard, Douglas Gordon, Channa Horwitz, Carsten Höller, Renata Lucas, Hiwa K, Annette Kelm, Mika Rottenberg, Christoph Schlingensief, Hassan Sharif, and Anri Sala. Thirty years after Klaus Biesenbach, Alexandra Binswanger, Philipp von Doering, Clemens Homburger, and Alfonso Rutigliano founded KW in what was then a dilapidated former margarine factory in post-fall-of-the-Wall Berlin, this book reviews the institution's extensive archive and exhibition history. It is the first publication to offer a comprehensive overview of all shows and the eleven editions (and counting) of Berlin Biennale. With essays by Jan Verwoert, Susanne von Falkenhausen, and Jenny Dirksen, a conversation between Klaus Biesenbach, Krist Gruijthuijsen, and Gabriele Horn, and a chronology of exhibitions and projects running to over 50 pages.
Constructing New Berlin
| Author | : Phoenix Art Museum |
| Publisher | : Prestel Publishing |
| Total Pages | : 158 |
| Release | : 2006 |
| Genre | : Architecture |
| ISBN | : |
Berlin is poised to emerge as one of the world's most exciting centers of contemporary art. As artists from different countries flock to the new capital of re-unified Germany, its major museums are undergoing a massive renovation while grant programmes and inexpensive studio space are giving new talents the chance to create and display their art. Published in conjunction with a major exhibition at the Phoenix Museum of Art, this catalogue is the first comprehensive survey of the artistic renaissance of post-wall Berlin. Many of the works - which include paintings, sculpture, photography, film, installation sound and performance art - were completed in this century. In addition to colour illustrations of each of the works, this volume includes essays on the Berlin art scene, the city's recent architecture, and what the future may hold for this exciting nexus of creativity.
Free Berlin
| Author | : Briana J. Smith |
| Publisher | : MIT Press |
| Total Pages | : 329 |
| Release | : 2022-09-20 |
| Genre | : Art |
| ISBN | : 0262047195 |
An alternative history of art in Berlin, detaching artistic innovation from art world narratives and connecting it instead to collective creativity and social solidarity. In pre- and post-reunification Berlin, socially engaged artists championed collective art making and creativity over individual advancement, transforming urban space and civic life in the process. During the Cold War, the city’s state of exception invited artists on both sides of the Wall to detour from artistic tradition; post-Wall, art became a tool of resistance against the orthodoxy of economic growth. In Free Berlin, Briana Smith explores the everyday peculiarities, collective joys, and grassroots provocations of experimental artists in late Cold War Berlin and their legacy in today’s city. These artists worked intentionally outside the art market, believing that art should be everywhere, freed from its confinement in museums and galleries. They used art as a way to imagine new forms of social and creative life. Smith introduces little-known artists including West Berlin feminist collective Black Chocolate, the artist duo paint the town red (p.t.t.r), and the Office for Unusual Events, creators of satirical urban political theater, as well as East Berlin action art and urban interventionists Erhard Monden, Kurt Buchwald, and others. Artists and artist-led urban coalitions in 1990s Berlin carried on the participatory spirit of the late Cold War, with more overt forms of protest and collaboration at the neighborhood level. The temperament lives on in twenty-first century Berlin, animating artists’ resolve to work outside the market and citizens’ spirited defenses of green spaces, affordable housing, and collectivist projects. With Free Berlin, Smith offers an alternative history of art in Berlin, detaching artistic innovation from art world narratives and connecting it instead to Berliners’ historic embrace of care, solidarity, and cooperation.
