Intertextuality in the English Translations of San Guo Yan Yi

Intertextuality in the English Translations of San Guo Yan Yi
Author: Wenqing Peng
Publisher: Taylor & Francis
Total Pages: 203
Release: 2021-08-29
Genre: Language Arts & Disciplines
ISBN: 1000412369

San Guo Yan Yi is one of the best-known classic Chinese novels in the English-speaking world. The earliest English translation came out in 1820, while a range of further translations have been produced over the past two hundred years. How do the different versions relate to each other? This volume examines the intertextual relations between the English translations of San Guo Yan Yi. Intertextuality refers to the interdependence of texts in relation to one another. Focusing on the perspectives of impact, quotation, parallels and transformation, the author compares a range of the translated versions, including two full-length translations and over twenty excerpted renderings and partial adaptations since the 1820s. She discovers that excerpted translations are selected to fit the translators’ own narrations, and are adapted to many genres, such as poetry, drama, fairytales, and textbooks. Moreover, the original text, translated texts and other related English works are interconnected in one large network, for which intertextuality offers an ideal basis for research. Students and scholars of Chinese literature and translation studies will benefit from this book.

Intertextuality in the English Translations of San Guo Yan Yi

Intertextuality in the English Translations of San Guo Yan Yi
Author: Wenqing Peng
Publisher: Routledge
Total Pages: 145
Release: 2021-08-29
Genre: Literary Criticism
ISBN: 1000412377

San Guo Yan Yi is one of the best-known classic Chinese novels in the English-speaking world. The earliest English translation came out in 1820, while a range of further translations have been produced over the past two hundred years. How do the different versions relate to each other? This volume examines the intertextual relations between the English translations of San Guo Yan Yi. Intertextuality refers to the interdependence of texts in relation to one another. Focusing on the perspectives of impact, quotation, parallels and transformation, the author compares a range of the translated versions, including two full-length translations and over twenty excerpted renderings and partial adaptations since the 1820s. She discovers that excerpted translations are selected to fit the translators’ own narrations, and are adapted to many genres, such as poetry, drama, fairytales, and textbooks. Moreover, the original text, translated texts and other related English works are interconnected in one large network, for which intertextuality offers an ideal basis for research. Students and scholars of Chinese literature and translation studies will benefit from this book.

Chinese Poetry and Translation

Chinese Poetry and Translation
Author: Maghiel van Crevel
Publisher: Amsterdam University Press
Total Pages:
Release: 2019-11-15
Genre: Poetry
ISBN: 9048542723

Chinese Poetry and Translation: Rights and Wrongs offers fifteen essays on the triptych of poetry + translation + Chinese. The collection has three parts: "The Translator's Take," "Theoretics," and "Impact." The conversation stretches from queer-feminist engagement with China's newest poetry to philosophical and philological reflections on its oldest, and from Tang- and Song-dynasty classical poetry in Western languages to Baudelaire and Celan in Chinese. Translation is taken as an interlingual and intercultural act, and the essays foreground theoretical expositions and the practice of translation in equal but not opposite measure. Poetry has a transforming yet ever-acute relevance in Chinese culture, and this makes it a good entry point for studying Chinese-foreign encounters. Pushing past oppositions that still too often restrict discussions of translation-form versus content, elegance versus accuracy, and "the original" versus "the translated"-this volume brings a wealth of new thinking to the interrelationships between poetry, translation, and China.

Chinese Character Manipulation in Literature and Divination

Chinese Character Manipulation in Literature and Divination
Author: Anne Kathrin Schmiedl
Publisher: BRILL
Total Pages: 368
Release: 2020-04-06
Genre: History
ISBN: 9004422374

In Chinese Character Manipulation in Literature and Divination, Anne Schmiedl analyses the historical development and linguistic properties of Chinese character manipulation, focusing on a late imperial work on this subject, the Zichu by Zhou Lianggong (1612–1672).

The Routledge Handbook of Translation and Activism

The Routledge Handbook of Translation and Activism
Author: Rebecca Ruth Gould
Publisher: Routledge
Total Pages: 555
Release: 2020-06-02
Genre: Business & Economics
ISBN: 1351369830

The Routledge Handbook of Translation and Activism provides an accessible, diverse and ground-breaking overview of literary, cultural, and political translation across a range of activist contexts. As the first extended collection to offer perspectives on translation and activism from a global perspective, this handbook includes case studies and histories of oppressed and marginalised people from over twenty different languages. The contributions will make visible the role of translation in promoting and enabling social change, in promoting equality, in fighting discrimination, in supporting human rights, and in challenging autocracy and injustice across the Middle East, Africa, Latin America, East Asia, the US and Europe. With a substantial introduction, thirty-one chapters, and an extensive bibliography, this Handbook is an indispensable resource for all activists, translators, students and researchers of translation and activism within translation and interpreting studies.

Three Kingdoms

Three Kingdoms
Author: Guanzhong Luo
Publisher: University of California Press
Total Pages: 477
Release: 2020-05-12
Genre: Literary Collections
ISBN: 0520344553

“A material epic with an astonishing fidelity to history."—New York Times Book Review Three Kingdoms tells the story of the fateful last reign of the Han dynasty (206 B.C.–A.D. 220), when the Chinese empire was divided into three warring kingdoms. Writing some twelve hundred years later, the Ming author Luo Guanzhong drew on histories, dramas, and poems portraying the crisis to fashion a sophisticated, compelling narrative that has become the Chinese national epic. This abridged edition captures the novel's intimate and unsparing view of how power is wielded, how diplomacy is conducted, and how wars are planned and fought. As important for Chinese culture as the Homeric epics have been for the West, this Ming dynasty masterpiece continues to be widely influential in China, Korea, Japan, and Vietnam and remains a great work of world literature.