Kabukis Nineteenth Century
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| Author | : Zwicker |
| Publisher | : Oxford University Press |
| Total Pages | : 305 |
| Release | : 2023-09-07 |
| Genre | : Art |
| ISBN | : 0192890913 |
Kabuki's Nineteenth Century examines the theater culture of nineteenth-century Japan from the perspective of the history and materiality of the book, the nature of reception, and the making and making use of images. The aim of this book is to rediscover the kabuki theater of nineteenth-century Japan by shifting our critical focus from performance to print and the public sphere, and thus embedding theater history within the larger world of printed matter by means of which theatricality circulated beyond the stage and through which performance was most often consumed. Fundamental to Kabuki's Nineteenth Century is a reconsideration of the nature of the printed archive itself. The book argues that the archive of printed material related to the theater in nineteenth-century Japan (playbills, actor critiques, theater guides, maps, actor prints, calendars, and broadsheets) is something more than--and more complicated than--a set of materials out of which we might reconstitute the always transient event of performance. Rather, the archive constitutes an object of inquiry unto itself, an object that reveals as much about the interrelations between and among various printed media and genres circulating beyond the confines of the theater as it does about what happened on stage. Even as we use these materials to examine the history of performance, a series of different questions might be asked: what can the production, consumption, and collecting of this enormous body of printed matter tell us about such problems as the role of print in everyday life, the construction of specialized knowledges, and the manner in which a culture archives itself?
| Author | : Satoko Shimazaki |
| Publisher | : Columbia University Press |
| Total Pages | : 389 |
| Release | : 2016-04-26 |
| Genre | : History |
| ISBN | : 0231540523 |
Satoko Shimazaki revisits three centuries of kabuki theater, reframing it as a key player in the formation of an early modern urban identity in Edo Japan and exploring the process that resulted in its re-creation in Tokyo as a national theatrical tradition. Challenging the prevailing understanding of early modern kabuki as a subversive entertainment and a threat to shogunal authority, Shimazaki argues that kabuki instilled a sense of shared history in the inhabitants of Edo (present-day Tokyo) by invoking "worlds," or sekai, derived from earlier military tales, and overlaying them onto the present. She then analyzes the profound changes that took place in Edo kabuki toward the end of the early modern period, which witnessed the rise of a new type of character: the vengeful female ghost. Shimazaki's bold reinterpretation of the history of kabuki centers on the popular ghost play Tokaido Yotsuya kaidan (The Eastern Seaboard Highway Ghost Stories at Yotsuya, 1825) by Tsuruya Nanboku IV. Drawing not only on kabuki scripts but also on a wide range of other sources, from theatrical ephemera and popular fiction to medical and religious texts, she sheds light on the development of the ubiquitous trope of the vengeful female ghost and its illumination of new themes at a time when the samurai world was losing its relevance. She explores in detail the process by which nineteenth-century playwrights began dismantling the Edo tradition of "presenting the past" by abandoning their long-standing reliance on the sekai. She then reveals how, in the 1920s, a new generation of kabuki playwrights, critics, and scholars reinvented the form again, "textualizing" kabuki so that it could be pressed into service as a guarantor of national identity.
| Author | : C. Andrew Gerstle |
| Publisher | : |
| Total Pages | : 316 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : |
The creation of celebrity and fame is a topic easily understandable in today's world of pop idol competitions and reality TV shows. This exhibition and catalogue will focus on a similar phenomenon of the late eighteenth and nineteenth centuries, when urban Osaka and Tokyo created superstar actors, and will show how this was a stimulus for the creation of theatre, visual arts and poetry. Visitors to the exhibition will be struck by a colourful and varied visual display through which actors were portrayed as legendary urban heroes. The dates of items included will range from about 1780 until the 1830s; but the core of the exhibition will cover the period 1800-1821, and focus on the fierce rivalry between the two Osaka Kabuki superstars, Arashi Kichisaburo II (Rikan I, 1769-1821) and Nakamura Utaemon III (Shikan I, 1778-1838). Books, surimono, single sheet actor prints and albums will highlight the different ways in which actors and performances were represented, and show how this was part of a complex strategy to create celebrity for the actors, poets and artists involved.
