A Whole World

A Whole World
Author: James Merrill
Publisher: Knopf
Total Pages: 745
Release: 2021-04-06
Genre: Literary Collections
ISBN: 110187550X

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • The selected correspondence of the brilliant poet, one of the twentieth century's last great letter writers. "I don't keep a journal, not after the first week," James Merrill asserted in a letter while on a trip around the world. "Letters have got to bear all the burden." A vivacious correspondent, whether abroad, where avid curiosity and fond memory frequently took him, or at home, he wrote eagerly and often, to family and lifelong friends, American and Greek lovers, confidants in literature and art about everything that mattered—aesthetics, opera and painting, housekeeping and cooking, the comedy of social life, the mysteries of the Ouija board and the spirit world, and psychological and moral dilemmas—in funny, dashing, unrevised missives, composed to entertain himself as well as his recipients. On a personal nemesis: "the ambivalence I live with. It worries me less and less. It becomes the very stuff of my art"; on a lunch for Wallace Stevens given by Blanche Knopf: "It had been decided by one and all that nothing but small talk would be allowed"; on romance in his late fifties: "I must stop acting like an orphan gobbling cookies in fear of the plate's being taken away"; on great books: "they burn us like radium, with their decisiveness, their terrible understanding of what happens." Merrill's daily chronicle of love and loss is unfettered, self-critical, full of good gossip, and attuned to the wicked irony, the poignant detail—a natural extension of the great poet's voice.

James Merrill

James Merrill
Author: Langdon Hammer
Publisher: Knopf
Total Pages: 978
Release: 2015
Genre: Biography & Autobiography
ISBN: 0375413332

"A biography of the acclaimed poet James Merrill"--

Fine Incisions

Fine Incisions
Author: Eric Ormsby
Publisher: The Porcupine's Quill
Total Pages: 260
Release: 2011
Genre: Literary Collections
ISBN: 0889843341

`A poem, I thought, is a physical object, as tactile as a statue. I began to consider poems in textual terms; there were shaggy surfaces, knobbly ones, mere veneers as sleek as glassine, but my favourites were those in which a complex and tensile music prevailed...' Eric Ormsby, that gracious, intelligent and occasionally fractious poet, has produced another vigorous collection of essays to shake North American literary criticism from its lethargy. Opinionated and hilarious, Ormsby indulges his wide-ranging interests and discusses writers from Bob Dylan to S. D. Goitein, La Fontaine to Leo Tolstoy. Fine Incisions also draws connections between Ormsby's literary criticism and his travel writing; as his essay `Shadow Language' notes, the music of another language can seep pleasurably into a writer's work (and, as Ormsby also notes, the lack of such linguistic overlap cheapens much of contemporary poetry!). Although the topics vary widely, Ormsby's viewpoint remains sharp and uncompromising, and his familiarity with North American, British and Arabic literary cultures informs each essay and leads to new and provocative reflection. Most of all, each essay is an expression of Ormsby's own romance with language, and his devotion is clear in his adamant insistence on all writers' very best.

Collected Prose

Collected Prose
Author: Rae Armantrout
Publisher:
Total Pages: 184
Release: 2007
Genre: Literary Collections
ISBN:

Cultural Writing. Literary Criticism. Essays. These wide-ranging talks, essays, and interviews-beginning with Why Don't Women Do Language-Oriented Writing? and including Feminist Poetics and the Meaning of Clarity, Poetic Silence, and Cosmology and Me--are essential documents for understanding not only Rae Armantrout's poetry and poetics but her contribution to the development of language poetry in particular and contemporary poetry in general. Like her poetry, Armantrout's prose is marked by concision, a refreshing absence of jargon, and a quizzical mind that never rests easy. COLLECTED PROSE also features True, Armantrout's illuminating autobiography, which details her early years in San Diego and Berkeley.

