The Regrets
Author | : Joachim Du Bellay |
Publisher | : Northwestern University Press |
Total Pages | : 295 |
Release | : 2004-08-25 |
Genre | : Poetry |
ISBN | : 0810119935 |
Sonnet sequences of the Renaissance.
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Author | : Joachim Du Bellay |
Publisher | : Northwestern University Press |
Total Pages | : 295 |
Release | : 2004-08-25 |
Genre | : Poetry |
ISBN | : 0810119935 |
Sonnet sequences of the Renaissance.
Author | : Joachim Du Bellay |
Publisher | : |
Total Pages | : 114 |
Release | : 1939 |
Genre | : French language |
ISBN | : |
Author | : Joachim Du Bellay |
Publisher | : University of Pennsylvania Press |
Total Pages | : 476 |
Release | : 2006-10-10 |
Genre | : Literary Collections |
ISBN | : 9780812239416 |
"A splendid achievement, faithful, elegant, and, above all, user-friendly, this book will be welcomed with cheers by all Anglophone students of European poetry. It has no rival."—Timothy Hampton, University of California, Berkeley
Author | : Arthur J. DiFuria |
Publisher | : BRILL |
Total Pages | : 884 |
Release | : 2021-12-20 |
Genre | : Art |
ISBN | : 9004462066 |
This volume examines how and why many early modern pictures operate in an ekphrastic mode.
Author | : |
Publisher | : Yale University Press |
Total Pages | : 410 |
Release | : 2002-01-01 |
Genre | : Poetry |
ISBN | : 0300128681 |
In this collection of rhymed, metrical translations of selected poems by three of France's and Western literature's most gifted and prolific poets, Norman R. Shapiro presents English versions of works by Clement Marot (1496-1544), considered by some to be the last of the medieval poets; Joachim Du Bellay (1525-1560); and Pierre de Ronsard (1524-1585). The original French poems - more than 150 in all - and their new English translations appear on facing pages. Some of the poems are very well known, while others will be a new pleasure for many readers. In these faithful translations of the poetry of the three most highly acclaimed French Renaissance poets, Shapiro maintains the rhyme and metre of the original works. He adheres to the message of each poem yet avoids a slavishly literal translation to offer creative and spirited equivalents. For students and general readers of this volume, Hope Gildden's introduction, along with notes she and Shapiro provide on the specific poems, seek to enhance appreciation and illuminate historical and linguistic issues relating to these lyric poems.
Author | : José María Pérez Fernández |
Publisher | : Cambridge University Press |
Total Pages | : 285 |
Release | : 2014-12-29 |
Genre | : Design |
ISBN | : 1107080045 |
This collection underscores the role played by translated books in the early modern period. Individual essays aim to highlight the international nature of Renaissance culture and the way in which translators were fundamental agents in the formation of literary canons. This volume introduces readers to a pan-European story while considering various aspects of the book trade, from typesetting and bookselling to editing and censorship. The result is a multifaceted survey of transnational phenomena.
Author | : William J. Kennedy |
Publisher | : JHU Press |
Total Pages | : 398 |
Release | : 2004-12-01 |
Genre | : Literary Criticism |
ISBN | : 0801881269 |
Drawing upon poststructuralist theories of nationalism and national identity developed by such writers as Etienne Balibar, Emmanuel Levinas, Julia Kristeva, Antonio Negri, and Slavoj Zizek, noted Renaissance scholar William J. Kennedy argues that the Petrarchan sonnet serves as a site for early modern expressions of national sentiment in Italy, France, England, Spain, and Germany. Kennedy pursues this argument through historical research into Renaissance commentaries on Petrarch's poetry and critical studies of such poets as Lorenzo de' Medici, Joachim du Bellay and the Pléiade brigade, Philip and Mary Sidney, and Mary Wroth. Kennedy begins with a survey of Petrarch's poetry and its citation in Italy, explaining how major commentators tried to present Petrarch as a spokesperson for competing versions of national identity. He then shows how Petrarch's model helped define social class, political power, and national identity in mid-sixteenth-century France, particularly in the nationalistic sonnet cycles of Joachim Du Bellay. Finally, Kennedy discusses how Philip Sidney and his sister Mary and niece Mary Wroth reworked Petrarch's model to secure their family's involvement in forging a national policy under Elizabeth I and James I . Treating the subject of early modern national expression from a broad comparative perspective, The Site of Petrarchism will be of interest to scholars of late medieval and early modern literature in Europe, historians of culture, and critical theorists.
Author | : Walter Pater |
Publisher | : |
Total Pages | : 276 |
Release | : 1910 |
Genre | : Art, Renaissance |
ISBN | : |
Author | : Marcus Keller |
Publisher | : University of Delaware |
Total Pages | : 226 |
Release | : 2011-04-22 |
Genre | : Literary Criticism |
ISBN | : 1611490499 |
The century of political, religious and cultural turmoil that shook France after the sudden death of Francis I in 1547 was also a period of intense literary nation-building. This study shows how canonical authors contributed to the creation of the French as an imaginary community and argues that early modern literary texts also provide venues for an incisive critique of the idea of nation. Informed by contemporary theories of nationhood, the original readings of Du Bellay's Défense, Ronsard's Discours and d'Aubigné's Tragiques, Montaigne's Essays, Malherbe's odes, and Corneille's Le Cid and Horace demonstrate the critical function of allegories such as Mother France or tropes like the graft and reveal the pertinence of these early modern figurations for current debates about the nation-state in a postmodern era and globalized world.
Author | : Marc-Antoine Muret |
Publisher | : Ohio State University Press |
Total Pages | : 266 |
Release | : 2006 |
Genre | : |
ISBN | : 0814210376 |
Marc-Antoine Muret (1526-1585) was a major figure in humanist classical scholarship. A superb Latinist, he influenced, among others, the Dutch humanist Justus Lipsius. This is the first English translation, with introduction, notes, and commentary, of Muret's Latin iuvenilia. The juvenilia cover a wide variety of literary genres: odes, satires, epigrams, elegies, and epistles. Modeled on the classical poets Horace, Catullus, and Martial, these poems also reveal an acquaintance with the works of Muret's contempories Joachim Du Bellay and Jean Dorat. A growing interest in the contributions and perspectives of Renaissance authors who wrote in Latin has created an urgent need for accessible modern editions of their works. There is no hope of truly understanding the Renaissance, which, after all, was a revival of ancient learning integrated with an emerging modern world view, without taking into account the large body of work produced by neo-Latin authors. The Iuvenilia of Marc-Antoine Muret helps fill the need for critical editions that provide a general context and interpretation. A major neo-Latin poet, Muret was thoroughly versed in classical literature, mythology, rhetoric, and philosophy. He had inherited centuries of medieval learning and practices, both secular and religious. Muret incorporated the generic innovations of contemporary humanists while referring to current events and figures. In short, he summed up in his own person the body of human endeavor and thinking as it stood in his own time. Given Muret's importance, this lively translation by Kirk M. Summers, with an introduction, notes, and commentary, will appeal to classicists, including those interested in the classical tradition, as well as to scholars working on the French and European Renaissance.