John Milton 1628 1731
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Author | : John T. Shawcross |
Publisher | : Psychology Press |
Total Pages | : 292 |
Release | : 1995 |
Genre | : English poetry |
ISBN | : 9780415134200 |
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : John T. Shawcross |
Publisher | : Routledge |
Total Pages | : 286 |
Release | : 2013-10-28 |
Genre | : Literary Criticism |
ISBN | : 1135035261 |
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material themselves.
Author | : |
Publisher | : BRILL |
Total Pages | : 1032 |
Release | : 2016-10-11 |
Genre | : Religion |
ISBN | : 9004326634 |
Christian-Muslim Relations, a Bibliographical History, Volume 8 (CMR 8) covering Northern and Eastern Europe in the period 1600-1700, is a continuing volume in a general history of relations between the two faiths from the seventh century to the early 20th century. It comprises a series of introductory essays and also the main body of detailed entries which treat all the works, surviving or lost, that have been recorded. These entries provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous leading scholars, CMR 8, along with the other volumes in this series is intended as a basic tool for research in Christian-Muslim relations. Section Editors: Clinton Bennett, Luis F. Bernabe Pons, Jaco Beyers, Lejla Demiri, Martha Frederiks, David Grafton, Stanisław Grodź, Alan Guenther, Emma Loghin, Gordon Nickel, Claire Norton, Reza Pourjavady, Douglas Pratt, Radu Păun, Peter Riddell, Umar Ryad, Cornelia Soldat, Karel Steenbrink, Davide Tacchini, Ann Thomson, Serge Traore, Carsten Walbiner
Author | : Joseph Crawford |
Publisher | : Bloomsbury Publishing |
Total Pages | : 364 |
Release | : 2011-02-28 |
Genre | : Literary Criticism |
ISBN | : 1849664196 |
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Why was Milton so important to the Romantics? How did 'Milton the Regicide', a man often regarded in his lifetime as a dangerous traitor and heretic, become 'the Sublime Milton'? The late eighteenth century saw a sudden and to date almost undocumented craze for all things Miltonic, the symptoms of which included the violation of his grave and the sale of his hair and bones as relics, the republication of all his works including his political tracts in unprecedented numbers, the appearance of the poet in the works, letters, dreams and visions of all the major British Romantic poets and even frequent reports of hauntings by his ghost. Drawing on the traditions of cultural, intellectual and bibliographic history as well as recent trends in literary scholarship on the romantic period, Joseph Crawford explores the dramatic shift in Milton's cultural status after 1790. He builds on a now significant literature on Milton's legacy to the Romantic poets, uncovering the cultural historical background against which the Romantics and their contemporaries encountered and interacted with Milton's reputation and works.
Author | : John Milton |
Publisher | : Routledge |
Total Pages | : 299 |
Release | : 2013-11-19 |
Genre | : Literary Criticism |
ISBN | : 1317762169 |
An edition of Milton's later work rk includes the text of six books of Paradise Lost, The History of Britain and the whole of Samson Agonistes. Through his introduction, commmentary and full annotations, Tony Davies sets the works in their political and cultural contexts, and discusses such themes as the `heroic'; sexuality and gender; and Milton's interrogation of the meaning of history.
Author | : Dr Martin Garrett |
Publisher | : Routledge |
Total Pages | : 384 |
Release | : 2002-09-11 |
Genre | : Literary Criticism |
ISBN | : 1134878613 |
First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Björn Quiring |
Publisher | : Routledge |
Total Pages | : 570 |
Release | : 2020-12-13 |
Genre | : History |
ISBN | : 100028980X |
Focusing on John Milton’s Paradise Lost , this book investigates the metaphorical identification of nature with a court of law – an old and persistent trope, haunted by ancient aporias, at the intersection of jurisprudence, philosophy and literature. In an enormous variety of texts, from the Greek beginnings of Western literature onward, nature has been described as a courtroom in which an all- encompassing trial takes place and a universal verdict is executed. The first, introductory part of this study sketches an overview of the metaphor’s development in European history, from antiquity to the seventeenth century. In its second, more extensive part, the book concentrates on Milton’s epic Paradise Lost in which the problem of the natural law court finds one of its most fascinating and detailed articulations. Using conceptual tools provided by Hannah Arendt, Walter Benjamin, Hans Blumenberg, Gilles Deleuze, William Empson and Alfred North Whitehead, the study demonstrates that the conflicts in Milton’s epic revolve around the tension between a universal legal procedure inherent in nature and the positive legal decrees of the deity. The divine rule is found to consolidate itself by Nature’s supplementary shadow government; their inconsistencies are not flaws, but rather fundamental rhetorical assets, supporting a law that is inherently "double- formed". In Milton’s world, human beings are thus confronted with a twofold law that entraps them in its endlessly proliferating double binds, whether they obey or not. The analysis of this strange juridical structure can open up new perspectives on Milton’s epic, as well as on the way legal discourse tends to entangle norms with facts and thus to embed itself in human life. This original and intriguing book will appeal not only to those engaged in the study of Milton, but also to anyone interested in the relationship between law, history, literature and philosophy.
