Jose Asuncion Silva
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Author | : José Asunción Silva |
Publisher | : University of Texas Press |
Total Pages | : 272 |
Release | : 2010-01-01 |
Genre | : Fiction |
ISBN | : 0292774990 |
Lost in a shipwreck in 1895, rewritten before the author's suicide in 1896, and not published until 1925, José Asunción Silva's After-Dinner Conversation (De sobremesa) is one of Latin America's finest fin de siècle novels and the first one to be translated into English. Perhaps the single best work for understanding turn-of-the-twentieth-century writing in South America, After-Dinner Conversation is also cited as the continent's first psychological novel and an outstanding example of modernista fiction and the Decadent sensibility. Semi-autobiographical and more important for style than plot, After-Dinner Conversation is the diary of a Decadent sensation-collector in exile in Paris who undertakes a quest to find his beloved Helen, a vision whom his fevered imagination sees as his salvation. Along the way, he struggles with irreconcilable urges and temptations that pull him in every direction while he endures an environment indifferent or hostile to spiritual and intellectual pursuits, as did the modernista writers themselves. Kelly Washbourne's excellent translation preserves Silva's lush prose and experimental style. In the introduction, one of the most wide-ranging in Silva criticism, Washbourne places the life and work of Silva in their literary and historical contexts, including an extended discussion of how After-Dinner Conversation fits within Spanish American modernismo and the Decadent movement. Washbourne's perceptive comments and notes also make the novel accessible to general readers, who will find the work surprisingly fresh more than a century after its composition.
Author | : Mark Israel Smith-Soto |
Publisher | : |
Total Pages | : 320 |
Release | : 1975 |
Genre | : |
ISBN | : |
Author | : Jose Emilio Pacheco |
Publisher | : City Lights Books |
Total Pages | : 228 |
Release | : 1997-04 |
Genre | : Poetry |
ISBN | : 9780872863248 |
The leading poet of his generation, Jose Emilio Pacheco is one of Mexico's most esteemed and beloved writers. City of Memory and Other Poems presents two of his finest poetry collections, accompanied by beautifully rendered translations. The first, "City of Memory," touches on Pacheco's major literary obsessions: the destructive effects of time; the essential egotism and cruelty of the natural world, with humankind at its violent center; and the capacity of the human spirit to achieve transcendence. The second, "I watch the Earth," is an emotional catharsis, the poet's mediation on the tragic earthquake that devastated his native Mexico City in 1985. Together, these poems paint a vivid picture of the noble beauty and uncontrollable tragedy that is Mexico-and the world-today. Jose Emilio Pacheco is the winner of the Jose Asuncion Silva Award for the best book of poetry to appear in Spanish from 1990 to 1995. Novelist, poet, essayist, and translator, he lives in Mexico City. Cynthia Steele is the author of Politics, Gender and the Mexican Novel, 1968-1988, Beyond the Pyramid and the translator of Underground River and Other Stories by Ines Arredondo. David Lauer is a poet and translator who lives in Chihuahua, Mexico.
Author | : Jonathan Cohen |
Publisher | : New Directions Publishing |
Total Pages | : 220 |
Release | : 2011 |
Genre | : Literary Criticism |
ISBN | : 9780811218856 |
This is a bilingual collection of various Spanish and Latin American poets.
Author | : Gabriele D'Annunzio |
Publisher | : Mondial |
Total Pages | : 214 |
Release | : 2006 |
Genre | : Fiction |
ISBN | : 1595690581 |
Originally published in 1889, this work's protagonist Andrea Sperelli introduced the Italian culture to aestheticism and a taste for decadence. The young count seeks beauty, despises the bourgeois world, and rejects the basic rules of morality and social interaction. His corruption is evident in his sadistic superimposing of two women.
Author | : Robert Fernandez |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : American poetry |
ISBN | : 9780984947133 |
Poetry. In PINK REEF, Robert Fernandez expands on the elegant nightmare of his acclaimed first collection, WE ARE PHARAOH, and cuts even deeper into the heart of modernity. His imagination has arrived from the future.
