John Kaldor Family Collection
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| Author | : David De Boer |
| Publisher | : Lulu.com |
| Total Pages | : 52 |
| Release | : 2012-06-06 |
| Genre | : Art |
| ISBN | : 1105841588 |
When I was asked by the non-profit gallery FELT Space in Adelaide, Australia to propose an exhibition for their space I began thinking about other people who collect artwork and how their collections acquire cultural and financial significance through personal stories, exhibition histories and auctions, to name a few. This led me to the John Kaldor Family Collection of contemporary art that was donated to the Art Gallery of New South Wales in Australia. I marvel at John Kaldor's persistance and dedication to contemporary art but I also wondered if I could develop significance in my own versions of his artworks if I had them re-created by the painting fabrication company I work with in China and organized my own exhibition of artworks from the Kaldor Collection. With this as my focus I developed a catalog with images of the artworks and essays by artist Joey G. Cruz and art historians Andrea Bronte and Mary Coyne to give context and value to my re-made artworks.
| Author | : John Kaldor |
| Publisher | : |
| Total Pages | : 341 |
| Release | : 2011-01-01 |
| Genre | : Art |
| ISBN | : 9781741740639 |
The John Kaldor Family Collection is very much the result of his personal journey; it is neither comprehensive nor conditioned by a curatorial and intense curiosity. It is a collection nonetheless that speaks volumes with credibility and authority of the passage of art over five decades. Featuring artists such as : Richard Long, Robert Rauschenberg, Christo, Sol LeWitt ,Jeff Koons, Ugo Rondinone, Name June Paik, Bill Viola and many more.
| Author | : Anthony Bond |
| Publisher | : NewSouth |
| Total Pages | : 201 |
| Release | : 2015-08-01 |
| Genre | : Art |
| ISBN | : 1742242030 |
Curator Anthony Bond began building a contemporary international art collection at the Art Gallery of New South Wales, Sydney in 1984. The collection now features many important artists, including Anselm Kiefer, Antony Gormley, Francis Bacon, Anish Kapoor and Doris Salcedo. In The Idea of Art, Bond discusses the guiding philosophies that steered his formation of the gallery’s collection. Incorporating conversations with many high-profile contemporary artists, the book offers important insights into how recent innovations connect with the art of the past, and with human experience. ‘Anthony Bond’s intimate knowledge of and friendship with artists and empathy with their processes gives his insight a particular richness and relevance.’ – Antony Gormley
| Author | : Erin Brannigan |
| Publisher | : University of Michigan Press |
| Total Pages | : 375 |
| Release | : 2023-11-28 |
| Genre | : Performing Arts |
| ISBN | : 0472903896 |
There is a category of choreographic practice with a lineage stretching back to mid-20th century North America that has re-emerged since the early 1990s: dance as a contemporary art medium. Such work belongs as much to the gallery as does video art or sculpture and is distinct from both performance art and its history as well as from theater-based dance. The Persistence of Dance: Choreography as Concept and Material in Contemporary Art clarifies the continuities and differences between the second-wave dance avant-garde in the 1950s‒1970s and the third-wave starting in the 1990s. Through close readings of key artists such as Maria Hassabi, Sarah Michelson, Boris Charmatz, Meg Stuart, Philipp Gehmacher, Adam Linder, Agatha Gothe-Snape, Shelley Lasica and Latai Taumoepeau, The Persistence of Dance traces the relationship between the third-wave and gallery-based work. Looking at these artists highlights how the discussions and practices associated with “conceptual dance” resonate with the categories of conceptual and post-conceptual art as well as with the critical work on the function of visual art categories. Brannigan concludes that within the current post-disciplinary context, there is a persistence of dance and that a model of post-dance exists that encompasses dance as a contemporary art medium.
