Islam In Performance
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Author | : Kamal Salhi |
Publisher | : Routledge |
Total Pages | : 349 |
Release | : 2013-12-17 |
Genre | : Social Science |
ISBN | : 1317963091 |
In contrast to many books on Islam that focus on political rhetoric and activism, this book explores Islam's extraordinarily rich cultural and artistic diversity, showing how sound, music and bodily performance offer a window onto the subtleties and humanity of Islamic religious experience. Through a wide range of case studies from West Asia, South Asia and North Africa and their diasporas - including studies of Sufi chanting in Egypt and Morocco, dance in Afghanistan, and "Muslim punk" on-line - the book demonstrates how Islam should not be conceived of as being monolithic or monocultural, how there is a large disagreement within Islam as to how music and performance should be approached, such disagreements being closely related to debates about orthodoxy, secularism, and moderate and fundamental Islam, and how important cultural activities have been, and continue to be, for the formation of Muslim identity.
Author | : Yafa Shanneik |
Publisher | : Cambridge University Press |
Total Pages | : 271 |
Release | : 2022-01-20 |
Genre | : Political Science |
ISBN | : 1009034685 |
Examining different forms of resistance among Shi'i women in the Middle East and Europe, this book studies the performance of sectarian and gender power relations as expressed in Shi'i ritual practices. It provides a new transnational approach to researching gender agency in contemporary Islamic movements in both the Middle East and Europe.
Author | : Azam Torab |
Publisher | : BRILL |
Total Pages | : 320 |
Release | : 2007 |
Genre | : Social Science |
ISBN | : 9004152954 |
"Performing Islam" focuses on a wide spectrum of ritual activities in Iran today as a key for elucidating social, cultural and political processes, but in particular the values and beliefs underpinning gender constructions in a rapidly changing complex society.
Author | : Vernon James Schubel |
Publisher | : |
Total Pages | : 232 |
Release | : 1993 |
Genre | : Religion |
ISBN | : |
Author | : Su'ad Abdul Khabeer |
Publisher | : NYU Press |
Total Pages | : 285 |
Release | : 2016-12-06 |
Genre | : Music |
ISBN | : 1479894508 |
Interviews with young Muslims in Chicago explore the complexity of identities formed at the crossroads of Islam and hip hop This groundbreaking study of race, religion and popular culture in the 21st century United States focuses on a new concept, “Muslim Cool.” Muslim Cool is a way of being an American Muslim—displayed in ideas, dress, social activism in the ’hood, and in complex relationships to state power. Constructed through hip hop and the performance of Blackness, Muslim Cool is a way of engaging with the Black American experience by both Black and non-Black young Muslims that challenges racist norms in the U.S. as well as dominant ethnic and religious structures within American Muslim communities. Drawing on over two years of ethnographic research, Su'ad Abdul Khabeer illuminates the ways in which young and multiethnic US Muslims draw on Blackness to construct their identities as Muslims. This is a form of critical Muslim self-making that builds on interconnections and intersections, rather than divisions between “Black” and “Muslim.” Thus, by countering the notion that Blackness and the Muslim experience are fundamentally different, Muslim Cool poses a critical challenge to dominant ideas that Muslims are “foreign” to the United States and puts Blackness at the center of the study of American Islam. Yet Muslim Cool also demonstrates that connections to Blackness made through hip hop are critical and contested—critical because they push back against the pervasive phenomenon of anti-Blackness and contested because questions of race, class, gender, and nationality continue to complicate self-making in the United States.
Author | : Kamaludeen Mohamed Nasir |
Publisher | : Indiana University Press |
Total Pages | : 222 |
Release | : 2020-12-01 |
Genre | : Social Science |
ISBN | : 0253053056 |
How do Muslims who grew up after September 11 balance their love for hip-hop with their devotion to Islam? How do they live the piety and modesty called for by their faith while celebrating an art form defined, in part, by overt sexuality, violence, and profanity? In Representing Islam, Kamaludeen Mohamed Nasir explores the tension between Islam and the global popularity of hip-hop, including attempts by the hip-hop ummah, or community, to draw from the struggles of African Americans in order to articulate the human rights abuses Muslims face. Nasir explores state management of hip-hop culture and how Muslim hip-hoppers are attempting to "Islamize" the genre's performance and jargon to bring the music more in line with religious requirements, which are perhaps even more fraught for female artists who struggle with who has the right to speak for Muslim women. Nasir also investigates the vibrant underground hip-hop culture that exists online. For fans living in conservative countries, social media offers an opportunity to explore and discuss hip-hop when more traditional avenues have been closed. Representing Islam considers the complex and multifaceted rise of hip-hop on a global stage and, in doing so, asks broader questions about how Islam is represented in this global community.
