Kapalkundala
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Author | : Bankim Chandra Chattopadhyay |
Publisher | : DigiCat |
Total Pages | : 121 |
Release | : 2022-08-10 |
Genre | : Art |
ISBN | : |
Kapalkundala is a Bengali romance novel by Indian writer Bankim Chandra Chattopadhyay. Published in 1866, it is a story of a forest-dwelling girl named Kapalkundala, who fell in love with and married Nabakumar, a young gentleman from Saptagram. Eventually, she finds herself unable to adjust to city life.
Author | : Bankim Chandra Chatterjee |
Publisher | : Graphic Arts Books |
Total Pages | : 97 |
Release | : 2021-06-08 |
Genre | : Fiction |
ISBN | : 1513224034 |
Kapalkundala (1866) is a novel by Bankim Chandra Chatterjee. Set in Dariapur, Contai, Kapalkundala was Chatterjee’s second novel. Recognized as a pioneering work of Bengali literature with universal romantic themes, Kapalkundala has been adapted several times for film and television, most recently for a popular Indian Bengali soap opera of the same name. On his way home to Saptagram from a pilgrimage to Gangasagar, Nabakumar encounters a Tantric sage in the forest. After exchanging their greetings, the sage captures the young gentleman in order to sacrifice him to the goddess Shamshaan Kali. Rescued by the sage’s foster daughter, the beautiful Kapalkundala, Nabakumar marries her the next day. Despite their happiness, the past refuses to let them live in peace. As the sage plots his revenge, Nabakumar’s first wife, who left him after converting to Islam, has returned seeking forgiveness. As doubt begins to penetrate their bond, Nabakumar and Kapalkundala lose sight of the only thing that matters: each other. Tragic and timeless, Kapalkundala is a brilliant romance from a legendary figure in Bengali literature. With a beautifully designed cover and professionally typeset manuscript, this edition of Bankim Chandra Chatterjee’s Kapalkundala is a classic of Bengali literature and utopian science fiction reimagined for modern readers.
Author | : Baṅkimacandra Caṭṭopādhyāẏa |
Publisher | : |
Total Pages | : 172 |
Release | : 1919 |
Genre | : |
ISBN | : |
Author | : Bankimchandra Chattopadhyay |
Publisher | : Penguin UK |
Total Pages | : 669 |
Release | : 2005-11-29 |
Genre | : Literary Collections |
ISBN | : 8184751001 |
The First Volume Of This Collector S Edition Brings Together Five Of Bankimchandra S Best-Known Works In English Translation. Set In The Bengal Of Emperor Jehangir S Time, Kapalkundala Tells The Story Of Nabakumar, A Young Woman Named Kapalkundala Whom He Rescues From A Tantric Intent On Human Sacrifice, And The Beautiful Lutfunnisa Who Has Sold Her Heart On Marrying Him. In Bishabriksha (The Poison Tree), Set In Bankimchandra S Own Time, Nagendra Is Torn Between His Devoted Wife Suryamukhi And The Bewitching Young Widow Kundanandini. Unable To Prioritize Either Of The Women He Cares For, Nagendra Ends Up Losing Both. Indira Is A Lighthearted Tale Of Playful Intrigues: Upendra Does Not Realize That His Wife Indira Is Now Working As A Cook In His Friend S House, And Is Given A Royal Run-Around By Indira And Subhasini, Her Employer. Krishnakanta S Will Is A Tragedy Of Lust, Infidelity, Greed And Death Revolving Around Govindalal, His Wife Bhramar, The Attractive Widow Rohini, And A Stolen Will. Rajani, The Story Of A Blind Girl And Two Men, Sachindra And Amarnath, Is A Psychologically Taut Tale; It Is The First Indian Novel Where Characters Narrate Their Stories In The First Person. Evoking The Bengal Of Yore In All Its Hues, Bankimchandra S Novels Explore Love And Relationships And The Manner In Which Society Shapes Them. Translated Exclusively For Penguin, These Superbly Crafted Novels Are Sure To Hold Readers In Thrall Today Just As They Did Over A Century Ago.
Author | : Bankim Chandra Chatterji |
Publisher | : |
Total Pages | : 560 |
Release | : 2005 |
Genre | : Fiction |
ISBN | : |
The first volume of this collector's edition brings together five of Bankimchandra's best-known works in English translation. Set in the Bengal of Emperor Jehangir's time, Kapalkundala tells the story of Nabakumar, a young woman named Kapalkundala whom he rescues from a tantric intent on human sacrifice, and the beautiful Lutfunnisa who has sold her heart on marrying him. In Bishabriksha (The Poison Tree), set in Bankimchandra's own time, Nagendra is torn between his devoted wife Suryamukhi and the bewitching young widow Kundanandini. Unable to prioritize either of the women he cares for, Nagendra ends up losing both. Indira is a lighthearted tale of playful intrigues: Upendra does not realize that his wife Indira is now working as a cook in his friend's house, and is given a royal run-around by Indira and Subhasini, her employer. Krishnakanta's Will is a tragedy of lust, infidelity, greed and death revolving around Govindalal, his wife Bhramar, the attractive widow Rohini, and a stolen will. psychologically taut tale; it is the first Indian novel where characters narrate their stories in the first person.