The Changing Light at Sandover

The Changing Light at Sandover
Author: James Merrill
Publisher: Scribner
Total Pages: 560
Release: 1982
Genre: Poetry
ISBN: 9780689112836

Mystical poems explore the author's experiences communicating with a spirit named Ephraim through an Ouija board

James Merrill, Essays in Criticism

James Merrill, Essays in Criticism
Author: David Lehman
Publisher: Ithaca : Cornell University Press
Total Pages: 356
Release: 1983
Genre: Literary Criticism
ISBN:

Merrill's trilogy, published in three separate volumes and reprinted in its entirety in The Changing Light at Sandover (Atheneum, 1982), provides the focal point and inspiration for these 11 essays. The authors cover Merrill's linguistic inventiveness and his love of puns and palindromes. Includes David Kalstone's essay on autobiographical details in Merrill's work, Rachel Jacoff's explanation of his debt to Dante and David Jackson's eyewitness account of Merrill transcribing messages at his Ouija board. ISBN 0-8014-1404-0 : $22.50.

Collected Prose

Collected Prose
Author: James Merrill
Publisher: Knopf
Total Pages: 760
Release: 2004
Genre: Biography & Autobiography
ISBN:

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James Merrill

James Merrill
Author: Reena Sastri
Publisher: Routledge
Total Pages: 260
Release: 2013-01-11
Genre: Literary Criticism
ISBN: 1135914141

James Merrill: Knowing Innocence reevaluates the achievement of this important poet by showing how he takes up an old paradigm – innocence – and reinvents it in response to new historical, scientific, and cultural developments including the bomb, contemporary cosmology, and the question of agency. The book covers Merrill’s full career, emphasizing the late poetry, on which there remains little commentary. Illuminating both Merrill’s relation to a tradition of literary innocence from Milton to Blake and Wordsworth to Emerson and Stevens, and his relevance to contemporary cultural debates, the rubric of "knowing innocence" helps us to understand his achievement. Merrill undertakes a career-long effort to know innocence, and develops a thematic and stylistic attitude that is both innocent and knowing, combining attitudes of wonder and hope with reflexive wit, intellectual breadth, and an unflinching gaze at mortality. He ultimately imagines innocence as creative agency, a capacity for imagination, invention, and ethical responsibility. The book demonstrates how, addressing questions of sexual identity, childhood and memory; atomic science, the big bang, and black holes; environmental degradation; AIDS; and the notion of the death of history – while honoring poetry’s essential qualities of freedom and play – his poems perform cultural work crucial to his time and ours.

The Math Campers

The Math Campers
Author: Dan Chiasson
Publisher: Knopf
Total Pages: 129
Release: 2020-09-22
Genre: Poetry
ISBN: 0593317742

A father and husband's meditation on love, adolescence, and the mysterious mechanisms of poetic creation, from the acclaimed poet. The poet's art is revealed in stages in this "making-of" book, where we watch as poems take shape--first as dreams or memories, then as drafts, and finally as completed works set loose on the world. In the long poem "Must We Mean What We Say," a woman reader narrates in prose the circumstances behind poems and snippets of poems she receives in letters from a stranger. Who made up whom? Chiasson, an acclaimed poetry critic, has invented a remarkable structure where the reader and a poet speak to one another, across the void of silence and mystery. He is also the father of teenaged sons, and this volume continues the autobiographical arc of his prior, celebrated volumes. One long section is about the age of thirteen and the dawning of desire, while the title poem looks at the crucial age of fifteen and the existential threat of climate change and gun violence, which alters the calculus of adolescence. Though the outlook is bleak, these poems register the glories of our moment: that there are places where boys can kiss each other and not be afraid; that small communities are rousing and taking care of each other; that teenagers have mobilized for a better world. All of these works emerge from the secretive imagination of a father as he measures his own adolescence against that of his sons and explores the complex bedrock of marriage. Chiasson sees a perilous world both navigated and enriched by the passionate young and by the parents--and poets--who care for them.