Jesusmania
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Jesus Christ Superstar
Author | : Robert Price |
Publisher | : eBookIt.com |
Total Pages | : 359 |
Release | : 2011-03-28 |
Genre | : Bibles |
ISBN | : 1456601695 |
Though the Rock Opera "Jesus Christ Superstar" has become a religious and musical phenomenon, beloved around the world among Christians and non-believers alike, no one has ever delved into the lyrics with the practiced eye of a professional biblical critic until now. Robert M. Price here shows in surprising detail the astonishing insight and creativity of Tim Rice's sifting and rewriting of the gospels, producing in effect a fifth, genuine gospel! The result is a complete line-by-line commentary on this Superstar Gospel.
SPIN
Author | : |
Publisher | : |
Total Pages | : 96 |
Release | : 2006-02 |
Genre | : |
ISBN | : |
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
Jesusmania!
Author | : Devin McKinney |
Publisher | : |
Total Pages | : 302 |
Release | : 2016-10 |
Genre | : Counterculture |
ISBN | : 9780578186214 |
The complete history of the unauthorized and wildly successful production of Jesus Christ Superstar mounted at Gettysburg College in the spring of 1971.
In Fifty Years We'll All Be Chicks
Author | : Adam Carolla |
Publisher | : Crown |
Total Pages | : 274 |
Release | : 2011-05-17 |
Genre | : Humor |
ISBN | : 0307717380 |
A couple years back, I was at the Phoenix airport bar. It was empty except for one heavy-set, gray bearded, grizzled guy who looked like he just rode his donkey into town after a long day of panning for silver in them thar hills. He ordered a Jack Daniels straight up, and that's when I overheard the young guy with the earring behind the bar asking him if he had ID. At first the old sea captain just laughed. But the guy with the twinkle in his ear asked again. At this point it became apparent that he was serious. Dan Haggerty's dad fired back, "You've got to be kidding me, son." The bartender replied, "New policy. Everyone has to show their ID." Then I watched Burl Ives reluctantly reach into his dungarees and pull out his military identification card from World War II. It's a sad and eerie harbinger of our times that the Oprah-watching, crystal-rubbing, Whole Foods-shopping moms and their whipped attorney husbands have taken the ability to reason away from the poor schlub who makes the Bloody Marys. What we used to settle with common sense or a fist, we now settle with hand sanitizer and lawyers. Adam Carolla has had enough of this insanity and he's here to help us get our collective balls back. In Fifty Years We'll All Be Chicks is Adam's comedic gospel of modern America. He rips into the absurdity of the culture that demonized the peanut butter and jelly sandwich, turned the nation's bathrooms into a lawless free-for-all of urine and fecal matter, and put its citizens at the mercy of a bunch of minimum wagers with axes to grind. Peppered between complaints Carolla shares candid anecdotes from his day to day life as well as his past—Sunday football at Jimmy Kimmel's house, his attempts to raise his kids in a society that he mostly disagrees with, his big showbiz break, and much, much more. Brilliantly showcasing Adam's spot-on sense of humor, this book cements his status as a cultural commentator/comedian/complainer extraordinaire.
Studying Musical Theatre
Author | : Millie Taylor |
Publisher | : Bloomsbury Publishing |
Total Pages | : 275 |
Release | : 2017-09-16 |
Genre | : Performing Arts |
ISBN | : 1137270969 |
This lively textbook provides a comprehensive overview of the history, theory and practice of this popular theatre form. Bringing critical theory and musical theatre together, Millie Taylor and Dominic Symonds explore the musical stage from a broad range of theoretical perspectives. Part 1 focuses on the way we understand musicals as texts and Part 2 then looks at how musical theatre negotiates its position in the wider world. Part 3 recognises the affiliations of various communities with the musical stage, and finally part 4 unravels the musical's relationship with time, space, intertextuality and entertainment. Written by leading experts in Musical Theatre and Drama, Taylor and Symonds utilise their wealth of knowledge to engage and educate the reader on this diverse subject. With its accessible and extensive content, this text is the ideal accompaniment to any study of musical theatre internationally: an essential tool for students of all levels, lecturers, practitioners and enthusiasts alike.
Holy Fable Volume IV
Author | : Robert M. Price |
Publisher | : Pitchstone Publishing (US&CA) |
Total Pages | : 813 |
Release | : 2020-04-21 |
Genre | : Literary Criticism |
ISBN | : 1634311957 |
In this fourth volume of Robert M. Price's celebrated Holy Fable series, he turns his critical lens away from the Bible and toward a broader range of scriptural works that were written, or rediscovered, in modern times. Employing the same sympathetic but eagle-eyed treatment that defined past volumes, he offers in-depth analysis of the Joseph Smith–penned Book of Mormon; the long-sealed Gospel according to Thomas; the New Age Jesus of the Aquarian Gospel; the H. P. Lovecraft–invented Necronomicon; and the Andrew Lloyd Webber and Tim Rice rock opera Jesus Christ Superstar. With his trademark scholarship and wit, he demonstrates how and why this eclectic mix of contemporary scriptural work provides genuine spiritual inspiration to a colorful variety of religious groups and seekers today.
Jesus, the Gospels, and Cinematic Imagination
Author | : Richard Walsh |
Publisher | : Bloomsbury Publishing |
Total Pages | : 401 |
Release | : 2021-08-12 |
Genre | : Religion |
ISBN | : 0567693872 |
Jesus films arose with cinema itself. Richard Walsh and Jeffrey L. Staley introduce students to these films with a general overview of the Jesus film tradition and with specific analyses of 22 of its most influential exemplars, stretching from La vie du Christ (1906) to Mary Magdalene (2018). The introduction to each film includes discussion of plot, characters, visuals, appeal to authority, and cultural location as well as consideration of the director's (and/or other filmmakers') achievements and style. Several film chapters end with reflections on problematic issues bedeviling the tradition, such as cultural imperialism and patriarchy. To assist teachers and researchers, each chapter includes a listing of DVD chapters and the approximate “time” (for both DVDs and streaming platforms) at which key film moments occur. The book also includes a Gospels Harmony cataloging the time at which key gospel incidents appear in these films. Extensive endnotes point readers to other important work on the tradition and specific films. While the authors strive to set the Jesus film tradition within cinema and its interpretation, the DVD/streaming listing and the Gospels Harmony facilitate the comparison of these films to gospel interpretation and the Jesus tradition.
The Man Who Saw a Ghost
Author | : Devin McKinney |
Publisher | : St. Martin's Press |
Total Pages | : 557 |
Release | : 2012-10-02 |
Genre | : Biography & Autobiography |
ISBN | : 1250017769 |
The first major biography of the iconic actor Henry Fonda, a story of stardom, manhood, and the American character Henry Fonda's performances—in The Grapes of Wrath, Young Mr. Lincoln, The Lady Eve, 12 Angry Men, On Golden Pond—helped define "American" in the twentieth century. He worked with movie masters from Ford and Sturges to Hitchcock and Leone. He was a Broadway legend. He fought in World War II and was loved the world over. Yet much of his life was rage and struggle. Why did Fonda marry five times—tempestuously to actress Margaret Sullavan, tragically to heiress Frances Brokaw, mother of Jane and Peter? Was he a man of integrity, worthy of the heroes he played, or the harsh father his children describe, the iceman who went onstage hours after his wife killed herself? Why did suicide shadow his life and art? What memories troubled him so? McKinney's Fonda is dark, complex, fascinating, and a product of glamour and acclaim, early losses and Midwestern demons—a man haunted by what he'd seen, and by who he was.