Author | : Gabriel Eljaiek-Rodriguez |
Publisher | : Anthem Press |
Total Pages | : 177 |
Release | : 2021-11-16 |
Genre | : Literary Criticism |
ISBN | : 1785278339 |
The Colombian Gothic in Cinema and Literature traces the aesthetic and political development of the Gothic genre in Colombia. Gabriel Eljaiek-Rodríguez shows how, in the hands of Colombian writers and filmmakers, Gothic tropes are taken to their extremes to reflect particularly Colombian issues, like the ongoing armed conflict in the country since the 1950s as various left wing guerillas, government factions and paramilitary groups escalated violence. In this context, collectives such as the “Cali group” challenge both the centrality of US and European Gothics as well as the centrality of Bogota-centered perspectives of Colombian politics and conflict. The book demonstrates how writers and filmmakers transform the European and American Gothic to show genealogical links between colonization, imperialism and domestic elites’ maintenance of social inequalities.
Author | : J. M. Cohen |
Publisher | : Transaction Publishers |
Total Pages | : 0 |
Release | : 2008 |
Genre | : Literary Criticism |
ISBN | : 0202361853 |
This book begins in a narrow territory, strictly Western, and extends with the passage of time to include the poetry, plays, novels, and works of speculation of the great authors of the past and present from Russia to Mexico. his objective is to tell the whole story of Western writing in languages other than English from the twelfth-century Chanson de Roland to Evtushenko's poetry of the 1960s. Cohen not only presents a factual account of historical growth. The book reflects the author's own judgments and valuations, arrived at in the course of almost forty years' reading in the main European languages. A work of original critism, A History of Western Literature immediately became a standard reference when first published. In this new edition, the author has included revisions covering the most important recent writers and their work. "Especially for American or British readers who want to explore under sensible guidance the main lines of Western letters, this carefully wrought handbook is indispensable."--Library Journal. "Considering Mr. Cohen's vast scope, his achievement is commendable. The information he presents is accurate. His style is surprisingly readable...."--Modern Language Journal. J. M. Cohen (1903-1989) was a widely known critic and a translator of French and Spanish literature. He was born in London and graduated from Cambridge University. His versions of Don Quixote, Gargantua and Pantagruel, and Rousseau's Confessions are recognized as among the finest modern translations.
Author | : Robert Fernandez |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : American poetry |
ISBN | : 9780982237656 |
Poetry. WE ARE PHARAOH is the debut collection from Robert Fernandez, native of Miami, recipient of a PIP Gertrude Stein Award for Innovative Poetry, and resident of Iowa City. Like a fever or a fire, this book sweeps across our contemporary cultural landscape, setting aglow and surveying its elements, then cataloging the embers. "WE ARE PHARAOH is a luscious saturnalia of language, adapting New York School painterliness to an erotic tropical sensibility: 'A mandrill clutching the throat in the billiard hall of Pele.' Its magic raises the pulse." Ange Mlinko"
Author | : Aileen Dever |
Publisher | : McFarland |
Total Pages | : 160 |
Release | : 2000-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780786408061 |
The postromantic works of the Spaniard Rosalía de Castro and the Colombian José Asunción Silva are indispensable in any anthology of 19th century Spanish and Latin American poetry. However, they found few appreciative readers during their lifetimes, even while displaying two of the most sincere voices of the day. Dever's book is unique: it is the first comparison of Castro's and Silva's poetry. Their works have meaningful differences but share remarkable likenesses in theme, tone, and style, though it is doubtful that either was aware of the other's existence. Of interest to feminist critics is an interpretation of Castro's literary vocation within a patriarchal society. Using the ideas of three 20th century Spanish thinkers, José Ortega y Gasset, Xavier Zubiri, and Pedro Laín Entralgo, Dever applies the concept of radical insufficiency to a comparison of the poets' works. Radical insufficiency holds that humans lack a determined being and fixed course for life, thus norms are not available to make the world intelligible. Humans experience feelings of uncertainty and emptiness, which inevitably lead to anxiety. Confronted by the mystery and pathos of human life, Castro and Silva both describe futile attempts to overcome this insufficiency through creation and contemplation of art, human relationships, and religion. The significance of these writers has transcended their own time; when examined in the context of Spanish and Latin American authors and thinkers who succeeded them, the importance of their works will continue to grow.