James Baldwins Go Tell It On The Mountain A Religious Approach
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Author | : Martin Arndt |
Publisher | : GRIN Verlag |
Total Pages | : 29 |
Release | : 2007-11 |
Genre | : Philosophy |
ISBN | : 3638866254 |
Seminar paper from the year 2001 in the subject Theology - Miscellaneous, grade: good, University of Leipzig, language: English, abstract: James Arthur Baldwin was born to Emma Berdis Jones and an unknown father on August 2, 1924, in New York City. The fact that he did not know about the identity of his biological father haunted him all his life. Who was to become Baldwin's stepfather was a laborer and Pentecostal preacher who came - as part of the Great Migration - to New York in 1919 "seeking better social conditions and economic opportunities." (Kenan 1994: 26) After he married her, he began to preach in storefront churches and made a living of a job he had in a bottle factory on Long Island, and although he "worked steadily, until encroaching age and illness prohibited it", were his wages seldom high enough to feed his big family2, especially during the Great Depression. (Kenan: 27) As described in "Notes of a Native Son" this situation had contributed to his father's "intolerable bitterness of spirit."(Kenan: 88) It was "unrelieved bitterness and anger" that "drove [his father] away permanently in 1932." (Kenan: 27) James was very much influenced and shaped by his stepfather, and the problems that derived from his relationship to him became in my eyes a powerful motor for his poetry writings and determined his future decisions. To his father the young boys intelligence and his interest in books was but a source of danger, for "the Bible was the only book worth reading." (Kenan: 29) If it wasn't for Orilla "Bill" Miller, a white woman from the Midwest who stepped up against his fathers objections, and for Gertrude Ayer, a black principal who encouraged the young boy to write stories, plays and poems, James would have been deprived of a valuable education, because in the Baldwin household "education was suspect as a tool of the white devils not particularly useful to black men in a racist society that placed so many checks on their ambition." (Kenan: 31) James Ba
Author | : James Baldwin |
Publisher | : |
Total Pages | : 616 |
Release | : 1963 |
Genre | : African American men |
ISBN | : 9781582880822 |
Go Tell It on the Mountain (fiction): James Baldwin's portrayal of black people in Harlem caught up in a dramatic struggle, and of a society confronting inevitable change. The Fire Next Time (non-fiction): The powerful evocation of a childhood in Harlem that helped to galvanize the early days of the civil rights movement examines the deep consequences of racial injustice to both the individual and the body politic. If Beale Street Could Talk (fiction): A love story about two badly frightended but intensely brave, black young people.
Author | : James Baldwin |
Publisher | : Vintage |
Total Pages | : 242 |
Release | : 2013-09-12 |
Genre | : Fiction |
ISBN | : 0375701877 |
In one of the greatest American classics, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin tells the story of the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Originally published in 1953, Baldwin said of his first novel, "Mountain is the book I had to write if I was ever going to write anything else." “With vivid imagery, with lavish attention to details ... [a] feverish story.” —The New York Times
Author | : Carol E. Henderson |
Publisher | : Peter Lang |
Total Pages | : 186 |
Release | : 2006 |
Genre | : Literary Criticism |
ISBN | : 9780820481586 |
The publication of James Baldwin's Go Tell It on the Mountain ushered in a new age of the urban telling of a tale twice told yet rarely expressed in such vivid portraits. Go Tell It unveils the struggle of man with his God and that of man with himself. Baldwin's intense scrutiny of the spiritual and communal customs that serve as moral centers of the black community directs attention to the striking incongruities of religious fundamentalism and oppression. This book examines these multiple impulses, challenging the widely held convention that politics and religion do not mix.
Author | : Gale, Cengage Learning |
Publisher | : Gale, Cengage Learning |
Total Pages | : 38 |
Release | : 2016-06-29 |
Genre | : Literary Criticism |
ISBN | : 1410346889 |
A Study Guide for James Baldwin's "Go Tell It on the Mountain," excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.
Author | : Trudier Harris |
Publisher | : Cambridge University Press |
Total Pages | : 174 |
Release | : 1996-03-29 |
Genre | : Literary Collections |
ISBN | : 9780521498265 |
A collection of critical essays on James Baldwin's Go Tell It on the Mountain.
Author | : Claude Atcho |
Publisher | : Baker Books |
Total Pages | : 208 |
Release | : 2022-05-17 |
Genre | : Religion |
ISBN | : 1493437003 |
Learning from Black voices means listening to more than snippets. It means attending to Black stories. Reading Black Books helps Christians hear and learn from enduring Black voices and stories as captured in classic African American literature. Pastor and teacher Claude Atcho offers a theological approach to 10 seminal texts of 20th-century African American literature. Each chapter takes up a theological category for inquiry through a close literary reading and theological reflection on a primary literary text, from Ralph Ellison's Invisible Man and Richard Wright's Native Son to Zora Neale Hurston's Moses, Man of the Mountain and James Baldwin's Go Tell It on the Mountain. The book includes end-of-chapter discussion questions. Reading Black Books helps readers of all backgrounds learn from the contours of Christian faith formed and forged by Black stories, and it spurs continued conversations about racial justice in the church. It demonstrates that reading about Black experience as shown in the literature of great African American writers can guide us toward sharper theological thinking and more faithful living.