| Author | : Jonathan Zwicker |
| Publisher | : BRILL |
| Total Pages | : 284 |
| Release | : 2020-03-23 |
| Genre | : History |
| ISBN | : 1684174465 |
"The history of the book in nineteenth-century Japan follows an uneven course that resists the simple chronology often used to mark the divide between premodern and modern literary history.By examining the obscured histories of publication, circulation, and reception of widely consumed literary works from late Edo to the early Meiji period, Jonathan Zwicker traces a genealogy of the literary field across a long nineteenth century: one that stresses continuities between the generic conventions of early modern fiction and the modern novel. In the literature of sentiment Zwicker locates a tear-streaked lens through which to view literary practices and readerly expectations that evolved across the century.Practices of the Sentimental Imagination emphasizes both qualitative and quantitative aspects of literary production and consumption, balancing close readings of canonical and noncanonical texts, sophisticated applications of critical theory, and careful archival research into the holdings of nineteenth-century lending libraries and private collections. By exploring the relationships between and among Japanese literary works and texts from late imperial China, Europe, and America, Zwicker also situates the Japanese novel within a larger literary history of the novel across the global nineteenth century."
| Author | : James R. Brandon |
| Publisher | : University of Hawaii Press |
| Total Pages | : 482 |
| Release | : 2008-10-31 |
| Genre | : Art |
| ISBN | : 0824832000 |
According to a myth constructed after Japan’s surrender to the Allied Forces in 1945, kabuki was a pure, classical art form with no real place in modern Japanese society. In Kabuki’s Forgotten War, senior theater scholar James R. Brandon calls this view into question and makes a compelling case that, up to the very end of the Pacific War, kabuki was a living theater and, as an institution, an active participant in contemporary events, rising and falling in consonance with Japan’s imperial adventures. Drawing extensively from Japanese sources—books, newspapers, magazines, war reports, speeches, scripts, and diaries—Brandon shows that kabuki played an important role in Japan’s Fifteen-Year Sacred War. He reveals, for example, that kabuki stars raised funds to buy fighter and bomber aircraft for the imperial forces and that pro-ducers arranged large-scale tours for kabuki troupes to entertain soldiers stationed in Manchuria, China, and Korea. Kabuki playwrights contributed no less than 160 new plays that dramatized frontline battles or rewrote history to propagate imperial ideology. Abridged by censors, molded by the Bureau of Information, and partially incorporated into the League of Touring Theaters, kabuki reached new audiences as it expanded along with the new Japanese empire. By the end of the war, however, it had fallen from government favor and in 1944–1946 it nearly expired when Japanese government decrees banished leading kabuki companies to minor urban theaters and the countryside. Kabuki’s Forgotten War includes more than a hundred illustrations, many of which have never been published in an English-language work. It is nothing less than a com-plete revision of kabuki’s recent history and as such goes beyond correcting a significant misconception. This new study remedies a historical absence that has distorted our understanding of Japan’s imperial enterprise and its aftermath.
| Author | : Richard King |
| Publisher | : Lexington Books |
| Total Pages | : 318 |
| Release | : 2012 |
| Genre | : History |
| ISBN | : 073917150X |
This is a multi-author work which examines the cultural dimensions of the relations between East Asia's two great powers, China and Japan, in a period of change and turmoil, from the late nineteenth century to the end of the Second World War. This period saw Japanese invasion of China, the occupation of China's North-east (Manchuria) and Taiwan, and war between the two nations from 1937-1945; the scars of that war are still evident in relations between the two countries today. In their quest for modernity, the rulers and leading thinkers of China and Japan defined themselves in contradisctinction to the other, influenced both by traditional bonds of classical culture and by the influx of new Western ideas that flowed through Japan to China. The experiences of intellectual and cultural awakening in the two countries were inextricably linked, as our studies of poetry, fiction, philosophy, theatre, and popular culture demonstrate. The chapters explore this process of "transculturation" - the sharing and exchange of ideas and artistic expression - not only in Japan and China, but in the larger region which Joshua Fogel has called the "Sinosphere," an area including Korea and parts of Southeast Asia with a shared heritage of Confucian statecraft and values underpinned by the classical Chinese language. The authors of the chapters, who include established senior academics and younger scholars, and employ a range of disciplines and methodologies, were selected by the editors for their expertise in particular aspects of this rich and complex cultural relationship. As for the editors: Richard King and Cody Poulton are scholars and translators of Chinese literature and Japanese theatre respectively, each taking a historical and comparative perspective to the study of their subject; Katsuhiko Endo is an intellectual historian dealing with both Japan and China.