| Author | : Donna West Brett |
| Publisher | : Routledge |
| Total Pages | : 239 |
| Release | : 2015-12-07 |
| Genre | : Photography |
| ISBN | : 1317565649 |
As a recording device, photography plays a unique role in how we remember places and events that happened there. This includes recording events as they happen, or recording places where something occurred before the photograph was taken, commonly referred to as aftermath photography. This book presents a theoretical and historical analysis of German photography of place after 1945. It analyses how major historical ruptures in twentieth-century Germany and associated places of trauma, memory and history affected the visual field and the circumstances of looking. These ruptures are used to generate a new reading of postwar German photography of place. The analysis includes original research on world-renowned German photographers such as Thomas Struth, Thomas Demand, Michael Schmidt, Boris Becker and Thomas Ruff as well as photographers largely unknown in the Anglophone world.
| Author | : BMW Group, Independent Collectors |
| Publisher | : Hatje Cantz Verlag |
| Total Pages | : 281 |
| Release | : 2020-07-14 |
| Genre | : Art |
| ISBN | : 3775748334 |
The revised and extended BMW Art Guide by Independent Collectors presents nearly 300 private collections of contemporary art accessible to the public—featuring large and small, famous and the relatively unknown. Succinct portraits of the collections with countless color illustrations take the reader to more than 40 countries, often to regions or urban districts that are off the beaten path. This practical guide is a collaborative publication stemming from the partnership between BMW and Independent Collectors, the international online platform for collectors of contemporary art. To date, neither the Internet nor any book has ever contained a comparable assembly of international private collections, including several that have opened their doors to art lovers and connoisseurs for the first time.
| Author | : John Potts |
| Publisher | : Springer |
| Total Pages | : 250 |
| Release | : 2015-09-15 |
| Genre | : Social Science |
| ISBN | : 1137494387 |
In the networked age, we are living with changed parameters of time and space. Mobile networked communication fosters a form of virtual time and space, which is super-imposed onto territorial space. Time is increasingly composed of interruptions and distractions, as smartphone users are overwhelmed by messages.
| Author | : BMW Group, Independent Collectors |
| Publisher | : Hatje Cantz Verlag |
| Total Pages | : 321 |
| Release | : 2023-04-24 |
| Genre | : Art |
| ISBN | : 3775755845 |
The revised and extended BMW Art Guide by Independent Collectors presents 304 private collections of contemporary art accessible to the public—featuring large and small, famous and the relatively unknown. Succinct portraits of the collections with countless color illustrations take the reader to 51 countries, often to regions or urban districts that are off-the-beaten-path. This practical guide is a collaborative publication stemming from the partnership between BMW and Independent Collectors, the international online platform for collectors of contemporary art. To date, neither the Internet nor any book has ever contained a comparable assembly of international private collections, including several that have opened their doors to art lovers and connoisseurs for the first time.
| Author | : Louisa Bufardeci |
| Publisher | : BRILL |
| Total Pages | : 301 |
| Release | : 2024-10-10 |
| Genre | : Art |
| ISBN | : 900470695X |
How can artists (and others) who find themselves in positions of privilege think differently about the way they do what they do in order to create the conditions for better, more just relations to flourish? Finding an answer to that question is at the heart of this book. After critiquing the relationship between contemporary art, race and privilege the author brings together First Nation and feminist philosophies of relationality, the game of string figuring, and her own history as an artist to propose an alternate methodology that puts relation at the centre of practice. She introduces the multivalent concept of “tacking”—a movement at an oblique angle to prevailing winds—in order to traverse the waters of contemporary art to challenge power and create a more just future.
| Author | : Hans Ulrich Obrist |
| Publisher | : |
| Total Pages | : 524 |
| Release | : 2020-03 |
| Genre | : |
| ISBN | : 9780980677270 |
Shrouding one million square feet of Little Bay with fabric and rope, Wrapped Coast, 1969, by Christo and Jeanne-Claude was a groundbreaking piece of public art that propelled Sydney into the international art scene and left an indelible mark on Australian culture. On the fiftieth anniversary of Wrapped Coast, Kaldor Public Art Projects, the first organisation of its kind anywhere in the world, celebrates half a century of bringing leading contemporary artists and their works to Australian audiences.Making Art Public draws on the extensive Kaldor Public Art Projects Archive to chart the history of the art projects. Revealing never before seen material, this comprehensive publication examines each of the thirty-five projects from inception to realisation. With artist's drawings and sketches, research documentation, plans and correspondence, Making Art Public provides the reader with insight into how complex public art projects are brought to life.
