John Ashbery and Anglo-American Exchange

John Ashbery and Anglo-American Exchange
Author: Oli Hazzard
Publisher: Oxford University Press
Total Pages: 222
Release: 2018
Genre: Literary Criticism
ISBN: 0198822014

This book shows how Ashbery's poetry has been centrally concerned with questions of national identity and intercultural poetic exchange. Through detailed close readings of his poetry, original interviews, and extensive archival research, a new account of Ashbery's aesthetic, and a significant re-mapping of post-war English poetry, is presented.

Between Two Windows

Between Two Windows
Author: Oli Hazzard
Publisher: Carcanet Press
Total Pages: 0
Release: 2012
Genre: Poetry
ISBN: 9781847771391

The first book of poems by Oli Hazzard, this compilation exposes its author as a consummate master of language, a gifted writer of free verse with the ability to write in traditional poetic forms and stretch the forms to their limits. Through lyrical poems and satires, this collection explores contrasting milieus such as city and country and reality and dream, while subjects such as thefts and love affairs are expressed through palindromes, mirrored poems, and homophonic translations.

Self-Portrait in a Convex Mirror

Self-Portrait in a Convex Mirror
Author: John Ashbery
Publisher: Penguin
Total Pages: 98
Release: 1990-01-01
Genre: Poetry
ISBN: 0140586687

John Ashbery’s most renowned collection of poetry -- Winner of The Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award First released in 1975, Self-Portrait in a Convex Mirror is today regarded as one of the most important collections of poetry published in the last fifty years. Not only in the title poem, which the critic John Russell called “one of the finest long poems of our period,” but throughout the entire volume, Ashbery reaffirms the poetic power that made him an outstanding figure in contemporary literature. These are poems “of breathtaking freshness and adventure in which dazzling orchestrations of language open up whole areas of consciousness no other American poet as ever begun to explore” (The New York Times).

After the Death of Poetry

After the Death of Poetry
Author: Vernon Lionel Shetley
Publisher:
Total Pages: 232
Release: 1993
Genre: Literary Criticism
ISBN:

In this deft analysis, Vernon Shetley shows how writers and readers of poetry, operating under very different conventions and expectations, have drifted apart, stranding the once-vital poetic enterprise on the distant margins of contemporary culture. Along with a clear understanding of where American poetry stands and how it got there, After the Death of Poetry offers a compelling set of prescriptions for its future, prescriptions that might enable the art to regain its lost stature in our intellectual life. In exemplary case studies, Shetley identifies the very different ways in which three postwar poets--Elizabeth Bishop, James Merrill, and John Ashbery--try to restore some of the challenge and risk that characterized modernist poetry's relation to its first readers. Sure to be controversial, this cogent analysis offers poets and readers a clear sense of direction and purpose, and so, the hope of reaching each other again.

The Penguin Anthology of Twentieth-century American Poetry

The Penguin Anthology of Twentieth-century American Poetry
Author: Rita Dove
Publisher: Penguin Group
Total Pages: 656
Release: 2011
Genre: American poetry
ISBN: 0143106430

An anthology of twentieth-century American poetry, featuring Wallace Stevens, T.S. Eliot, Elizabeth Bishop, Robert Hayden, Gwendolyn Brooks, Derek Walcott, Adrienne Rich, John Ashbery, Anne Sexton, and many others.

Victorian Women's Travel Writing on Meiji Japan

Victorian Women's Travel Writing on Meiji Japan
Author: Tomoe Kumojima
Publisher: Oxford University Press
Total Pages: 246
Release: 2022-01-13
Genre: Literary Criticism
ISBN: 0192644866

