Irony And Singularity
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| Author | : Gary Peters |
| Publisher | : Routledge |
| Total Pages | : 355 |
| Release | : 2017-09-08 |
| Genre | : Philosophy |
| ISBN | : 1351926179 |
Although, initially, dealing with specifically pedagogical issues arising out of debates within the philosophy of education, the main thrust of this book tackles the more fundamental questions concerning communication, dialogue and solitude. Irony and Singularity introduces aesthetics into higher education not as an academic discipline among others but as part of a wider strategy to re-orientate teaching. Although focused on the manner in which art and aesthetics are taught within the context of the art school, the book raises wider and more central issues within pedagogy, challenging the currently dominant models rooted in science and the humanities. Engaging with a wide range of philosophers and philosophical traditions often ignored in the philosophy of education, Peters questions the resistance of the aesthetic object to language, communication and instruction and claims that the philosophical acknowledgement of incommunicability coupled with the demand for communication allows us to better understand the role of the teacher as complicit in the production of the aesthetic rather than merely receptive as a reader or interpreter of the aesthetic 'text'.
| Author | : Sergio de la Pava |
| Publisher | : University of Chicago Press |
| Total Pages | : 690 |
| Release | : 2012-04-09 |
| Genre | : Fiction |
| ISBN | : 0226141802 |
“Propulsive . . . The novel’s chaotic sprawl, black humor and madcap digressions make it a thrilling rejoinder to the tidy story arcs [of] most crime fiction.” —The Wall Street Journal Winner of the PEN/Robert W. Bingham Prize for Best Debut Novel Named a Best Book of the Year in the Wall Street Journal, Houston Chronicle, and Philadelphia City Paper A Naked Singularity tells the story of Casi, born to Colombian immigrants, who lives in Brooklyn and works in Manhattan as a public defender—one who, tellingly, has never lost a trial. Never. In the book, we watch what happens when his sense of justice and even his sense of self begin to crack—and how his world then slowly devolves. A huge, ambitious novel in the vein of DeLillo, Foster Wallace, Pynchon, and even Melville, it’s told in a distinct, frequently hilarious voice, with a striking human empathy at its center. Its panoramic reach takes readers through crime and courts, immigrant families and urban blight, media savagery and media satire, scatology and boxing, and even a breathless heist worthy of any crime novel. If Infinite Jest stuck a pin in the map of mid-90s culture and drew our trajectory from there, A Naked Singularity does the same for the feeling of surfeit, brokenness, and exhaustion that permeates our civic and cultural life today. In the opening sentence of William Gaddis’s A Frolic of His Own, a character sneers, “Justice? You get justice in the next world. In this world, you get the law.” A Naked Singularity reveals the extent of that gap, and lands firmly on the side of those who are forever getting the law. “A great American novel.” —Toronto Star
| Author | : Tom Grimwood |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 180 |
| Release | : 2012-12-04 |
| Genre | : Literary Criticism |
| ISBN | : 1443843792 |
What is it to claim that “misogyny” might be “ironic”? Why is it that, in the works of Nietzsche, Kierkegaard and Schopenhauer, the possibility of irony constantly interferes with a conclusive ethical judgement over the meaning of their “misogyny”? How do we hold our interpretations of such ambiguous texts ethically accountable? This book brings together the driving concerns of hermeneutics, feminist philosophy and the history of philosophy in dealing with the “problem of irony”. It develops a thematic account of the concept of irony as a philosophical form of interpretation, and explores this through close readings of three key sites of controversy regarding the relationship between irony and misogyny: Schopenhauer’s “On Women”, Kierkegaard’s “In Vino Veritas” and Nietzsche’s “Woman and Child”. Far from a distraction from or “excuse” for misogyny, the book argues that ironic ambiguity is a formative aspect of all three texts; and explores the different ways in which the authority of Schopenhauer, Kierkegaard and Nietzsche are constructed in terms of the problem of irony.
| Author | : Armen Avanessian |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 202 |
| Release | : 2015-09-14 |
| Genre | : Literary Collections |
| ISBN | : 3110424606 |
The logic of modernity is an ironical logic. Modern irony, a flash of genius produced by Romantic theorists, is first discussed, e.g. in Hegel and Kierkegaard, as an ethical problem personified in figures such as the aesthete, the seducer, the flaneur, or the dandy. It fully develops in the novel, the modern genre par excellence: in novels of the early 19th century no less than in those of postmodernity or in those of the masters of citation, parody, and pastiche of classical modernism (Musil, Joyce, and Proust). This book, however, goes one step further. Looking at how such different authors as Schmitt, Kafka, and Rorty identify the political conflicts, contradictions, and paradoxes of the 20th century as ironical and offers a comprehensive account of the constitutive irony of modernity’s ethical, poetical, and political logic.
