Phrenology
Author | : Orson Squire Fowler |
Publisher | : Chelsea House Publications |
Total Pages | : 201 |
Release | : 1969 |
Genre | : Phrenology |
ISBN | : 9780877541431 |
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Author | : Orson Squire Fowler |
Publisher | : Chelsea House Publications |
Total Pages | : 201 |
Release | : 1969 |
Genre | : Phrenology |
ISBN | : 9780877541431 |
Author | : Marc Chagall |
Publisher | : |
Total Pages | : 152 |
Release | : 1967 |
Genre | : Glass painting and staining |
ISBN | : |
Author | : Charles Harrison |
Publisher | : MIT Press |
Total Pages | : 350 |
Release | : 2003-09-12 |
Genre | : Art |
ISBN | : 9780262582414 |
Critical and theoretical essays by a long-time participant in the Art & Language movement. These essays by art historian and critic Charles Harrison are based on the premise that making art and talking about art are related enterprises. They are written from the point of view of Art & Language, the artistic movement based in England—and briefly in the United States—with which Harrison has been associated for thirty years. Harrison uses the work of Art & Language as a central case study to discuss developments in art from the 1950s through the 1980s. According to Harrison, the strongest motivation for writing about art is that it brings us closer to that which is other than ourselves. In seeing how a work is done, we learn about its achieved identity: we see, for example, that a drip on a Pollock is integral to its technical character, whereas a drip on a Mondrian would not be. Throughout the book, Harrison uses specific examples to address a range of questions about the history, theory, and making of modern art—questions about the conditions of its making and the nature of its public, about the problems and priorities of criticism, and about the relations between interpretation and judgment.
Author | : Adrian Frutiger |
Publisher | : |
Total Pages | : 162 |
Release | : 1980 |
Genre | : Signs and symbols |
ISBN | : |
Author | : United States. Public Health Service |
Publisher | : |
Total Pages | : 20 |
Release | : 1961 |
Genre | : Civil defense |
ISBN | : |
An administrative guide to the medical self-help training program for professional health, civil defense, and educational personnel. The program was developed by the Public Health Service and Office of Civil Defense Mobilization in cooperation with American Medical Association Council on National Security and Committee on Disaster Medical Care.
Author | : United States. Office of Civilian Defense |
Publisher | : |
Total Pages | : 64 |
Release | : 1942 |
Genre | : Civil defense |
ISBN | : |
Author | : Alexander Alberro |
Publisher | : MIT Press |
Total Pages | : 628 |
Release | : 2000-08-25 |
Genre | : Design |
ISBN | : 9780262511179 |
This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the conceptual art movement. Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years—in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians. This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the movement. It also contains more recent memoirs by participants, as well as critical histories of the period by some of today's leading artists and art historians. Many of the essays and artists' statements have been translated into English specifically for this volume. A good portion of the exchange between artists, critics, and theorists took place in difficult-to-find limited-edition catalogs, small journals, and private correspondence. These influential documents are gathered here for the first time, along with a number of previously unpublished essays and interviews. Contributors Alexander Alberro, Art & Language, Terry Atkinson, Michael Baldwin, Robert Barry, Gregory Battcock, Mel Bochner, Sigmund Bode, Georges Boudaille, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Victor Burgin, Ian Burn, Jack Burnham, Luis Camnitzer, John Chandler, Sarah Charlesworth, Michel Claura, Jean Clay, Michael Corris, Eduardo Costa, Thomas Crow, Hanne Darboven, Raúl Escari, Piero Gilardi, Dan Graham, Maria Teresa Gramuglio, Hans Haacke, Charles Harrison, Roberto Jacoby, Mary Kelly, Joseph Kosuth, Max Kozloff, Christine Kozlov, Sol LeWitt, Lucy Lippard, Lee Lozano, Kynaston McShine, Cildo Meireles, Catherine Millet, Olivier Mosset, John Murphy, Hélio Oiticica, Michel Parmentier, Adrian Piper, Yvonne Rainer, Mari Carmen Ramirez, Nicolas Rosa, Harold Rosenberg, Martha Rosler, Allan Sekula, Jeanne Siegel, Seth Siegelaub, Terry Smith, Robert Smithson, Athena Tacha Spear, Blake Stimson, Niele Toroni, Mierle Ukeles, Jeff Wall, Rolf Wedewer, Ian Wilson
Author | : Charles Harrison |
Publisher | : MIT Press |
Total Pages | : 252 |
Release | : 2001 |
Genre | : Art |
ISBN | : 9780262582407 |
In 'Conceptual Art and Painting', a companion to his 'Essays on Art and Language', Charles Harrison reconsiders Conceptual Art in light of renewed interest in the original movement and of the various forms of 'neo-Conceptual' art--Publisher's description.
Author | : Charles M. Haberman |
Publisher | : Merrill Publishing Company |
Total Pages | : 296 |
Release | : 1966 |
Genre | : Technology & Engineering |
ISBN | : |
Author | : Albanis Ashmun Kelly |
Publisher | : |
Total Pages | : 234 |
Release | : 1922 |
Genre | : Sign painting |
ISBN | : |