Italian Works Of Particular Significance
Download Italian Works Of Particular Significance full books in PDF, epub, and Kindle. Read online free Italian Works Of Particular Significance ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Antonio Calcagno |
| Publisher | : SUNY Press |
| Total Pages | : 328 |
| Release | : 2015-07-06 |
| Genre | : Philosophy |
| ISBN | : 1438458533 |
Highlights and critically assesses the work of contemporary Italian political philosophers. Italy has a rich philosophical legacy, and recent developments and movements in its political philosophy have produced a significant body of thought by internationally renowned philosophers working on questions and themes such as the critique of neoliberalism, statehood, politics and culture, feminism, community, the stranger, and the relationship between politics and action. This volume brings this conversation to English-language readers, considering well-known Italian philosophers such as Vattimo, Agamben, Esposito, and Negri, as well as philosophers with whom English-language readers are less acquainted, such as Luce Fabbri, Adriana Cavarero, and Lea Melandri. In addition, the essays extend the conversation beyond the realm of Italian philosophy, bringing its thinkers into dialogue with philosophical figures including Badiou, Marx, Merleau-Ponty, Deleuze and Guattari, Adorno, Arendt, Foucault, Wittgenstein, and the Peruvian historian and sociologist Anibal Quijano.
| Author | : Paolo Favilli |
| Publisher | : BRILL |
| Total Pages | : 480 |
| Release | : 2016-08-15 |
| Genre | : Political Science |
| ISBN | : 9004325433 |
In The History of Italian Marxism, Paolo Favilli offers an articulated analysis of the different levels at which Marx's ideas - and 'Marxism' as a doctrinal 'system' - were received in Italy from the time of the First International up till the eve of the First World War. Rejecting any linear understanding of the relation between Marx's texts and the assumption of Marxism as the ideology of the burgeoning workers' movement, Favilli explores the growth of different forms of Marxist culture through the period of the Paris Commune, the late-nineteenth-century debate on 'revisionism', and the rise of revolutionary syndicalism. Asking in each case whether 'Marxism' meant a science, an ideology, a way of doing politics, a utopia, a myth or a religion, Favilli goes on to assess which of these 'Marxisms' died with, and which have survived, the 'crisis' at the end of the twentieth century. With a new preface to the English edition. First published in Italian as Storia del marxismo italiano: dalle origini alla grande guerra, FrancoAngeli s.r.l. Milan, 1996.
| Author | : Filippo Carlà-Uhink |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 476 |
| Release | : 2017-09-25 |
| Genre | : History |
| ISBN | : 3110544784 |
Scholarship has widely debated the question about the existence of an 'Italian identity' in the time of the Roman Republic, basing on the few sources available and on the outcomes of the Augustan and imperial age. In this sense, this debate has for a long time been conducted without sufficient imput from social sciences, and particularly from social geography, which has developed methodologies and models for the investigation of identities. This book starts therefore from the consideration that Italy came to be, by the end of the Republic, a region within the Roman imperium, and investigates the ways this happened and its consequences on the local populations and their identity structures. It shows that Italy gained a territorial and symbolic shape, and own institutions defining it as a territorial region, and that a regional identity developed as a consequence by the 2nd century BCE. The original, interdisciplinary approach to the matter allows a consistent revision of the ancient sources and sheds now light on the topic, providing important reflections for future studies on the subject.
| Author | : Louise Christine Odencrantz |
| Publisher | : |
| Total Pages | : 362 |
| Release | : 1919 |
| Genre | : Italian American women |
| ISBN | : |
| Author | : Michael Hollington |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 280 |
| Release | : 2010-08-11 |
| Genre | : Literary Criticism |
| ISBN | : 1443824615 |
This book is a companion volume to Dickens and Italy, edited by Michael Hollington and Francesca Orestano, which aimed to fill an important gap in our understanding of England’s paramount novelist by studying his personal, political and literary relation to the foreign country he loved best of all of those he visited. Its focus is wider and its scope more ambitious and speculative. Without in any way leaving Dickens or his writings about Italy behind, the attempt here is to approach the Victorian fascination with that country from a broader, more theoretical perspective in which several current debates about travel writing are taken up and critically redeployed. The book is articulated in three parts. Part One concerns what the writings of Dickens and other Victorians can tell us about the history and theory of travel and travel writing, and Part Two, what they can tell us about particular Victorian writers themselves and their work. In Part Three the focus shifts in order to compare writing and visual representations of the experience of ‘abroad’ in general and Italy in particular, in an era when what can be thought of as modern visual culture is gradually taking shape. The book aims to show that the study of how Victorians imagined Italy can lead to a deeper understanding of some of the stereotypes that continue to inform contemporary tourism.
| Author | : David B. Ruderman |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 308 |
| Release | : 2004-04-23 |
| Genre | : History |
| ISBN | : 9780812237795 |
Focusing on an epoch of spectacular demographic, political, economic, and cultural changes for European Jewry, Cultural Intermediaries chronicles the lives and thinking of ten Jewish intellectuals of the Renaissance, nine of them from Italy and one a Portuguese exile who settled in the Ottoman empire after a long sojourn in Italy. David B. Ruderman, Giuseppe Veltri, and the other contributors to this volume detail how, in the relative openness of cultural exchange encountered in such intellectual centers as Florence, Mantua, Pisa, Naples, Ferrara, and Salonika, these Jewish savants sought to enlarge their cultural horizons, to correlate the teachings of their own tradition with those outside it, and to rethink the meaning of their religious and ethnic identities within the intellectual and religious categories common to European civilization as a whole. The engaging intellectual profiles created especially for this volume by scholars from Israel, North America, and Europe represent an important rereading and reinterpretation of early modern Jewish culture and society and its broader European intellectual contexts.
