Renaissance Into Baroque
Author | : E. James Mundy |
Publisher | : |
Total Pages | : 315 |
Release | : 1989 |
Genre | : Mannerism (Art) |
ISBN | : 9780944110010 |
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Author | : E. James Mundy |
Publisher | : |
Total Pages | : 315 |
Release | : 1989 |
Genre | : Mannerism (Art) |
ISBN | : 9780944110010 |
Author | : Claire Van Cleave |
Publisher | : Harvard University Press |
Total Pages | : 200 |
Release | : 2007 |
Genre | : Art |
ISBN | : 9780674026773 |
"Beginning with an examination of drawing as part of the creative process, and showing how it reveals the artist's mind at work, the author explains in detail the materials and techniques used in Renaissance drawings. It also considers how drawings were used, how they changed stylistically through the period and how they varied in different regions of Italy. It concludes with a brief look at connoisseurship and collecting."--Amazon.
Author | : E. James Mundy |
Publisher | : Cambridge University Press |
Total Pages | : 0 |
Release | : 1990-02-23 |
Genre | : Art |
ISBN | : 9780521390958 |
This exhibition catalogue is the first in North America to treat the art of Taddeo and Federico Zuccaro, the Roman artists of the late Mannerist period. The 103 drawings in the exhibition are drawn from major and obscure public and private collections in North America. The introduction and entries attempt to chart the magnitude of the contributions of the short-lived elder brother, Taddeo, and the efforts of his younger brother, Federico, to disseminate the Roman style throughout Italy and the rest of Europe. The author assesses, in addition to the relationship of drawings to finished paintings, the myths related to Taddeo's career and the frequently contentious relatonships of Federico with the artistic establishment in Rome, Venice, Florence and elsewhere. Probably the most famous artists in Italy between the death of Michelangelo and the advent of Caravaggio, the art of the Zuccaro brothers is little known in the English-speaking world. The exhibition dates are: Milwaukee Art Museum, November 16, 1989 - January 14, 1990 and National Academy of Design, New York City, March 13, 1990 - April 29, 1990.
Author | : Suzanne Folds McCullagh |
Publisher | : |
Total Pages | : 0 |
Release | : 2012 |
Genre | : ART |
ISBN | : 9780300179705 |
This handsome volume brings together an impressive array of scholars, who analyze an outstanding private collection of 171 Old Master drawings that date from the late fifteenth through the early nineteenth century. The collection vibrantly revealed here includes a wide variety of drawings—from sketches and figure drawings to copies after masters and preliminary studies for major compositions—and features the work of many important Italian artists, including Raphael, Andrea del Sarto, Baccio Bandinelli, Pontormo, Perino del Vaga, Gian Lorenzo Bernini, Salvator Rosa, Guercino, and Giovanni Battista Tiepolo, among many others. Each work is reproduced and accompanied by complete documentation: physical description, provenance, bibliography, and exhibition history, as well as background information on the subjects captured in the drawings. Capturing the Sublime opens the beauty of these drawings to a broader public and provides important new attributions and scholarship.
Author | : William H. Schab Gallery |
Publisher | : |
Total Pages | : 190 |
Release | : 1969* |
Genre | : Drawing, European |
ISBN | : |
Author | : Philadelphia Museum of Art |
Publisher | : Pennsylvania State University Press |
Total Pages | : 287 |
Release | : 2004 |
Genre | : Architecture |
ISBN | : 0271025387 |
The Philadelphia Museum of Art is fortunate to have a collection of Italian drawings that encompasses a broad sweep of Italy's art history, ranging from Renaissance and Baroque to Futurist and contemporary works by such famed artists as Parmigianino, Francesco Salviati, Guercino, Giovanni Benedetto Castiglione, Pompeo Batoni, and Amedeo Modigliani. With this publication, eighty of these drawings are provided with commentary, complete scholarly analysis, and biographies of the artists by the renowned scholar Mimi Cazort. The volume opens with an illustrated essay by Ann Percy, the Museum's Curator of Drawings, who offers the first full account of the people and events that shaped the formation of this exceptional but little-published collection.