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| Author | : Pete Faint |
| Publisher | : Lulu.com |
| Total Pages | : 382 |
| Release | : 2014-11-07 |
| Genre | : Performing Arts |
| ISBN | : 1326061399 |
The definitive biography of British dance band leader and theatrical impresario Jack Hylton, tracing his life from the industrial North of England to London's glittering West End.
| Author | : Pamela W. Logan |
| Publisher | : |
| Total Pages | : 140 |
| Release | : 1995 |
| Genre | : Juvenile Nonfiction |
| ISBN | : |
No Marketing Blurb
| Author | : Deborah Mawer |
| Publisher | : Cambridge University Press |
| Total Pages | : 321 |
| Release | : 2014-12-04 |
| Genre | : Music |
| ISBN | : 1316194612 |
French concert music and jazz often enjoyed a special creative exchange across the period 1900–65. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. However, despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck.
| Author | : Peter Martland |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 409 |
| Release | : 2013 |
| Genre | : Business & Economics |
| ISBN | : 0810882523 |
In Recording History, Peter Martland uses a range of archival sources to trace the genesis and early development of the British record industry from1888 to 1931. A work of economic and cultural history that draws on a vast range of quantitative data, it surveys the commercial and business activities of the British record industry like no other work of recording history has before. Martland's study charts the successes and failures of this industry and its impact on domestic entertainment. Showcasing its many colorful pioneers from both sides of the Atlantic, Recording History is first and foremost an account of The Gramophone Company Ltd, a precursor to today's recording giant EMI, and then the most important British record company active from the late 19th century until the end of the second decade of the twentieth century. Martland's history spans the years from the original inventors through industrial and market formation and final take-off--including the riveting battle in recording formats. Special attention is given to the impact of the First World War and the that followed in its wake. Scholars of recording history will find in Martland's study the story of the development of the recording studio, of the artists who made the first records (from which some like Italian opera tenor Enrico Caruso earned a fortune), and the change records wrought in the relationship between performer and audience, transforming the reception and appreciation of musical culture. Filling a much-needed gap in scholarship, Recording History documents the beginnings of the end of the contemporary international record industry.
| Author | : John Chilton |
| Publisher | : University of Michigan Press |
| Total Pages | : 464 |
| Release | : 1990 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780472082018 |
"Hawkins, the most imitated and influential saxophonist in jazz up to Charlie Parker#x19;s modern revolution, stood virtually alone among jazz musicians who came to prominence in the 1920s and successfully made the transition to modern jazz 25 years later. He also set a standard of dignity for black musicians that was rarely equalled." #x14;Choice, July 1991.
| Author | : Mark Cantor |
| Publisher | : McFarland |
| Total Pages | : 2077 |
| Release | : 2023-04-19 |
| Genre | : Performing Arts |
| ISBN | : 1476646422 |
The 1940s saw a brief audacious experiment in mass entertainment: a jukebox with a screen. Patrons could insert a dime, then listen to and watch such popular entertainers as Nat "King" Cole, Gene Krupa, Cab Calloway or Les Paul. A number of companies offered these tuneful delights, but the most successful was the Mills Novelty Company and its three-minute musical shorts called Soundies. This book is a complete filmography of 1,880 Soundies: the musicians heard and seen on screen, recording and filming dates, arrangers, soloists, dancers, entertainment trade reviews and more. Additional filmographies cover more than 80 subjects produced by other companies. There are 125 photos taken on film sets, along with advertising images and production documents. More than 75 interviews narrate the firsthand experiences and recollections of Soundies directors and participants. Forty years before MTV, the Soundies were there for those who loved the popular music of the 1940s. This was truly "music for the eyes."
| Author | : Andy Fry |
| Publisher | : University of Chicago Press |
| Total Pages | : 291 |
| Release | : 2014-07-04 |
| Genre | : Social Science |
| ISBN | : 022613895X |
The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France’s complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons—such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others—what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation—reinvention—in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.
| Author | : Tony Lidington |
| Publisher | : Taylor & Francis |
| Total Pages | : 380 |
| Release | : 2022-09-30 |
| Genre | : Performing Arts |
| ISBN | : 1000686191 |
• The book demonstrates how a vernacular British performance form emerged as a hybrid of forms from Afro-American and minstrel, as well as French mime and Italian commedia dell’arte roots. • Theatre history is an essential part of theatre and drama courses across the UK and would be recommended reading. • There is no comparable book which makes critical analysis of British pierrot troupes and concert parties in existence – the only ones that do exist on the specific topic are written as reminiscence and anecdote.
| Author | : Sheila Tracy |
| Publisher | : Random House |
| Total Pages | : 205 |
| Release | : 2011-04-22 |
| Genre | : Music |
| ISBN | : 178057004X |
From Palace to Palais, the musicians who played in the big bands tell their own stories, bringing to life an unforgettable era. Pre-war reminiscences give an insight into a never-to-be-forgotten era, when London's nightclubs were the haunts of the aristocracy and of royalty, and the Prince of Wales would jump at any opportunity to play drums with the resident band. The elegant world of top hat, white ties and tails has gone for ever, but in Talking Swing the musicians relive those nights when they played for as long as the customers wanted to dance - often into the early hours of the morning. Out of London, there were the variety tours, where the band was top of the bill and there wasn't an empty seat in the house. The problems faced by British musicians during the war years, when London's society bands continued to play throughout the Blitz, were enormous, and they are vividly portrayed in Talking Swing. Amongst those recalled are Ambrose, Jack Hylton, Geraldo, Ted Heath and Syd Lawrence, who took over when almost everyone else had packed it in and who kept on swinging against all odds. This was the golden age of the big bands, and the story of those days is told by the men and women who made the music.
| Author | : Brian Rust |
| Publisher | : Denver, Colo. : Mainspring Press |
| Total Pages | : 1024 |
| Release | : 2002 |
| Genre | : Music |
| ISBN | : |
Reinforced cloth library binding, no dust jacket, individual shrinkwrap