Author | : Gary R. Bunt |
Publisher | : Univ of North Carolina Press |
Total Pages | : 375 |
Release | : 2009-04-30 |
Genre | : Religion |
ISBN | : 0807887714 |
Exploring the increasing impact of the Internet on Muslims around the world, this book sheds new light on the nature of contemporary Islamic discourse, identity, and community. The Internet has profoundly shaped how both Muslims and non-Muslims perceive Islam and how Islamic societies and networks are evolving and shifting in the twenty-first century, says Gary Bunt. While Islamic society has deep historical patterns of global exchange, the Internet has transformed how many Muslims practice the duties and rituals of Islam. A place of religious instruction may exist solely in the virtual world, for example, or a community may gather only online. Drawing on more than a decade of online research, Bunt shows how social-networking sites, blogs, and other "cyber-Islamic environments" have exposed Muslims to new influences outside the traditional spheres of Islamic knowledge and authority. Furthermore, the Internet has dramatically influenced forms of Islamic activism and radicalization, including jihad-oriented campaigns by networks such as al-Qaeda. By surveying the broad spectrum of approaches used to present dimensions of Islamic social, spiritual, and political life on the Internet, iMuslims encourages diverse understandings of online Islam and of Islam generally.
Author | : Nadia Marzouki |
Publisher | : Columbia University Press |
Total Pages | : 405 |
Release | : 2017-04-04 |
Genre | : Political Science |
ISBN | : 0231543921 |
Islam: An American Religion demonstrates how Islam as formed in the United States has become an American religion in a double sense—first through the strategies of recognition adopted by Muslims and second through the performance of Islam as a faith. Nadia Marzouki investigates how Islam has become so contentious in American politics. Focusing on the period from 2008 to 2013, she revisits the uproar over the construction of mosques, legal disputes around the prohibition of Islamic law, and the overseas promotion of religious freedom. She argues that public controversies over Islam in the United States primarily reflect the American public's profound divisions and ambivalence toward freedom of speech and the legitimacy of liberal secular democracy.
Author | : Emilio Spadola |
Publisher | : Indiana University Press |
Total Pages | : 190 |
Release | : 2013-12-25 |
Genre | : Social Science |
ISBN | : 0253011450 |
“A theoretically sophisticated reading of the mediation of social and spiritual relationships in Fez.” —Gregory Starrett, University of North Carolina at Charlotte The sacred calls that summon believers are the focus of this study of religion and power in Fez, Morocco. Focusing on how dissemination of the call through mass media has transformed understandings of piety and authority, Emilio Spadola details the new importance of once-marginal Sufi practices such as spirit trance and exorcism for ordinary believers, the state, and Islamist movements. The Calls of Islam offers new ethnographic perspectives on ritual, performance, and media in the Muslim world. “A superb demonstration of anthropological analysis at its best. A major contribution to our understanding of the complicated nexus of religion, nationalism, and technology.” —Charles Hirschkind, author of The Feeling of History “An instructive contribution to the literature on Morocco’s socio-cultural and political idiosyncrasies.” —Review of Middle East Studies “Spadola’s dense but short study . . . manages admirably well to deal with a complex topic, skillfully balancing ethnographic and analytic elements.” —American Ethnologist “[The] tension between social classes is subtly drawn out throughout this exemplary book, and Spadola also does a magnificent job tying local, national, and transnational contexts together. Although writing about a very specific place and time, he manages to capture post-millennial anxieties about Islam and belonging that are far reaching in their scope.” —Contemporary Islam “Spadola’s book is theoretically sophisticated, skillfully constructed, and rich in detail.” —Journal of Religion
Author | : Patrick Eisenlohr |
Publisher | : Univ of California Press |
Total Pages | : 218 |
Release | : 2018-06-08 |
Genre | : Religion |
ISBN | : 0520970764 |
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religious traditions. At the core of Eisenlohr’s concern is the interplay of voice, media, affect, and listeners’ religious experiences. Sounding Islam sheds new light on a key dimension of religion, the sonic incitement of sensations that are often difficult to translate into language.