Author | : Daniel Knapper |
Publisher | : Oxford University Press |
Total Pages | : 273 |
Release | : 2023-10-12 |
Genre | : Literary Criticism |
ISBN | : 0198879881 |
As a major source of debate on theological topics such as the resurrection of body and soul, justification by faith, and predestination, the New Testament epistles of Saint Paul played a central role in the development of religious thought and practice across Reformation Europe. But in a period when Christian belief and Biblical knowledge permeated every aspect of human life, how did Paul's epistles inform Europe's literary and rhetorical cultures? How did scholars and artists respond, not just to Paul's provocative ideas, but also to his provocative manner of expressing them? Pauline Style and Renaissance Literary Culture is the first critical history of Saint Paul's rhetorical style in the Renaissance, 1500-1700. It explores critical and creative responses to Paul's style across a wide range of mediums and genres, at a time when two powerful and confluent cultural forces—Humanism and Protestantism—profoundly altered conceptions of Biblical writing. Daniel Knapper argues that Paul's style developed into one of the most theoretically productive and artistically provocative styles of the Renaissance primarily because of its controversial reception among European Biblical humanists, who struggled to define and assess its volatile features, qualities, and expressive functions. This theoretical discourse directly impacted literary activity in England, shaping how and why English writers imitated Paul's style in their literary works. From the plays of William Shakespeare, to the devotional poetry of John Donne, to the courtly sermons of Lancelot Andrewes, to the polemical prose and epic poetry of John Milton, English writers imitated Paul's style—or, more precisely, a set of critically and culturally determined aspects of Paul's style—to produce specific aesthetic effects, reflect on pressing theological problems, and engage in heated religious controversies. In tracing the reception of Paul's style in Renaissance literary culture, this groundbreaking study reveals how and why English writers drew on Biblical models to develop their literary practices, even as it reveals how issues of style and rhetoric shaped Biblical interpretation and theological discourse in the contentious religious crucible of Reformation Europe.
Author | : Dennis Danielson |
Publisher | : Cambridge University Press |
Total Pages | : 320 |
Release | : 1999-07-22 |
Genre | : Literary Criticism |
ISBN | : 9780521655439 |
Introduces readers to the scope of Milton's work, the richness of its historical relations, and the range of current approaches to it.
Author | : Marion Gibson |
Publisher | : Routledge |
Total Pages | : 265 |
Release | : 2013-02-11 |
Genre | : History |
ISBN | : 1135082545 |
Imagining the Pagan Past explores stories of Britain’s pagan history. These tales have been characterised by gods and fairies, folklore and magic. They have had an uncomfortable relationship with the scholarly world; often being seen as historically dubious, self-indulgent romance and, worse, encouraging tribal and nationalistic feelings or challenging church and state. This book shows how important these stories are to the history of British culture, taking the reader on a lively tour from prehistory to the present. From the Middle Ages to the twenty-first century, Marion Gibson explores the ways in which British pagan gods and goddesses have been represented in poetry, novels, plays, chronicles, scientific and scholarly writing. From Geoffrey of Monmouth to Edmund Spenser, William Shakespeare to Seamus Heaney and H.G. Wells to Naomi Mitchison it explores Romano-British, Celtic and Anglo-Saxon deities and fictions. The result is a comprehensive picture of the ways in which writers have peopled the British pagan pantheons throughout history. Imagining the Pagan Past will be essential reading for all those interested in the history of paganism.