| Author | : James M. Harvey |
| Publisher | : Singularia |
| Total Pages | : 205 |
| Release | : 2009 |
| Genre | : Cosmology |
| ISBN | : 098075741X |
| Author | : Andrew Benjamin |
| Publisher | : re.press |
| Total Pages | : 235 |
| Release | : 2009 |
| Genre | : Architecture |
| ISBN | : 0980544092 |
Walter Benjamin is universally recognised as one of the key thinkers of modernity: his writings on politics, language, literature, media, theology and law have had an incalculable influence on contemporary thought. Yet the problem of architecture in and for Benjamin's work remains relatively underexamined. Does Benjamin's project have an architecture and, if so, how does this architecture affect the explicit propositions that he offers us? In what ways are Benjamin's writings centrally caught up with architectural concerns, from the redevelopment of major urban centres to the movements that individuals can make within the new spaces of modern cities? How can Benjamin's theses help us to understand the secret architectures of the present? This volume takes up the architectural challenge in a number of innovative ways, collecting essays by both well-known and emerging scholars on time in cinema, the problem of kitsch, the design of graves and tombs, the orders of road-signs, childhood experience in modern cities, and much more. Engaged, interdisciplinary, bristling with insights, the essays in this collection will constitute an indispensable supplement to the work of Walter Benjamin, as well as providing a guide to some of the obscurities of our own present.
| Author | : Joe Panzner |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 241 |
| Release | : 2015-12-17 |
| Genre | : Music |
| ISBN | : 162892571X |
The Process That Is the World grapples with John Cage not just as a composer, but as a philosopher advocating for an ontology of difference in keeping with the kind posited by Gilles Deleuze. Cage's philosophy is not simply a novel method for composition, but an extensive argument about the nature of reality itself, the construction of subjects within that reality, and the manner in which subjectivity and a self-creative world exist in productive tension with one another. Over the course of the study, these themes are developed in the realms of the ontology of a musical work, performance practices, ethics, and eventually a study of Cagean politics and the connection between aesthetic experience and the generation of new forms of collective becoming-together. The vision of Cage that emerges through this study is not simply that of the maverick composer or the “inventor of genius,” but of a thinker and artist responding to insights about the world-as-process as it extends through the philosophical, artistic, and ethical registers: the world as potential for variance, reinvention, and permanent revolution.
| Author | : Francis J. Ambrosio |
| Publisher | : State University of New York Press |
| Total Pages | : 258 |
| Release | : 2012-02-01 |
| Genre | : Religion |
| ISBN | : 0791480410 |
Reading Dante's Commedia alongside Jacques Derrida's later religious writings, Francis J. Ambrosio explores what these works reveal about religion as a fundamental dynamic of human existence, about freedom and responsibility, and about the significance of writing itself. Ambrosio argues that both the many telling differences between them and the powerful bonds that unite them across centuries show that Dante and Derrida share an identity as religious writers that arises from the human experiences of faith, hope, and love in response to the divine mystery of being human. For both Dante and Derrida, Ambrosio contends, "scriptural religion" reveals that the paradoxical tension of freedom and absolute responsibility must lead to the mystery of forgiveness, a secret that these two share and faithfully keep by surrendering to its necessity to die so as always to begin again anew.
| Author | : Charles Stross |
| Publisher | : Penguin |
| Total Pages | : 356 |
| Release | : 2004-06-29 |
| Genre | : Fiction |
| ISBN | : 9780441011797 |
In a technologically suppressed future, information demands to be free in the debut novel from Hugo Award-winning author Charlie Stross. In the twenty-first century, life as we know it changed. Faster-than-light travel was perfected, and the Eschaton, a superhuman artificial intelligence, was born. Four hundred years later, the far-flung colonies that arose as a result of these events—scattered over three thousand years of time and a thousand parsecs of space—are beginning to rediscover their origins. The New Republic is one such colony. It has existed for centuries in self-imposed isolation, rejecting all but the most basic technology. Now, under attack by a devastating information plague, the colony must reach out to Earth for help. A battle fleet is dispatched, streaking across the stars to the rescue. But things are not what they seem—secret agendas and ulterior motives abound, both aboard the ship and on the ground. And watching over it all is the Eschaton, which has its own very definite ideas about the outcome...
| Author | : Fred Rush |
| Publisher | : Oxford University Press |
| Total Pages | : 272 |
| Release | : 2016-09-22 |
| Genre | : Philosophy |
| ISBN | : 0191512516 |
Irony and Idealism investigates the historical and conceptual structure of the development of a philosophically distinctive conception of irony in early- to mid-nineteenth century European philosophy. The principal figures treated are the romantic thinkers Friedrich Schlegel and Novalis, Hegel, and Kierkegaard. Fred Rush argues that the development of philosophical irony in this historical period is best understood as providing a way forward in philosophy in the wake of Kant and Jacobi that is discrete from, and many times opposed to, German idealism. Irony and Idealism argues, against the grain of received opinion, that among the German romantics Schlegel's conception of irony is superior to similar ideas found in Novalis. It also presents a sustained argument showing that historical reconsideration of Schlegel has been hampered by contestable Hegelian assumptions concerning the conceptual viability of romantic irony and by the misinterpretation of what the romantics mean by 'the absolute.' Rush argues that this is primarily a social-ontological term and not, as is often supposed, a metaphysical concept. Kierkegaard, although critical of the romantic conception, deploys his own adaptation of it in his criticism of Hegel, continuing, and in a way completing, the arc of irony through nineteenth-century philosophy. The book concludes by offering suggestions meant to guide contemporary reconsideration of Schlegel's and Kierkegaard's views on the philosophical significance of irony.
