Kafkas Nonhuman Form
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| Author | : Ted Geier |
| Publisher | : Springer |
| Total Pages | : 129 |
| Release | : 2016-08-23 |
| Genre | : Literary Criticism |
| ISBN | : 331940394X |
This book is a compact study of Kafka’s inimitable literary style, animals, and ecological thought—his nonhuman form—that proceeds through original close readings of Kafka’s oeuvre. With select engagements of Adorno, Derrida, and the literary heritage from Romanticism to Dickens that influenced Kafka, Ted Geier discusses Kafka’s literary, “nonhuman” form and the way it unsettles the notion of a natural and simple existence that society and culture impose, including the boundaries between human and animal. Through careful attention to the formal predicaments of Kafka’s works and engaging with Kafka’s original legal and social thought in his novels and short stories, this book renders Kafka’s sometimes impossibly enigmatic work legible at the level of its expression, bringing surprising shape to his work and redefining what scholars and readers have understood as the “Kafkaesque”.
| Author | : Naama Harel |
| Publisher | : University of Michigan Press |
| Total Pages | : 217 |
| Release | : 2020-05-04 |
| Genre | : Literary Criticism |
| ISBN | : 0472902091 |
Nonhuman figures are ubiquitous in the work of Franz Kafka, from his early stories down to his very last one. Despite their prominence throughout his oeuvre, Kafka’s animal representations have been considered first and foremost as mere allegories of intrahuman matters. In recent years, the allegorization of Kafka’s animals has been poetically dismissed by Kafka’s commentators and politically rejected by posthumanist scholars. Such critique, however, has yet to inspire either an overarching or an interdiscursive account. This book aims to fill this lacuna. Positing animal stories as a distinct and significant corpus within Kafka’s entire poetics, and closely examining them in dialogue with both literary and posthumanist analysis, Kafka’s Zoopoetics critically revisits animality, interspecies relations, and the very human-animal contradistinction in the writings of Franz Kafka. Kafka’s animals typically stand at the threshold between humanity and animality, fusing together human and nonhuman features. Among his liminal creatures we find a human transformed into vermin (in “The Metamorphosis”), an ape turned into a human being (in “A Report to an Academy”), talking jackals (in “Jackals and Arabs”), a philosophical dog (in “Researches of a Dog”), a contemplative mole-like creature (in “The Burrow”), and indiscernible beings (in “Josefine, the Singer or the Mouse People”). Depicting species boundaries as mutable and obscure, Kafka creates a fluid human-animal space, which can be described as “humanimal.” The constitution of a humanimal space radically undermines the stark barrier between human and other animals, dictated by the anthropocentric paradigm. Through denying animalistic elements in humans, and disavowing the agency of nonhuman animals, excluding them from social life, and neutralizing compassion for them, this barrier has been designed to regularize both humanity and animality. The contextualization of Kafka's animals within posthumanist theory engenders a post-anthropocentric arena, which is simultaneously both imagined and very real.
| Author | : Saskia Elizabeth Ziolkowski |
| Publisher | : University of Toronto Press |
| Total Pages | : 313 |
| Release | : 2020-01-06 |
| Genre | : Literary Criticism |
| ISBN | : 1487506309 |
This book explores Kafka's sometimes surprising connections with key Italian writers, from Italo Calvino to Elena Ferrante, who shaped Italy's modern literary landscape.
| Author | : Andrea Ebarb |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 276 |
| Release | : 2023-04-26 |
| Genre | : History |
| ISBN | : 3111058174 |
Die 1992 gegründete Buchreihe ist interdisziplinär ausgerichtet; sie umfasst wissenschaftliche Monographien, Aufsatzsammlungen und kommentierte Quelleneditionen vom 18. Jahrhundert bis zur Gegenwart. Der Begriff deutsch-jüdische Literatur bzw. Kultur verweist auf Werke jüdischer Autoren in deutscher Sprache, insoweit jüdische Aspekte erkennbar sind. Aber auch das häufig vom Antisemitismus geprägte Judenbild nichtjüdischer Autoren wird zu einem Faktor der literarisch vermittelten deutsch-jüdischen Beziehungsgeschichte. Der Erforschung des gesamten Problemfelds bietet die Reihe ein angemessenes Forum.