Author | : Manojit Mandal |
Publisher | : Taylor & Francis |
Total Pages | : 170 |
Release | : 2023-09-29 |
Genre | : Literary Criticism |
ISBN | : 1000963098 |
Shakespeare and Indian Nationalism aims to articulate the reception of Shakespeare by the 19th-century Indian intelligentsia from Bengal and their ambivalent approach to the Indian Renaissance and consequent nationalist project. Showcasing the cultural politics of British imperialism, this volume focuses on six early nationalist writers and their engagement with Shakespeare: Hemchandra Bandopadhay (1838–1903), Girishchandra Ghosh (1844–1912), Purnachandra Basu (1844–unknown), Iswarchandra Vidyasagar (1820–1891), Bankimchandra Chattopadhaya(1838–1894), and Rabindranath Tagore (1861–1941). Drawing on Antonio Gramsci’s theory of hegemony and a host of prominent writers of cultural politics, nationalism and Indian history, this interdisciplinary approach combines postcolonial studies and Shakespeare studies in an attempt to reconcile the existence of an unbridled admiration for an English cultural icon in India alongside the rise of nationalism and a fierce resistance to British rule. The book, finally, moves to re-explore Shakespeare's position in academic, political and popular nationalist discourses in postcolonial India.
Author | : Avishek Ray |
Publisher | : Taylor & Francis |
Total Pages | : 183 |
Release | : 2024-11-08 |
Genre | : Travel |
ISBN | : 1040223788 |
This volume brings together scholarship on indigenous forms of travel to decolonize travel theory. It looks at certain minoritarian-vernacular traveling cults – very rarely examined – that compel us to rethink, on the one hand, the conventional tropes of and rationales for travel; and, on the other hand, notions of (post)coloniality, nationalism and modernity in the context of India. The book illustrates the enduring problematic of the ‘colonial episteme’: how it deploys pervasive categories through which travel practices are sought to be understood, and why such categories are inadequate in accounting for the vernacular traveling cults in question. In studying the vernacular world-making in and through these cults, this book offers critical insights on how they defy the log(ist)ics of the ‘imperial categories’ and why they must be read as expressions of decoloniality. An important contribution to travel studies, the book will be an indispensable resource for students and researchers of South Asian studies, travel theory, Indian literary and cultural studies, cultural history and anthropology, sociology, and decoloniality.
Author | : Bankim Chandra Chattopadhyay |
Publisher | : Library of Alexandria |
Total Pages | : 205 |
Release | : 2020-09-28 |
Genre | : Fiction |
ISBN | : 1465615512 |
It was hot at Padachina even for a summer day. In this village were many houses, but not a soul could be seen anywhere. The bazaar was full of shops and the lanes were lined with houses built either of brick or of mud. Every house was quiet. The shops were closed, and no one knew where the shopkeepers had gone. Even the street beggars were absent. The weavers wove no more. The merchants had no business. Philanthropic persons had nothing to give. Teachers closed their schools. Things had come to such a pass that children were even afraid to cry. The streets were empty. There were no bathers in the river. There were no human beings about the houses, no birds in the trees, no cattle in the pastures. Jackals and dogs morosely prowled in the graveyards and in the cremation grounds. One great house stood in this village. Its colossal pillars could be seen from a distance. But its doors were closed so tight that it was almost impossible for even a breath of air to enter. Within the house a man and his wife sat deeply absorbed in thought. Mahendra Singh and his wife were face to face with famine. The year before the harvests had been below normal. So rice was expensive this year and people began to suffer. Then during the rainy season it rained plentifully. The villagers at first looked upon this as a special mercy of God. Cowherds sang in joy, and the wives of the peasants began to pester their husbands for silver ornaments. All of a sudden, God frowned again. Not a drop of rain fell during the remaining months of the season. The rice fields dried into heaps of straw. Here and there a few fields yielded poor crops, but government agents bought these up for the army. So people began to starve again. At first they lived on one meal a day. Soon, even that became scarce, and they began to go without any food at all. The crop was too scanty, but the government revenue collector sought to advance his personal prestige by increasing the land revenue by ten per cent. And in dire misery Bengal shed bitter tears. Beggars increased in such numbers that charity soon became the most difficult thing to practise. Then disease began to spread. Farmers sold their cattle and their ploughs and ate up the seed grain. Then they sold their homes and farms. For lack of food they soon took to eating leaves of trees, then grass and when the grass was gone they ate weeds. People of certain castes began to eat cats, dogs and rats.
Author | : S. K. BOSE |
Publisher | : Publications Division Ministry of Information & Broadcasting |
Total Pages | : 231 |
Release | : |
Genre | : |
ISBN | : 8123022697 |
The book is about Bankim Chandra Chatterji's life and his contributions towards the freedom struggle.
Author | : Bankim Chatterjee |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 158 |
Release | : 2017-09-08 |
Genre | : |
ISBN | : 9781976200007 |
Kapalkundala or Kopal-Kundala also known as Mrinmoyee, is a Bengali romance novel by Indian writer Bankim Chandra Chattopadhyay. Published in 1866, it is a story of a forest-dwelling girl named Kapalkundala, who fell in love and got married to Nabakumar, a young gentleman from Saptagram, but eventually found that she is unable to adjust herself with the city life. Following the success of Chattopadhyay's first novel Durgeshnandini, he decided to write about a girl who is brought up in a remote forest by a Kapalika (Tantrik sage) and never saw anyone but her foster-father. The story is set in Dariapur, Contai in modern-day Purba Medinipur district, Paschimbanga (West Bengal) where Chattopadhyay served as a Deputy Magistrate and Deputy Collector.Kapalkundala is considered as one of the finest and the most popular of Chattopadhyay's novels. It has been translated into English, German, Hindi, Gujrati, Tamil, Telugu and Sanskrit. Girish Chandra Ghosh, one of the pioneers of Bengali drama, and Atul Krishna Mitra dramatized the novel separately