Victorian Women's Travel Writing on Meiji Japan: Hospitable Friendship examines forgotten stories of cross-cultural friendship and intimacy between Victorian female travel writers and Meiji Japanese. Drawing on unpublished primary sources and contemporary Japanese literature hithero untranslated into English it highlights the open subjectivity and addective relationality of Isabella Bird, Mary Crawford Fraser, and Marie Stopes in their interactions with Japanese hosts. Victorian Women's Travel Writing on Meiji Japan demonstates how travel narratives and literary works about non-colonial Japan complicate and challenge Oriental stereotypes and imperial binaries. It traces the shifts in the representation of Japan in Victorian discourse from obsequious mousmé to virile samurai alongside transitions in the Anglo-Japanese bilateral relationship and global geopolitical events. Considering the ethical and political implications of how Victorian women wrote about their Japanese friends, it examines how female travellers created counter discourses. It charts the unexplored terrain of female interracial and cross-cultural friendship and love in Victorian literature, emphasizing the agency of female travellers against the scholarly tendency to depoliticize their literary praxis. It also offers parallel narratives of three Meiji women in Britain - Tsuda Umeko, Yasui Tetsu, and Yosano Akiko -and transnational feminist alliance. The book is a celebration of the political possibility of female friendship and literature, and a reminder of the ethical responsibility of representing racial and cultural others.

So Great a Proffit

So Great a Proffit
Author: James R. Fichter
Publisher: Harvard University Press
Total Pages: 402
Release: 2010-05-31
Genre: Business & Economics
ISBN: 9780674050570

"Fichter has given us a powerful and authoritative book of major importance to students of empire and business alike." --

Why Does Literature Matter?

Why Does Literature Matter?
Author: Frank B. Farrell
Publisher: Cornell University Press
Total Pages: 282
Release: 2018-07-05
Genre: Literary Criticism
ISBN: 1501721453

"Literature matters because... it allows for experiences important to the living out of a sophisticated and satisfying human life; because other arenas of culture cannot provide them to the same degree; and because a relatively small number of texts carry out these functions in so exceptional a manner that we owe it to past and future members of the species to keep such texts alive in our cultural traditions."—from Chapter One Frank B. Farrell defends a rich conception of the space of literature that retains its links to issues of self-formation and metaphysics and does not let that space collapse into just another reflection of social space. He maintains that recent literary theory has badly misread findings in the philosophy of language and the theory of subjectivity. That misreading, Farrell says, has tended to endorse ways of understanding literature that make one question why it matters at all. Farrell here opposes some recent theoretical trends and, through a mix of philosophical and literary studies, tells us why in his view literature does truly matter.Among the writers Farrell discusses are John Ashbery, Samuel Beckett, Amit Chaudhuri, Cormac McCarthy, James Merrill, Marcel Proust, Thomas Pynchon, Salman Rushdie, W. G. Sebald, and John Updike. The philosophers important to his arguments include Donald Davidson, Daniel Dennett, and Bernard Williams; G. W. F. Hegel, Martin Heidegger, Friedrich Nietzsche, and Ludwig Wittgenstein play roles as well. Among the literary theorists addressed are Stephen Greenblatt, Paul de Man, and Marjorie Perloff. In addition to his close readings of literary, philosophical, and critical texts, Farrell considers cultural studies and postcolonial studies more generally and speculates on the possible contributions of object-relations theory in psychology to the study of literature.

All Or Nothing

All Or Nothing
Author: Paul W. Franks
Publisher: Harvard University Press
Total Pages: 462
Release: 2005-10-30
Genre: Philosophy
ISBN: 9780674018884

Interest in German Idealism--not just Kant, but Fichte and Hegel as well--has recently developed within analytic philosophy, which traditionally defined itself in opposition to the Idealist tradition. Yet one obstacle remains especially intractable: the Idealists' longstanding claim that philosophy must be systematic. In this work, the first overview of the German Idealism that is both conceptual and methodological, Paul W. Franks offers a philosophical reconstruction that is true to the movement's own times and resources and, at the same time, deeply relevant to contemporary thought. At the center of the book are some neglected but critical questions about German Idealism: Why do Fichte, Schelling, and Hegel think that philosophy's main task is the construction of a system? Why do they think that every part of this system must derive from a single, immanent and absolute principle? Why, in short, must it be all or nothing? Through close examination of the major Idealists as well as the overlooked figures who influenced their reading of Kant, Franks explores the common ground and divergences between the philosophical problems that motivated Kant and those that, in turn, motivated the Idealists. The result is a characterization of German Idealism that reveals its sources as well as its pertinence--and its challenge--to contemporary philosophical naturalism.