Author | : Trudier Harris |
Publisher | : Univ. of Tennessee Press |
Total Pages | : 244 |
Release | : 1987-06 |
Genre | : Biography & Autobiography |
ISBN | : 9780870495342 |
In James Baldwin's fiction, according to Trudier Harris, black women are conceptually limited figures until their author ceases to measure them by standards of the community fundamentalist church. Harris analyzes works written over a thirty-year period to show how Baldwin's development of female character progresses through time. Black women in the early fiction, responding to their elders as well as to religious influences, see their lives in terms of duty as wives, mothers, sisters, and lovers. Failure in any of these roles leads to guilt feelings and the expectation of damnation. In later works, Baldwin adopts a new point of view, acknowledging complex extenuating circumstances in lieu of pronouncing moral judgement. Female characters in works written at this stage eventually come to believe that the church affords no comfort. Baldwin subsequently makes villains of some female churchgoers, and caring women who do not attend church become his most attractive characters. Still later in Baldwin's career, a woman who frees herself of guilt by moving completely beyond the church attains greater contentment than almost all of her counterparts in the earlier works.
Author | : Martin Arndt |
Publisher | : GRIN Verlag |
Total Pages | : 22 |
Release | : 2004-10-06 |
Genre | : Religion |
ISBN | : 3638312054 |
Seminar paper from the year 2001 in the subject Theology - Miscellaneous, grade: good, University of Leipzig, language: English, abstract: James Arthur Baldwin was born to Emma Berdis Jones and an unknown father on August 2, 1924, in New York City. The fact that he did not know about the identity of his biological father haunted him all his life. Who was to become Baldwin’s stepfather was a laborer and Pentecostal preacher who came - as part of the Great Migration - to New York in 1919 “seeking better social conditions and economic opportunities.” (Kenan 1994: 26) After he married her, he began to preach in storefront churches and made a living of a job he had in a bottle factory on Long Island, and although he “worked steadily, until encroaching age and illness prohibited it”, were his wages seldom high enough to feed his big family2, especially during the Great Depression. (Kenan: 27) As described in “Notes of a Native Son” this situation had contributed to his father’s “intolerable bitterness of spirit.”(Kenan: 88) It was “unrelieved bitterness and anger” that “drove [his father] away permanently in 1932.” (Kenan: 27) James was very much influenced and shaped by his stepfather, and the problems that derived from his relationship to him became in my eyes a powerful motor for his poetry writings and determined his future decisions. To his father the young boys intelligence and his interest in books was but a source of danger, for “the Bible was the only book worth reading.” (Kenan: 29) If it wasn’t for Orilla “Bill” Miller, a white woman from the Midwest who stepped up against his fathers objections, and for Gertrude Ayer, a black principal who encouraged the young boy to write stories, plays and poems, James would have been deprived of a valuable education, because in the Baldwin household “education was suspect as a tool of the white devils not particularly useful to black men in a racist society that placed so many checks on their ambition.” (Kenan: 31) James Baldwin was brought up “in a household atmosphere of strict, even suffocating, religiosity” (Kenan: 32) and his father lived “like a prophet, in such unimaginably close communion with the Lord, that his long silence which were punctuated by moans and hallelujahs and snatches of old songs while he sat at the living room window never seemed strange to us.” (Baldwin 1984: 89)
Author | : James Baldwin |
Publisher | : Henry Holt and Company |
Total Pages | : 99 |
Release | : 2023-01-17 |
Genre | : Social Science |
ISBN | : 1250886724 |
Over twenty-two months in 1979 and 1981 nearly two dozen children were unspeakably murdered in Atlanta despite national attention and outcry; they were all Black. James Baldwin investigated these murders, the Black administration in Atlanta, and Wayne Williams, the Black man tried for the crimes. Because there was only evidence to convict Williams for the murders of two men, the children's cases were closed, offering no justice to the families or the country. Baldwin's incisive analysis implicates the failures of integration as the guilt party, arguing, "There could be no more devastating proof of this assault than the slaughter of the children." As Stacey Abrams writes in her foreword, "The humanity of black children, of black men and women, of black lives, has ever been a conundrum for America. Forty years on, Baldwin's writing reminds us that we have never resolved the core query: Do black lives matter? Unequivocally, the moral answer is yes, but James Baldwin refuses such rhetorical comfort." In this, his last book, by excavating American race relations Baldwin exposes the hard-to-face ingrained issues and demands that we all reckon with them.