| Author | : Naama Harel |
| Publisher | : University of Michigan Press |
| Total Pages | : 217 |
| Release | : 2020-04-14 |
| Genre | : Literary Criticism |
| ISBN | : 0472126512 |
Nonhuman figures are ubiquitous in the work of Franz Kafka, from his early stories down to his very last one. Despite their prominence throughout his oeuvre, Kafka’s animal representations have been considered first and foremost as mere allegories of intrahuman matters. In recent years, the allegorization of Kafka’s animals has been poetically dismissed by Kafka’s commentators and politically rejected by posthumanist scholars. Such critique, however, has yet to inspire either an overarching or an interdiscursive account. This book aims to fill this lacuna. Positing animal stories as a distinct and significant corpus within Kafka’s entire poetics, and closely examining them in dialogue with both literary and posthumanist analysis, Kafka’s Zoopoetics critically revisits animality, interspecies relations, and the very human-animal contradistinction in the writings of Franz Kafka. Kafka’s animals typically stand at the threshold between humanity and animality, fusing together human and nonhuman features. Among his liminal creatures we find a human transformed into vermin (in “The Metamorphosis”), an ape turned into a human being (in “A Report to an Academy”), talking jackals (in “Jackals and Arabs”), a philosophical dog (in “Researches of a Dog”), a contemplative mole-like creature (in “The Burrow”), and indiscernible beings (in “Josefine, the Singer or the Mouse People”). Depicting species boundaries as mutable and obscure, Kafka creates a fluid human-animal space, which can be described as “humanimal.” The constitution of a humanimal space radically undermines the stark barrier between human and other animals, dictated by the anthropocentric paradigm. Through denying animalistic elements in humans, and disavowing the agency of nonhuman animals, excluding them from social life, and neutralizing compassion for them, this barrier has been designed to regularize both humanity and animality. The contextualization of Kafka's animals within posthumanist theory engenders a post-anthropocentric arena, which is simultaneously both imagined and very real.
| Author | : Heather H. Yeung |
| Publisher | : Springer Nature |
| Total Pages | : 117 |
| Release | : 2020-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 303044158X |
On Literary Plasticity: Readings with Kafka in Ecology, Voice, and Object-Life calls to Franz Kafka, and in particular ‘Die Sorge des Hausvaters’, for aid in charting the long reach of plastic on the human mind and world. In this book, Heather H. Yeung builds a past and future ecology of plastic, arguing that it is through a deep reading of literature that we can begin to understand more clearly what it is that plastic means to us today, asking, under the auspices of the idea of literary plasticity: what are the true depths of our twenty-first-century fascination with plastic? How did we become so entangled? How can we come to a better understanding of plastic’s role in our imagination, our environment, and our lives? What can literature teach us in this respect? Why should we care?
| Author | : Rasheed Tazudeen |
| Publisher | : Cornell University Press |
| Total Pages | : 185 |
| Release | : 2024-08-15 |
| Genre | : Literary Criticism |
| ISBN | : 1501776517 |
Modernism's Inhuman Worlds explores the centrality of ecological precarity, species indeterminacy, planetary change, and the specter of extinction to modernist and contemporary metamodernist literatures. Modernist ecologies, Rasheed Tazudeen argues, emerge in response to the enigma of how to imagine inhuman being—including soils, forests, oceans, and the earth itself—through languages and epistemologies that have only ever been humanist. How might (meta)modernist aesthetics help us to imagine (with) inhuman worlds, including the worlds still to be made on the other side of mass extinction? Through innovative readings of canonical and emergent modernist and metamodernist works, Tazudeen theorizes inhuman modernism as a call toward further receptivity to the worlds, beings, and relations that tend to go unthought within Western humanist epistemologies. Modernist engagements with the figures of enigma, riddle, and metaphor, according to the book's central argument, offer a means toward what Franz Kafka calls an "otherwise" speaking, based on language's obliqueness to inhuman and planetary being. Drawing on ecocriticism, decolonial and feminist science studies, postcolonial theory, inhuman geography, and sound studies, Tazudeen analyzes an inhuman modernist lineage—spanning from Darwin, Carroll, and Flaubert, through Joyce, Kafka, and Woolf, to contemporary poetic works—as both part of a collaborative rethinking of modernism's planetary and inhuman aesthetics, as well as occasions for imagining new modes of livingness for the extinctions to come.
