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| Author | : David Stern |
| Publisher | : Penn State University Press |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Hebrew literature |
| ISBN | : 9780271084831 |
A collection of essays and studies of diverse texts and topics in medieval and early modern Jewish literature, using contemporary critical approaches and textual analysis to explore larger ideas and themes in rabbinic Judaism.
| Author | : David Stern |
| Publisher | : Oxford University Press |
| Total Pages | : 361 |
| Release | : 2004-10-07 |
| Genre | : Religion |
| ISBN | : 0195350243 |
The anthology is a ubiquitous presence in Jewish literature--arguably its oldest literary genre, going back to the Bible itself, and including nearly all the canonical texts of Judaism: the Mishnah, the Talmud, classical midrash, and the prayerbook. In the Middle Ages, the anthology became the primary medium in Jewish culture for recording stories, poems, and interpretations of classical texts. In modernity, the genre is transformed into a decisive instrument for cultural retrieval and re-creation, especially in works of the Zionist project and in modern Yiddish and Hebrew literature. No less importantly, the anthology has played an indispensable role in the creation of significant fields of research in Jewish studies, including Hebrew poetry, folklore, and popular culture. This volume is the first book to bring together scholarly and critical essays that investigate the anthological character of these works and what might be called the "anthological habit" in Jewish literary culture--the tendency and proclivity for gathering together discrete, sometimes conflicting traditions and stories, and preserving them side by side as though there were no difference, conflict, or ambiguity between them. Indeed, The Anthology in Jewish Literature is the first book to recognize this habit and genre as one of the formative categories in Jewish literature and to investigate its manifold roles. The seventeen essays, each of which focuses on a specific literary work, many of them the great classics of Jewish tradition, consider such questions as: What are the many types of anthologies? How have anthologists, editors, even printers of anthologies been creative shapers of Jewish tradition and culture? What can we learn from their editorial practices? How have politics, gender, and class figured into the making of anthologies? What determinative role has the anthology played in creating the Jewish canon? How has the anthology served, especially in the modern period, to create and recreate Jewish culture. This landmark volume will interest educated laypersons as well as scholars in all areas of Jewish literature and culture, as well as students of world literature and cultural studies.
| Author | : Shachar Pinsker |
| Publisher | : Stanford University Press |
| Total Pages | : 666 |
| Release | : 2010-12-13 |
| Genre | : Literary Criticism |
| ISBN | : 0804777241 |
Literary Passports is the first book to explore modernist Hebrew fiction in Europe in the early decades of the twentieth century. It not only serves as an introduction to this important body of literature, but also acts as a major revisionist statement, freeing this literature from a Zionist-nationalist narrative and viewing it through the wider lens of new comparative studies in modernism. The book's central claim is that modernist Hebrew prose-fiction, as it emerged from 1900 to 1930, was shaped by the highly charged encounter of traditionally educated Jews with the revolution of European literature and culture known as modernism. The book deals with modernist Hebrew fiction as an urban phenomenon, explores the ways in which the genre dealt with issues of sexuality and gender, and examines its depictions of the complex relations between tradition, modernity, and religion.
| Author | : David Stern |
| Publisher | : Penn State University Press |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Hebrew literature |
| ISBN | : 9780271067520 |
Volume 1. The ancient period
| Author | : Ruth R. Wisse |
| Publisher | : University of Washington Press |
| Total Pages | : 147 |
| Release | : 2015-07-01 |
| Genre | : Social Science |
| ISBN | : 0295805676 |
I. L. Peretz (1852–1915), the father of modern Yiddish literature, was a master storyteller and social critic who advocated a radical shift from religious observance to secular Jewish culture. Wisse explores Peretz’s writings in relation to his ideology, which sought to create a strong Jewish identity separate from the trappings of religion.
| Author | : David Stern |
| Publisher | : Penn State University Press |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Jewish literature |
| ISBN | : 9780271067537 |
A collection of essays and studies of diverse texts and topics in ancient Jewish literature, using contemporary critical approaches and textual analysis to explore larger ideas and themes in rabbinic Judaism.
