Emotional Intelligence 2.0

Emotional Intelligence 2.0
Author: Travis Bradberry
Publisher: TalentSmart
Total Pages: 282
Release: 2009
Genre: Business & Economics
ISBN: 0974320625

"Includes a new & enhanced online edition of the world's most popular emotional intelligence test."

Organizational Communication

Organizational Communication
Author: Katherine Miller
Publisher: Wadsworth Publishing Company
Total Pages: 0
Release: 2003
Genre: Communication in organizations
ISBN: 9780534561444

This volume presents organizational communication from both a communication and managerial perspective. The text's writing style and use of examples and case studies should prove accessible to undergraduates.

Finite Elements 1-2-3

Finite Elements 1-2-3
Author: A. J. Baker
Publisher: McGraw-Hill Companies
Total Pages: 376
Release: 1991
Genre: Mathematics
ISBN:

This text is intended for the student who is being introduced for the first time to the Finite Element Method (FEM). Written in a simple, easy to follow manner, the book is a practical guide for learning the basics of the method and applying them to a wide variety of problems. The book focuses on the practical applications of fundamental concepts, with special emphasis on fluid mechanics. Computational experiments are integrated throughout the text via example problems and exercises. A comprehensive finite element instructional computer code, written for the PC using standard FORTRAN 77, is used to support every basic step and solve the set of example problems. The coverage of numerical linear algebra presents a unique numerical scheme based on continuing finite element/finite difference methodologies.

Lies My Music Teacher Told Me

Lies My Music Teacher Told Me
Author: Gerald Eskelin
Publisher: Stage Three Publishing
Total Pages: 0
Release: 2004-08
Genre: Music
ISBN: 9781886209251

A number of musical misconceptions are explored and exploded in this humorous and lucid discussion of the relation between the human perception of music and traditional systems of music education. Drawing on his extensive background in the music world, the author marshals an informal yet rigorous logic to guide the reader through the practical experiences and careful thinking that led him to his conclusions. Updated and refined in the light of reader feedback and more recent thinking, nagging questions such as Why does formal musical training seem not to pertain to musical success?and Why is there such a dramatic disparity between what one is told about music and how one actually experiences it?are re-addressed.Seekers of musical truth stand to profit from this light-hearted assault on the more nebulous assumptions of the musical community.