| Author | : Ellen P. Conant |
| Publisher | : University of Hawaii Press |
| Total Pages | : 312 |
| Release | : 2006-02-28 |
| Genre | : Art |
| ISBN | : 0824840593 |
The complex and coherent development of Japanese art during the course of the nineteenth century was inadvertently disrupted by a political event: the Meiji Restoration of 1868. Scholars of both the preceding Edo (1615–1868) and the succeeding Meiji (1868–1912) eras have shunned the decades bordering this arbitrary divide, thus creating an art-historical void that the former view as a period of waning technical and creative inventiveness and the latter as one threatened by Meiji reforms and indiscriminate westernization and modernization. Challenging Past and Present, to the contrary, demonstrates that the period 1840–1890, as seen progressively rather than retrospectively, experienced a dramatic transformation in the visual arts, which in turn made possible the creative achievements of the twentieth century. The first group of chapters takes as its theme the diverse cultural currents of the transitional period, particularly as they applied to art.The second section deals with the inconsistent yet determinedly pragmatic courses pursed by artists, entrepreneurs, and patrons to achieve a secure footing in the uncertain terrain of early Meiji. Further chapters look at how painters and sculptors sought to absorb and integrate foreign influences and reinterpret their own stylistic mediums.
| Author | : Harue Tsutsumi |
| Publisher | : |
| Total Pages | : 686 |
| Release | : 2004 |
| Genre | : |
| ISBN | : |
| Author | : Jonathan Zwicker |
| Publisher | : Oxford University Press |
| Total Pages | : 305 |
| Release | : 2023-08-09 |
| Genre | : Art |
| ISBN | : 0192890972 |
Kabuki's Nineteenth Century examines the theater culture of nineteenth-century Japan from the perspective of the history and materiality of the book, the nature of reception, and the making and making use of images. The aim of this book is to rediscover the kabuki theater of nineteenth-century Japan by shifting our critical focus from performance to print and the public sphere, and thus embedding theater history within the larger world of printed matter by means of which theatricality circulated beyond the stage and through which performance was most often consumed. Fundamental to Kabuki's Nineteenth Century is a reconsideration of the nature of the printed archive itself. The book argues that the archive of printed material related to the theater in nineteenth-century Japan (playbills, actor critiques, theater guides, maps, actor prints, calendars, and broadsheets) is something more than—and more complicated than—a set of materials out of which we might reconstitute the always transient event of performance. Rather, the archive constitutes an object of inquiry unto itself, an object that reveals as much about the interrelations between and among various printed media and genres circulating beyond the confines of the theater as it does about what happened on stage. Even as we use these materials to examine the history of performance, a series of different questions might be asked: what can the production, consumption, and collecting of this enormous body of printed matter tell us about such problems as the role of print in everyday life, the construction of specialized knowledges, and the manner in which a culture archives itself?
| Author | : James R. Brandon |
| Publisher | : |
| Total Pages | : 456 |
| Release | : 2002 |
| Genre | : Drama |
| ISBN | : |
This first volume in a series collecting kabuki play translations draws on new research in kabuki performance and history and presents translations of traditional plays by 22 scholars ranging from the eminent to emerging. Includes over two dozen playwrights and 51 plays representing a range of history or period plays (judaimono), domestic plays (sewamono), and dance pieces (shosagoto or buyo-geki). Plays were selected to show the widest array of kabuki dramaturgy from the Genroku era to the turn of the 20th century. Fine color and b&w illustrations. Annotation copyrighted by Book News, Inc., Portland, OR.