| Author | : Timothy C. Baker |
| Publisher | : Springer |
| Total Pages | : 242 |
| Release | : 2019-01-07 |
| Genre | : Literary Criticism |
| ISBN | : 3030038807 |
This book surveys a broad range of contemporary texts to show how representations of human-animal relations challenge the anthropocentric nature of fiction. By looking at the relation between language and suffering in twenty-first-century fiction and drawing on a wide range of theoretical approaches, Baker suggests new opportunities for exploring the centrality of nonhuman animals in recent fiction: writing animal lives leads to new narrative structures and forms of expression. These novels destabilise assumptions about the nature of pain and vulnerability, the burden of literary inheritance, the challenge of writing the Anthropocene, and the relation between text and image. Including both well-known authors and emerging talents, from J.M. Coetzee and Karen Joy Fowler to Sarah Hall, Alexis Wright, and Max Porter, and texts from experimental fiction to work for children, Writing Animals offers an original perspective on both contemporary fiction and the field of literary animal studies.
| Author | : Seán McCorry |
| Publisher | : Springer Nature |
| Total Pages | : 259 |
| Release | : 2019-10-29 |
| Genre | : Literary Criticism |
| ISBN | : 3030269175 |
This collection of essays centers on literary representations of meat-eating, bringing aesthetic questions into dialogue with more established research on the ethics and politics of meat. From the decline of traditional animal husbandry to the emergence of intensive agriculture and the biotechnological innovation of in vitro meat, the last hundred years have seen dramatic changes in meat production. Meat consumption has risen substantially, inciting the emergence of new forms of political subjectivity, such as the radical rejection of meat production in veganism. Featuring essays on both canonical and lesser-known authors, Literature and Meat Since 1900 illustrates the ways in which our meat regime is shaped, reproduced and challenged as much by cultural and imaginative factors as by political contestation and moral reasoning.
| Author | : Carolin Duttlinger |
| Publisher | : Oxford University Press |
| Total Pages | : 456 |
| Release | : 2022-05-26 |
| Genre | : Social Science |
| ISBN | : 0192669788 |
Attention is fundamental to how we experience reality, and yet this notion has been understood and practised in very different ways across history. This interdisciplinary study explores the dynamic relationship between attention and its supposed opposite, distraction, as it unfolds from the eighteenth century to the present day. Its primary focus is on twentieth-century Germany and Austria, where matters of (in)attention gained a unique urgency during a period of social change and political crisis. Building on Enlightenment practices of self-observation, nineteenth-century Germany was the birthplace of experimental psychology, a discipline which sought to measure and potentially enhance human attention. This approach was also adopted outside the psychological laboratory—for instance in the First World War, when psychological testing was used to select soldiers for particular strategic positions. After the war these techniques filtered through into everyday life. Weimar Germany was unique in the western world in rolling out the methods of 'psychotechnics' across civilian society—in fields such as work and education, advertising and mass entertainment. This state-sponsored programme aimed to reshape people's minds and behaviour in order to build a more efficient, streamlined society. But as this study shows, this initiative also had profound repercussions in the fields of thought, literature, and culture. New readings of leading writers and intellectuals of the period—Kafka, Musil, Kracauer, Benjamin, and Adorno—are interspersed with broader cultural-historical chapters dedicated to the history of psychology and psychiatry, to Weimar self-help literature, portrait photography, and musical culture.
