King Lear After Auschwitz
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| Author | : B. Estrin |
| Publisher | : Springer |
| Total Pages | : 272 |
| Release | : 2016-04-30 |
| Genre | : Education |
| ISBN | : 1137067659 |
Citing the massive horrors of the Nazi death camps and the domestic violence behind a woman's suicide, Adrienne Rich challenges a fellow poet: 'would it relieve you to decide/Poetry doesn't make this happen?' In this provocative reassessment of the modern American love lyric, Barbara L. Estrin chronicles the return of three major American poets (Wallace Stevens in the late forties and fifties, Robert Lowell in the Seventies, and Adrienne Rich in the nineties) to the mid-century catastrophes that gave rise to such thorny questions. Through close readings of individual poems (and drawing upon the gender and genre theories of Jean François Lyotard, Judith Butler, Melanie Klien, and Jacques Lacan), Estrin counters the usual presuppositions that the lyric remains sequestered in a-political isolation, and offers a new, revisionist critique of American poetry.
| Author | : Alexander Thom |
| Publisher | : Springer Nature |
| Total Pages | : 268 |
| Release | : 2023-12-25 |
| Genre | : Literary Criticism |
| ISBN | : 3031401573 |
This book advances five original readings of Shakespeare's King Lear, influenced by Giorgio Agamben, but tempered by primary research into Jacobean literature, law, religion, and philosophy. To grasp Lear’s encounter between politics and identity, the play demands a wider understanding of the religious influence on political thought. As Lear himself realises, sovereignty is an extreme, glamorous example of a deeper category: sacred office. Lear also shows duty intersecting with a hierarchy of bastards, outlaws, women, waifs, and monks. This book introduces concepts like petit treason, civil death, and waivery into political theological studies, complicating Agamben’s models. Goneril’s treason shows the sovereign’s consort and children are consecrated lives too. Lear’s crisis of "self-knowing" stages a landmark critique of office. The promise of his poignant speech before the prison is foreclosed by Shakespeare's invention: an officer dutifully murdering Cordelia. This book’s conclusion, through Hannah Arendt, reconsiders Lear’s persistent association with the Holocaust.
| Author | : Peter Holland |
| Publisher | : Cambridge University Press |
| Total Pages | : 436 |
| Release | : 2002-10-24 |
| Genre | : Drama |
| ISBN | : 9780521815871 |
Shakespeare Survey is a yearbook of Shakespeare studies and production. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of criticism and performance. For the first time, numbers 1-50 are being reissued in paperback.
| Author | : Richard Ashby |
| Publisher | : EUP |
| Total Pages | : 344 |
| Release | : 2020-11-13 |
| Genre | : Literary Criticism |
| ISBN | : 9781474477987 |
Provides the first dedicated study on appropriations of King Lear in British playwriting of the post-war, developing valuable new perspectives on the legacy of Shakespeare in post-war drama and culture.
| Author | : James R. Siemon |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 329 |
| Release | : 2024-03-06 |
| Genre | : Literary Criticism |
| ISBN | : 1683933915 |
Shakespeare Studies is an annual peer-reviewed volume featuring the work of performance scholars, literary critics and cultural historians. The journal focuses primarily on Shakespeare and his contemporaries, but embraces theoretical and historical studies of socio-political, intellectual and artistic contexts that extend well beyond the early modern English theatrical milieu. In addition to articles, Shakespeare Studies offers opportunities for extended intellectual exchange through its thematically-focused forums, and includes substantial reviews. An international Editorial Board maintains the quality of each volume so that Shakespeare Studies may serve as a reliable resource for all students of Shakespeare and the early modern period – for research scholars and also for teachers, actors and directors. Volume 51 includes a Forum on the work of Michael D Bristol, with contributions from J. F. Bernard, Gail Kern Paster, James Siemon, Jill Ingram, Unhae Park Langis and Julia Reinhard Lupton, Anna Lewton-Brain and Brooke Harvey, Nicholas Utzig, and Paul Yachnin. Volume 51 includes articles from the Next Generation Plenary of the Shakespeare Association of America and essays by Laurence Senelick ("A Gift to Anti-Semites: Shylock on the Pre-Revolutionary Russian Stage"), Christopher D'Addario ("Metatheater and the Urban Everyday in Ben Jonson's Epicoene and The Alchemist"), and Denise A. Walen ("Elbowing Katherine of Valois"). Book reviews consider eleven important publications on liberty of speech and female voice; theaters of catastrophe; adaptations of Macbeth; staging touch in Shakespeare's England; the criticism of Hugh Grady; Shakespeare and World War II film; Shakespeare and digital pedagogy; Shakespeare and forgetting; Shakespeare and disability studies, and Shakespeare's private life.