Clémentine Deliss
| Author | : Clémentine Deliss |
| Publisher | : Hatje Cantz Verlag |
| Total Pages | : 153 |
| Release | : 2020-07-15 |
| Genre | : Art |
| ISBN | : 3775748016 |
For quite some time now, ethnographic museums in Europe have been compelled to legitimate themselves. Their exhibition-making has become a topic of discussion, as has the contentious history of their collections, which have come about through colonial appropriation. Clearly, this cannot continue. That the situation can be different is something that Clémentine Deliss explores in her current publication. She offers an intriguing mix of autobiographically-informed novel and conceptual thesis on contemporary art and anthropology. Reflections on her own work while she was Director of Frankfurt's Weltkulturen Museum (Museum of World Cultures) are interwoven with the explorations of influential filmmakers, artists and writers. She introduces the Metabolic Museum as an interventionist laboratory for remediating ethnographic collections for future generations. CLÉMENTINE DELISS has achieved international renown as a curator, cultural historian and publisher of artist's books. In her role as Director of the Weltkulturen Museum in Frankfurt, as a curator, and as a professor and researcher at eminent institutes and academies, she focuses on transdisciplinary and transcultural exchanges. She is Associate Curator of KW Berlin and Guest Professor at the Academy of Arts, Hamburg.
Fassbinder
| Author | : Rainer Werner Fassbinder |
| Publisher | : Schirmer/Mosel |
| Total Pages | : 0 |
| Release | : 2007 |
| Genre | : Berlin Alexanderplatz (Television program) |
| ISBN | : 9783829603102 |
Renée Green
| Author | : Mason Leaver-Yap |
| Publisher | : Hatje Cantz Verlag |
| Total Pages | : 256 |
| Release | : 2022-01-01 |
| Genre | : Art |
| ISBN | : 3775750614 |
Über zwei Jahrzehnte hinweg hat sich Renée Green in ihrer außergewöhnlichen multimedialen Kunstpraxis fortlaufend mit der Beziehung zwischen Ästhetik und Macht auseinandergesetzt. Ihre Filme, Skulpturen, Schriften, Fotografien, Druckgrafiken und Soundarbeiten untersuchen und beleuchten unterrepräsentierte Geschichten von Migration, Vertreibung, Ethnografie und kultureller Repräsentation. Dieser außergewöhnliche Künstlerkatalog zeigt Greens Werk in seinen vielen Facetten und kombiniert frühe und undokumentierte Kunstwerke mit neueren Arbeiten, begleitet von einer Vielzahl von Texten neuer Autoren, die ihr Kunstwerk für ein zeitgenössisches Publikum rekontextualisieren. Das Buch erlaubt die einzigartige Einsicht in einen Prozess, in dem Sehen und Wissen in neue Konstellationen gebracht werden.
Trachten, kunstwerke un geräthschaften vom frühen mittelater bis ende des achtzehnten jahrhunderts nach gleichzeitigen originalen
| Author | : Jakob Heinrich von Hefner-Alteneck |
| Publisher | : |
| Total Pages | : 186 |
| Release | : 1889 |
| Genre | : Art, Medieval |
| ISBN | : |
The Crack Begins Within. Berlin Biennale 11 Guidebook
| Author | : Alfredo Aracil |
| Publisher | : |
| Total Pages | : 202 |
| Release | : 2020 |
| Genre | : |
| ISBN | : 9783982137346 |
The slow opening of the 11th Berlin Biennale for Contemporary Art began in September 2019, and since then it has been exploring the many cracks we carry, the fissures that keep us apart and those that bring us together. As the epilogue of the biennial The Crack Begins Within calls out the fallacy of claiming for oneself the destruction of the old and the birthing of the new, refloated so many times by the white fathers as a new scaffolding to secure the continuity of their decaying structures. This is the violence that surrounds us, and that we are part of. The Crack Begins Within comprises the overlapping experiences of the artworks gathered here, breathing together, touching and moving one another. It is a testament to the powerful collective stories they tell, the work they do, and the things they shatter.00Since September 2019, the 11th Berlin Biennale for Contemporary Art has been unfolding in several successive parts. The fourth part runs from September 5 to November 1, 2020. It was originally scheduled from June 13 to September 13, 2020, but had to be postponed due to the Covid-19 pandemic.00This is the Guidebook accompanying the 11. Berlin Biennale. 00Exhibition: Berlin Biennale, various locations in Berlin, Germany (05.09.-01.11.2020).