| Author | : Steven T. Katz |
| Publisher | : Indiana University Press |
| Total Pages | : 314 |
| Release | : 2013-05-17 |
| Genre | : Religion |
| ISBN | : 0253008123 |
“Illuminating . . . 24 academic essays covering Wiesel’s interpretations of the Bible, retellings of Talmudic stories . . . his post-Holocaust theology, and more.” —Publishers Weekly Nobel Peace Prize recipient Elie Wiesel, best known for his writings on the Holocaust, is also the accomplished author of novels, essays, tales, and plays as well as portraits of seminal figures in Jewish life and experience. In this volume, leading scholars in the fields of Biblical, Rabbinic, Hasidic, Holocaust, and literary studies offer fascinating and innovative analyses of Wiesel’s texts as well as enlightening commentaries on his considerable influence as a teacher and as a moral voice for human rights. By exploring the varied aspects of Wiesel’s multifaceted career—his texts on the Bible, the Talmud, and Hasidism as well as his literary works, his teaching, and his testimony—this thought-provoking volume adds depth to our understanding of the impact of this important man of letters and towering international figure. “This book reveals Elie Wiesel’s towering intellectual capacity, his deeply held spiritual belief system, and the depth of his emotional makeup.” —New York Journal of Books “Close, scholarly readings of a master storyteller’s fiction, memoirs and essays suggest his uncommon breadth and depth . . . Criticism that enhances the appreciation of readers well-versed in the author’s work.” —Kirkus Reviews “Navigating deftly among Wiesel’s varied scholarly and literary works, the authors view his writings from religious, social, political, and literary perspectives in highly accessible prose that will well serve a broad and diverse readership.” —S. Lillian Kremer author of Women’s Holocaust Writing: Memory and Imagination
| Author | : Benjamin Schreier |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 236 |
| Release | : 2020-10-16 |
| Genre | : Literary Criticism |
| ISBN | : 0812252578 |
Benjamin Schreier argues that Jewish American literature's dominant cliché of "breakthrough"—that is, the irruption into the heart of the American cultural scene during the 1950s of Jewish American writers like Bernard Malamud, Philip Roth, Saul Bellow, and Grace Paley—must also be seen as the critically originary moment of Jewish American literary study. According to Schreier, this is the primal scene of the Jewish American literary field, the point that the field cannot avoid repeating and replaying in instantiating itself as the more or less formalized academic study of Jewish American literature. More than sixty years later, the field's legibility, the very condition of its possibility, remains overwhelmingly grounded in a reliance on this single ethnological narrative. In a polemic against what he sees as the unexamined foundations and stagnant state of the field, Schreier interrogates a series of professionally powerful assumptions about Jewish American literary history—how they came into being and how they hardened into cliché. He offers a critical genealogy of breakthrough and other narratives through which Jewish Studies has asserted its compelling self-evidence, not simply under the banner of the historical realities Jewish Studies claims to represent but more fundamentally for the intellectual and institutional structures through which it produces these representations. He shows how a historicist scholarly narrative quickly consolidated and became hegemonic, in part because of its double articulation of a particular American subject and of a transnational historiography that categorically identified that subject as Jewish. The ethnological grounding of the Jewish American literary field is no longer tenable, Schreier asserts, in an argument with broad implications for the reconceptualization of Jewish and other identity-based ethnic studies.
| Author | : Ezra Cappell |
| Publisher | : State University of New York Press |
| Total Pages | : 246 |
| Release | : 2012-02-16 |
| Genre | : Religion |
| ISBN | : 0791479951 |
In American Talmud, Ezra Cappell redefines the genre of Jewish American fiction and places it squarely within the larger context of American literature. Cappell departs from the conventional approach of defining Jewish American authors solely in terms of their ethnic origins and sociological constructs, and instead contextualizes their fiction within the theological heritage of Jewish culture. By deliberately emphasizing historical and ethnographic links to religions, religious texts, and traditions, Cappell demonstrates that twentieth-century and contemporary Jewish American fiction writers have been codifying a new Talmud, an American Talmud, and argues that the literary production of Jews in America might be seen as one more stage of rabbinic commentary on the scriptural inheritance of the Jewish people.
| Author | : Barbara E. Mann |
| Publisher | : Yale University Press |
| Total Pages | : 278 |
| Release | : 2022-07-26 |
| Genre | : History |
| ISBN | : 0300234112 |
A history of modern Jewish literature that explores our enduring attachment to the book as an object With the rise of digital media, the "death of the book” has been widely discussed. But the physical object of the book persists. Here, through the lens of materiality and objects, Barbara E. Mann tells a history of modern Jewish literature, from novels and poetry to graphic novels and artists’ books. Bringing contemporary work on secularism and design in conversation with literary history, she offers a new and distinctive frame for understanding how literary genres emerge. The long twentieth century, a period of tremendous physical upheaval and geographic movement, witnessed the production of a multilingual canon of writing by Jewish authors. Literature’s objecthood is felt not only in the physical qualities of books—bindings, covers, typography, illustrations—but also through the ways in which materiality itself became a practical foundation for literary expression.
