Journal of the University Film Association
Author | : University Film Association |
Publisher | : |
Total Pages | : 560 |
Release | : 1981 |
Genre | : Documentary films |
ISBN | : |
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Author | : University Film Association |
Publisher | : |
Total Pages | : 560 |
Release | : 1981 |
Genre | : Documentary films |
ISBN | : |
Author | : Jonas Mekas |
Publisher | : Columbia University Press |
Total Pages | : 496 |
Release | : 2016-04-19 |
Genre | : Performing Arts |
ISBN | : 0231541589 |
In his Village Voice "Movie Journal" columns, Jonas Mekas captured the makings of an exciting movement in 1960s American filmmaking. Works by Andy Warhol, Gregory J. Markapoulos, Stan Brakhage, Jack Smith, Robert Breer, and others echoed experiments already underway elsewhere, yet they belonged to a nascent tradition that only a true visionary could identify. Mekas incorporated the most essential characteristics of these films into a unique conception of American filmmaking's next phase. He simplified complex aesthetic strategies for unfamiliar audiences and appreciated the subversive genius of films that many dismissed as trash. This new edition presents Mekas's original critiques in full, with additional material on the filmmakers, film studies scholars, and popular and avant-garde critics whom he inspired and transformed.
Author | : United States. Congress. Senate. Committee on Labor and Public Welfare |
Publisher | : |
Total Pages | : 1760 |
Release | : 1974 |
Genre | : Labor policy |
ISBN | : |
Author | : Linda Williams |
Publisher | : Rutgers University Press |
Total Pages | : 308 |
Release | : 1995 |
Genre | : Performing Arts |
ISBN | : 9780813521336 |
On visual perception in film and human subjectivity
Author | : Thomas W. Benson |
Publisher | : SIU Press |
Total Pages | : 452 |
Release | : 1989 |
Genre | : |
ISBN | : 9780809389377 |
Author | : Carolyn Anderson |
Publisher | : SIU Press |
Total Pages | : 246 |
Release | : 1991-04-25 |
Genre | : Performing Arts |
ISBN | : 080938292X |
A case history of the only American film under court-imposed restrictions for reasons other than obscenity or national security. Titicut Follies is an excoriating depiction of conditions in the Massachusetts Correctional Institution at Bridgewater, a prison-hospital for the criminally insane. The Commonwealth of Massachusetts took Wiseman to court, seeking to prevent the exhibition of Titicut Follies soon after its release in 1967. This account of the Titicut Follies case is based on ten years of research and relies on interviews, journalistic accounts, and especially on the legal record, including the Commonwealth v. Wiseman transcript, to describe the entire process of independent documentary filmmaking. The trials of Titicut Follies raise crucial questions about the relation of social documentary to its subjects and audiences.
Author | : Kit Hughes |
Publisher | : |
Total Pages | : 313 |
Release | : 2020 |
Genre | : Business & Economics |
ISBN | : 0190855789 |
Television has never been exclusive to the home. In Television at Work, Kit Hughes explores the forgotten history of how U.S. workplaces used television to secure industrial efficiency, support corporate expansion, and manage the hearts, minds, and bodies of twentieth century workers. Challenging our longest-held understandings of the medium, Hughes positions television at the heart of a post-Fordist reconfiguration of the American workplace revolving around dehumanized technological systems. Among other things, business and industry built private television networks to distribute programming, created complex CCTV data retrieval systems, encouraged the use of videotape for worker self-evaluation, used video cassettes for training distributed workforces, and wired cantinas for employee entertainment. In uncovering industrial television as a prolific sphere of media practice, Television at Work reveals how labor arrangements and information architectures shaped by these uses of television were foundational to the rise of the digitally mediated corporation and to a globalizing economy.
Author | : Arthur P. Shimamura |
Publisher | : Oxford University Press |
Total Pages | : 398 |
Release | : 2014-02-15 |
Genre | : Psychology |
ISBN | : 0199862141 |
Largely through trial and error, filmmakers have developed engaging techniques that capture our sensations, thoughts, and feelings. Philosophers and film theorists have thought deeply about the nature and impact of these techniques, yet few scientists have delved into empirical analyses of our movie experience-or what Arthur P. Shimamura has coined "psychocinematics." This edited volume introduces this exciting field by bringing together film theorists, philosophers, psychologists, and neuroscientists to consider the viability of a scientific approach to our movie experience.
Author | : Anthony Slide |
Publisher | : McFarland |
Total Pages | : 246 |
Release | : 2000-08-21 |
Genre | : Performing Arts |
ISBN | : 9780786408368 |
This study looks at the preservation process: newsreel, television, and color preservation; the often controversial issue of colorization; and commercial film archives. It provides detailed histories of the major players in the preservation battle including the International Museum of Photography at George Eastman House, the American Film Institute, the Museum of Modern Art, the UCLA Film and Television Archive, and the Library of Congress. This first historical overview of film preservation in the United States is also highly controversial in its exposure and criticism of the politicization of film preservation in recent years, and the rising bureaucracy which has often lost sight of preservation and restoration as the ultimate purpose of film archives.