| Author | : Carol Helstosky |
| Publisher | : Cornell University Press |
| Total Pages | : 259 |
| Release | : 2024-05-15 |
| Genre | : Art |
| ISBN | : 150177459X |
Italian Forgers takes an unorthodox approach to the fascinating topic of art forgery, focusing not on art forgery per se, but on the major forgery scandals that shifted the Italian art market in response to constant, and often intense, demand for Italian objects. By focusing on power dynamics that both precipitated forgery scandals and forged Italian cultural identities, this book connects the debates and discussions about three well-known Italian forgers—Giovanni Bastianini, Icilio Joni, and Alceo Dossena—to anchor and investigate the mechanics of the Italian art market from unification through the fascist era. Carol Helstosky examines foreign accounts of transactions and Italian writings about the art market. The actions and words of Italian dealers illustrate how the Italian art and antiquities market was an undeniably modern industry, on par with tourism in terms of its contribution to the Italian economy and to understandings of Italian identity. These accounts also reveal how dealers, artists, go-betweens, guides, and restorers worked to not only meet the intense demand for Italian products but also to develop highly sophisticated business practices to maintain financial stability and respond to shifts in demand consciously (but not always conscientiously). Italian Forgers weaves a compelling narrative about the history of Italian identity, forgery, and the value of the past. As a result, Helstosky brings historical perspective to the study of art forgery and art fraud. She reveals how historical circumstances and structural imbalances of cultural power shaped the market for art and antiquities and amplified incidents of art deception and forgery scandals.
| Author | : Maia Wellington Gahtan |
| Publisher | : Routledge |
| Total Pages | : 456 |
| Release | : 2018-02-19 |
| Genre | : Art |
| ISBN | : 135177820X |
This edited collection traces the impact of monographic exhibitions on the discipline of art history from the first examples in the late eighteenth century through the present. Roughly falling into three genres (retrospectives of living artists, retrospectives of recently deceased artists, and monographic exhibitions of Old Masters), specialists examine examples of each genre within their social, cultural, political, and economic contexts. Exhbitions covered include Nathaniel Hone’s 1775 exhibition, the Holbein Exhibition of 1871, the Courbet retrospective of 1882, Titian's exhibition in Venice, Poussin's Louvre retrospective of 1960, and El Greco's anniversaty exhibitions of 2014.
| Author | : Cerimonia Daniela |
| Publisher | : Routledge |
| Total Pages | : 248 |
| Release | : 2017-07-05 |
| Genre | : Foreign Language Study |
| ISBN | : 135156031X |
Giacomo Leopardi (1798-1837) and Percy Bysshe Shelley (1792-1822) crossed paths during their lifetimes, and though they never met, the legacy of their work betrays a shared destiny. As prominent figures who challenged and contributed to the Romantic debate, Leopardi and Shelley hold important roles in the history of their respective national literatures, but paradoxically experienced a controversial and delayed reception outside their native lands. Cerimonia?s wide-ranging study brings together these two poets for the first time for an exploration of their afterlives, through a close reading of hitherto unstudied translations. This intriguing journey tells the story, from its origins, of the two poets? critical fortune, and examines their position in the cultural debates of the nineteenth century; in disputes regarding translation theories and practices; and shows the configuration of their identities as we understand their legacy today.
| Author | : Meredith L. Goldsmith |
| Publisher | : University Press of Florida |
| Total Pages | : 305 |
| Release | : 2016-09-16 |
| Genre | : Literary Criticism |
| ISBN | : 081305592X |
"These energizing, excellent essays address the international scope of Wharton's writing and contribute to the growing fields of transatlantic, hemispheric, and global studies."--Carol J. Singley, author of A Historical Guide to Edith Wharton "Readers will emerge with a new respect for Wharton's engagement with the world around her and for her ability to convey her particular vision in her literary works."--Julie Olin-Ammentorp, author of Edith Wharton's Writings from the Great War Hailed for her remarkable social and psychological insights into the Gilded Age lives of privileged Americans, Edith Wharton, the first woman to win a Pulitzer Prize, was a transnational author who attempted to understand and appreciate the culture, history, and artifacts of the regions she encountered in her extensive travels abroad. Edith Wharton and Cosmopolitanism explores the international scope of Wharton's life and writing, focusing on how her work connects with the idea of cosmopolitanism. This volume illustrates the many ways Wharton engaged with global issues of her time. Contributors examine both her canonical and lesser-known works, including her art historical discoveries, political work, travel writing, World War I texts, and first novel. They consider themes of anarchism, race, imperialism, regionalism, and orientalism; Wharton's treatment of contemporary marriage debates; her indebtedness to her literary predecessors; and her genre experimentation. Together, they demonstrate how Wharton's struggle to balance her powerful local and national identifications with cosmopolitan values, resulted in a diverse, complex, and sometimes problematic relationship to a cosmopolitan vision. Contributors: Ferdâ Asya | William Blazek | Rita Bode | Donna Campbell | Mary Carney | Clare Virginia Eby | June Howard | Meredith L. Goldsmith | Sharon Kim | D. Medina Lasansky | Maureen Montgomery | Emily J. Orlando | Margaret A. Toth | Gary Totten