| Author | : Martin Shuster |
| Publisher | : University of Chicago Press |
| Total Pages | : 220 |
| Release | : 2014-09-12 |
| Genre | : Philosophy |
| ISBN | : 022615551X |
Ever since Kant and Hegel, the notion of autonomy—the idea that we are beholden to no law except one we impose upon ourselves—has been considered the truest philosophical expression of human freedom. But could our commitment to autonomy, as Theodor Adorno asked, be related to the extreme evils that we have witnessed in modernity? In Autonomy after Auschwitz, Martin Shuster explores this difficult question with astonishing theoretical acumen, examining the precise ways autonomy can lead us down a path of evil and how it might be prevented from doing so. Shuster uncovers dangers in the notion of autonomy as it was originally conceived by Kant. Putting Adorno into dialogue with a range of European philosophers, notably Kant, Hegel, Horkheimer, and Habermas—as well as with a variety of contemporary Anglo-American thinkers such as Richard Rorty, Stanley Cavell, John McDowell, and Robert Pippin—he illuminates Adorno’s important revisions to this fraught concept and how his different understanding of autonomous agency, fully articulated, might open up new and positive social and political possibilities. Altogether, Autonomy after Auschwitz is a meditation on modern evil and human agency, one that demonstrates the tremendous ethical stakes at the heart of philosophy.
| Author | : Aloysia Rousseau |
| Publisher | : Taylor & Francis |
| Total Pages | : 200 |
| Release | : 2024-08-01 |
| Genre | : Performing Arts |
| ISBN | : 1040097332 |
Dennis Kelly explores Kelly’s unusual career path and sheds light on his eclectic approach to the arts, characterised by a refusal to write texts that people can fit within neat categories. This is the first monograph on Kelly’s work for stage and screen and brings to light his essential contribution to contemporary British drama and his huge range of work including his rise to international fame with Matilda the Musical. Drawing on Kelly’s published and unpublished texts, his work in production, reviews, original interviews with directors, actors and with Kelly himself as well as critical theory, Dennis Kelly examines and reappraises key motifs in his work such as his preoccupation with violence, the complex relationship between the individual and the community or his emphasis on storytelling. It also offers new insights into overlooked aspects of Kelly’s work by setting out to explore his traumatic narratives and his post-romanticism. In keeping with Kelly’s wish never to repeat himself, this study offers multiple critical entries into his plays, television series and films, drawing on moral and political philosophy, trauma studies, studies in humour, feminist theory and film studies. Part of the Routledge Modern and Contemporary Dramatist series, Dennis Kelly is addressed to students and scholars in Drama, Theatre and Performance as well as theatre practitioners and offers in-depth analysis of one of the most unique and challenging voices in contemporary British playwriting and screenwriting.
| Author | : Lawrence L. Langer |
| Publisher | : Springer Nature |
| Total Pages | : 257 |
| Release | : 2021-02-11 |
| Genre | : History |
| ISBN | : 3030661393 |
This book consists of ten essays that examine the ways in which language has been used to evoke what Lawrence L. Langer calls the ‘deathscape’ and the ‘hopescape’ of the Holocaust. The chapters in this collection probe the diverse impacts that site visits, memoirs, survivor testimonies, psychological studies, literature and art have on our response to the atrocities committed by the Germans during World War II. Langer also considers the misunderstandings caused by erroneous, embellished and sentimental accounts of the catastrophe, and explores some reasons why they continue to enter public and printed discourse with such ease.
| Author | : Nick Buchanan |
| Publisher | : Lulu.com |
| Total Pages | : 518 |
| Release | : 2013-11-18 |
| Genre | : Education |
| ISBN | : 1291635076 |
Here's a new study guide with a difference. "What Happens in Shakespeare's King Lear" by Nick Buchanan provides a complete walk-through commentary exploring EVERY paragraph of this magnificent play. Word definitions are placed right next to the text in which they appear - so there's no ferreting around in foot-of-the-page or back-of-the-book glossaries. The play's major themes are identified and explored and there are charts which indicate key moments in each character's journey, together with a useful guide for playing Shakespeare (for actors and directors). This guide is for EVERYONE - for those who love reading, for students - and even those new to Shakespeare. It includes the whole play with FULL commentary. So, whether you are a casual reader, an enthusiast, an actor, a director, a scholar or a teacher (in a school, a college or a university) this is the definitive guide to King Lear.
| Author | : Jon Stewart |
| Publisher | : Routledge |
| Total Pages | : 298 |
| Release | : 2016-12-05 |
| Genre | : Philosophy |
| ISBN | : 1351875086 |
While scholars have long recognized Kierkegaard's important contributions to fields such as ethics, aesthetics, philosophy of religion, philosophical psychology, and hermeneutics, it was usually thought that he had nothing meaningful to say about society or politics. Kierkegaard has been traditionally characterized as a Christian writer who placed supreme importance on the inward religious life of each individual believer. His radical view seemed to many to undermine any meaningful conception of the community, society or the state. In recent years, however, scholars have begun to correct this image of Kierkegaard as an apolitical thinker. The present volume attempts to document the use of Kierkegaard by later thinkers in the context of social-political thought. It shows how his ideas have been employed by very different kinds of writers and activists with very different political goals and agendas. Many of the articles show that, although Kierkegaard has been criticized for his reactionary views on some social and political questions, he has been appropriated as a source of insight and inspiration by a number of later thinkers with very progressive, indeed, visionary political views.
