Irish Poetry After Joyce
Author | : Dillon Johnston |
Publisher | : |
Total Pages | : 356 |
Release | : 1987 |
Genre | : Literary Criticism |
ISBN | : 9780268011635 |
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Author | : Dillon Johnston |
Publisher | : |
Total Pages | : 356 |
Release | : 1987 |
Genre | : Literary Criticism |
ISBN | : 9780268011635 |
Author | : Dillon Johnston |
Publisher | : Irish Studies |
Total Pages | : 384 |
Release | : 1997 |
Genre | : Literary Criticism |
ISBN | : |
Contemporary Irish poetry is normally read and evaluated in the light of the tradition of William Butler Yeats who set the standard for Irish poetry. This work shows that Irish poetry follows the model set by Joyce more than the one set by Yeats.
Author | : John Goodby |
Publisher | : Manchester University Press |
Total Pages | : 372 |
Release | : 2000-12-15 |
Genre | : History |
ISBN | : 9780719029974 |
Irish Poetry since 1950 is a survey of poetry, from Northern Ireland, the Republic, Britain, and the US, covering the 1950s, the 1960s, the early period of the Troubles up to 1976, the 1980s and the 1990s.
Author | : Anthony Bradley |
Publisher | : Univ of California Press |
Total Pages | : 456 |
Release | : 1980-01-01 |
Genre | : Poetry |
ISBN | : 9780520033894 |
Author | : Fran Brearton |
Publisher | : OUP Oxford |
Total Pages | : 743 |
Release | : 2012-10-25 |
Genre | : Literary Criticism |
ISBN | : 0191636754 |
Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period. The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.
Author | : Kenneth Keating |
Publisher | : Springer |
Total Pages | : 264 |
Release | : 2017-03-27 |
Genre | : Literary Criticism |
ISBN | : 3319511122 |
‘This book makes an important intervention into debates about influence and contemporary Irish poetry. Supported throughout by incisive reflections upon allusion, word choice, and formal structure, Keating brings to the discussion a range of new and lesser known voices which decisively complicate and illuminate its pronounced concerns with inheritance, history, and the Irish poetic canon.’ — Steven Matthews, Professor of English Literature, University of Reading, UK, and author of Irish Poetry: Politics, History, Negotiation and Yeats As Precursor This book is about the way that contemporary Irish poetry is dominated and shaped by criticism. It argues that critical practices tend to construct reductive, singular and static understandings of poetic texts, identities, careers, and maps of the development of modern Irish poetry. This study challenges the attempt present within such criticism to arrest, stabilize, and diffuse the threat multiple alternative histories and understandings of texts would pose to the formation of any singular pyramidal canon. Offered here are detailed close readings of the recent work of some of the most established and high-profile Irish poets, such as Paul Muldoon and Medbh McGuckian, along with emerging poets, to foreground an alternative critical methodology which undermines the traditional canonical pursuit of singular meaning and definition through embracing the troubling indeterminacy and multiplicity to be found within contemporary Irish poetry.
Author | : Robert F. Garratt |
Publisher | : Univ of California Press |
Total Pages | : 356 |
Release | : 1989-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780520066038 |
Traces the history of twentieth century Irish poetry and examines the Irish literary tradition
Author | : Robert Kiely |
Publisher | : punctum books |
Total Pages | : 163 |
Release | : 2020-05-11 |
Genre | : Literary Criticism |
ISBN | : 1950192830 |
Incomparable Poetry: An Essay on the Financial Crisis of 2007-2008 and Irish Literature is an attempt to describe the ways in which the financial crisis of 2007-8 impacted literature in Ireland, and thereby describe the ways in which poetry engages with, is structured by, and wrestles with economic issues.Ireland and its contemporary poetry is a particularly suitable case study for studying the effect of the economic crisis on Anglophone poetry, because poetry in Ireland has a special relationship to the state and economy due to its status as a postcolonial nation-state. Beginning with a summary of recent Irish economic and cultural history, and moving across experimental and mainstream poetry, this essay outlines how the poetry of Trevor Joyce, Leontia Flynn, Dave Lordan, and Rachel Warriner addresses in its form and content the boom years of the Celtic Tiger and the financial crisis.Incomparable Poetry also discusses the concerns and historical contexts these poets have turned to in order to make sense of these events - including Chinese history, accountancy, sexual violence, and Iceland's economic history. In contemporary Irish poetry, the author argues, we see a significant interest in matching capitalism's accounting abilities, but in this attempt, these poems often end up broken by the imposition of an external conceptual framework or economic logic. Robert Kiely grew up in Cork, Ireland and now lives in London. His critical work has been published in Irish University Review, Journal of British and Irish Innovative Poetry, The Parish Review, and Samuel Beckett Today/Aujourd'hui. His chapbooks include How to Read (Crater, 2017) and Killing the Cop in Your Head (Sad, 2017). He is Poet-in-Residence at University of Surrey for 2019-20.
Author | : Thomas Halloran |
Publisher | : Columbia University Press |
Total Pages | : 170 |
Release | : 2009-01-23 |
Genre | : Literary Criticism |
ISBN | : 3898215717 |
"James Joyce: Developing Irish Identity" follows the increasing focus on Irish identity in Joyce's major works of prose. This book traces the development of the idea of Ireland, the concept of Irishness, the formation of a national identity and the need to deconstruct a nationalistic self-conception of nation in Joyce's work. Through close reading of "Dubliners", "A Portrait of the Artist as a Young Man", "Stephen Hero" and "Ulysses", Joyce articulates the problems that colonialism poses to a nation-state that cannot create its identity autonomously. Furthermore, this reading uncovers Joyce's conception of national identity as increasingly sophisticated and complicated after Irish independence was won. From here, Halloran argues that Joyce presents his readers with ideas and suggestions for the future of Ireland. As Irish studies become increasingly imbricated with postcolonial discourse, the need for re-examination of classic texts becomes necessary."James Joyce: Developing Irish Identity" provides a new approach for understanding the dramatic development of Joyce's oeuvre by providing a textual analysis guided by postcolonial theory.
Author | : Gregory A. Schirmer |
Publisher | : Cornell University Press |
Total Pages | : 460 |
Release | : 1998 |
Genre | : Literary Criticism |
ISBN | : 9780801434983 |
The first book of its kind, Out of What Began traces the development of a distinctive tradition of Irish poetry over the course of three centuries. Beginning with Jonathan Swift in the early eighteenth century and concluding with such contemporary poets as Seamus Heaney and Eavan Boland, Gregory A. Schirmer looks at the work of nearly a hundred poets. Considering the evolving political and social environments in which they lived and wrote, Schirmer shows how Irish poetry and culture have come to be shaped by the struggle to define Irish identity. Schirmer includes a large number of accomplished poets who have been unjustly neglected in standard accounts of Irish literature; many of these writers are women, whose work has been kept in the shadows cast by that of well-known male poets. He also emphasizes the importance of political poetry in a country that continues to be torn by sectarian violence. With its rich selection of poetic voices, Out of What Began reveals the political, social, and religious diversity of Irish culture.