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| Author | : Klaus Herdeg |
| Publisher | : Rizzoli International Publications |
| Total Pages | : 80 |
| Release | : 1990 |
| Genre | : Architecture |
| ISBN | : |
Like its companion volume about Indian architecture (see NA1501), this volume presents the meticulous work of Herdeg and his students this time illustrating and explicating the great monuments of Islamic architecture in Iran and Tukestan. With some 150 measured drawings and analytical diagrams and 1
| Author | : Ahmad Hamid |
| Publisher | : American Univ in Cairo Press |
| Total Pages | : 250 |
| Release | : 2010 |
| Genre | : Architecture |
| ISBN | : 9789774163418 |
A thought-provoking and richly illustrated look at tradition and innovation in the work of the world-renowned architect
| Author | : Sheila S. Blair |
| Publisher | : Yale University Press |
| Total Pages | : 376 |
| Release | : 1996-09-25 |
| Genre | : Art |
| ISBN | : 9780300064650 |
They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles.
| Author | : Kishwar Rizvi |
| Publisher | : UNC Press Books |
| Total Pages | : 290 |
| Release | : 2015-10-08 |
| Genre | : Religion |
| ISBN | : 1469621177 |
Kishwar Rizvi, drawing on the multifaceted history of the Middle East, offers a richly illustrated analysis of the role of transnational mosques in the construction of contemporary Muslim identity. As Rizvi explains, transnational mosques are structures built through the support of both government sponsorship, whether in the home country or abroad, and diverse transnational networks. By concentrating on mosques--especially those built at the turn of the twenty-first century--as the epitome of Islamic architecture, Rizvi elucidates their significance as sites for both the validation of religious praxis and the construction of national and religious ideologies. Rizvi delineates the transnational religious, political, economic, and architectural networks supporting mosques in Saudi Arabia, Iran, Turkey, and the United Arab Emirates, as well as in countries within their spheres of influence, such as Pakistan, Syria, and Turkmenistan. She discerns how the buildings feature architectural designs that traverse geographic and temporal distances, gesturing to far-flung places and times for inspiration. Digging deeper, however, Rizvi reveals significant diversity among the mosques--whether in a Wahabi-Sunni kingdom, a Shi&8219;i theocratic government, or a republic balancing secularism and moderate Islam--that repudiates representations of Islam as a monolith. Mosques reveal alliances and contests for influence among multinational corporations, nations, and communities of belief, Rizvi shows, and her work demonstrates how the built environment is a critical resource for understanding culture and politics in the contemporary Middle East and the Islamic world.
| Author | : Robert L. Canfield |
| Publisher | : Cambridge University Press |
| Total Pages | : 276 |
| Release | : 2002-04-30 |
| Genre | : History |
| ISBN | : 9780521522915 |
The first book-length study to examine Turko-Persian culture as an entity.
| Author | : Finbarr Barry Flood |
| Publisher | : John Wiley & Sons |
| Total Pages | : 1442 |
| Release | : 2017-06-16 |
| Genre | : Art |
| ISBN | : 1119068576 |
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
| Author | : Mohammad Ayatollahi Tabaar |
| Publisher | : Columbia University Press |
| Total Pages | : 395 |
| Release | : 2018-05-08 |
| Genre | : History |
| ISBN | : 0231545061 |
Since the 1979 revolution, scholars and policy makers alike have tended to see Iranian political actors as religiously driven—dedicated to overturning the international order in line with a theologically prescribed outlook. This provocative book argues that such views have the link between religious ideology and political order in Iran backwards. Religious Statecraft examines the politics of Islam, rather than political Islam, to achieve a new understanding of Iranian politics and its ideological contradictions. Mohammad Ayatollahi Tabaar traces half a century of shifting Islamist doctrines against the backdrop of Iran’s factional and international politics, demonstrating that religious narratives in Iran can change rapidly, frequently, and dramatically in accordance with elites’ threat perceptions. He argues that the Islamists’ gambit to capture the state depended on attaining a monopoly over the use of religious narratives. Tabaar explains how competing political actors strategically develop and deploy Shi’a-inspired ideologies to gain credibility, constrain political rivals, and raise mass support. He also challenges readers to rethink conventional wisdom regarding the revolution, Ayatollah Khomeini, the U.S. embassy hostage crisis, the Iran-Iraq War, the Green Movement, nuclear politics, and U.S.–Iran relations. Based on a micro-level analysis of postrevolutionary Iranian media and recently declassified documents as well as theological journals and political memoirs, Religious Statecraft constructs a new picture of Iranian politics in which power drives Islamist ideology.
| Author | : Richard Piran McClary |
| Publisher | : Edinburgh University Press |
| Total Pages | : 344 |
| Release | : 2020-05-28 |
| Genre | : Architecture |
| ISBN | : 1474423981 |
This is a comprehensive study of the surviving monuments of the Qarakhanids - an important yet little-known medieval dynasty that ruled much of Central Asia between the late 10th and early 13th centuries. Based on extensive fieldwork and many hard-to-find Russian sources, the book places the surviving monuments into the wider cultural context of the region. Many photographs and new ground-plans are included, as well as detailed studies of individual monuments and the wider architectural aesthetic. These monuments serve as the link between the mostly lost Samanid architecture and the far larger and better-known monuments of the Timurids.
| Author | : Gülru Necipoğlu |
| Publisher | : Getty Publications |
| Total Pages | : 414 |
| Release | : 1996-03-01 |
| Genre | : Art |
| ISBN | : 0892363355 |
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.
| Author | : Hossein Kamaly |
| Publisher | : Columbia University Press |
| Total Pages | : 267 |
| Release | : 2018-05-29 |
| Genre | : History |
| ISBN | : 0231541082 |
In God and Man in Tehran, Hossein Kamaly explores the historical processes that have made and unmade contending visions of God in Iran’s capital throughout the past two hundred years. Kamaly examines how ideas of God have been mobilized, contested, and transformed, emphasizing how notions of the divine have given shape to and in turn have been shaped by divergent conceptualizations of nature, reason, law, morality, and authority. The book analyzes official government policies, modern textbooks, and university curricula; popular beliefs and ritual practices; and philosophical and juridical attitudes toward theological questions in traditional institutions. Kamaly considers continuity and change in religiosity under the Qajar and Pahlavi dynasties; the significance of outbreaks of messianic expectations; why a modernizing nation took a sudden turn toward state religiosity; and how the Islamic Republic deploys visions of God against foreign enemies and domestic critics. Beyond the majority Shia Muslim population, the book includes minority and suppressed voices. With a focus on the diversity of ideas of the divine, God and Man in Tehran offers a novel perspective on the intellectual movements that have shaped Iranian modernity.
