Music on the Internet
Author | : United States. Congress. House. Committee on the Judiciary. Subcommittee on Courts, the Internet, and Intellectual Property |
Publisher | : |
Total Pages | : 102 |
Release | : 2001 |
Genre | : Internet |
ISBN | : |
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Author | : United States. Congress. House. Committee on the Judiciary. Subcommittee on Courts, the Internet, and Intellectual Property |
Publisher | : |
Total Pages | : 102 |
Release | : 2001 |
Genre | : Internet |
ISBN | : |
Author | : Peter Spellman |
Publisher | : Hal Leonard Corporation |
Total Pages | : 164 |
Release | : 2002 |
Genre | : Music |
ISBN | : 9780634035869 |
Berklee Book Trade This hands-on guide is essential for any musician who wants to build a fan base and increase profits through the Internet. Peter Spellman, Director of the Career Development Center at Berklee College of Music, guides the self-managed musician through successful strategies to promote music online, reach new audiences, and maximize income. Readers will learn how to: create a professional website; share music downloads; sell and license music online; broadcast on Internet radio; webcast live concerts; create streaming audio; get an online record deal; and much more. Includes an invaluable listing of more than 300 music-related websites!
Author | : Andrew Sparrow |
Publisher | : Routledge |
Total Pages | : 211 |
Release | : 2017-03-02 |
Genre | : Business & Economics |
ISBN | : 1351916335 |
There is hardly an aspect of internet music promotion, sale and distribution which does not have a legal dimension. Since the stakeholders in the process includes artists, their managers, music publishers, record companies, distribution companies and the consumer, the law relating to internet music distribution is extremely complex. Andrew Sparrow's Music Distribution and the Internet provides those connected to the music and media industries with a guide to the legal requirements they must meet, answering questions such as: ¢ How should you conclude contracts with consumers over the internet? ¢ What are the various legal terms and conditions that should govern the sale of physical product to online music buyers? ¢ How should a website user's personal information be handled? ¢ What limitations are there on the way this data may be used for ongoing marketing of an artist's work or the merchandise associated with it? ¢ What are the latest copyright laws in this area and how do they apply to the internet? The book provides practical advice on how to approach key relationships with the internet buying consumer and other online media providers. The law is explained in straightforward terms and applied throughout in a music business context. Music Distribution and the Internet is an essential reference for anyone seeking to exploit and protect their rights and those of their artists in the rapidly expanding, constantly evolving and fascinating arena that is new media.
Author | : Rod Underhill |
Publisher | : Alpha Books |
Total Pages | : 328 |
Release | : 2000 |
Genre | : Computers |
ISBN | : |
MP3 is an Internet music format to compress music for easy download and storage. This work gives a history of how MP3 came to exist and what the technology is. The authors offer pointers and tips for would-be artists who want to run for the music industry.
Author | : Andy Breeding |
Publisher | : Giant Path Publishing |
Total Pages | : 216 |
Release | : 2004 |
Genre | : Internet |
ISBN | : 9781932340020 |
From Internet radio services to online jukeboxes and music download stores, there are scores of new options for music lovers. Breeding makes sense of these options and shows readers how to make savvy use of these services. (Technology & Industrial Arts)
Author | : United States. Congress. House. Committee on Small Business |
Publisher | : |
Total Pages | : 112 |
Release | : 2001 |
Genre | : Internet |
ISBN | : |
Author | : United States. Congress. Senate. Committee on the Judiciary |
Publisher | : |
Total Pages | : 96 |
Release | : 2001 |
Genre | : Law |
ISBN | : |
Author | : Conrad Mewton |
Publisher | : SMT |
Total Pages | : 324 |
Release | : 2010-06-04 |
Genre | : Music |
ISBN | : 0857123580 |
These are exciting times for musicians, record companies, fans - in fact, for anyone with a passion for music. The internet is bringing about a revolution in the way we produce, distribute and listen to music, and new rules, new deals, new players and new opportunities weem to be apperaing every day. Where will it end? Will record companies survive? Will MP3 bring down the industry? Can today's musicians use the net to go it alone and make a living? How are the record deals of the future going to look? How do you run your own internet record label or online radio station? Is Napster here to stay? Music & The Internet Revolution contains all of the answers, tips and know-how you need to fully embrace the Digital Age, from webcasting live concerts to reaching fans by e-mail to setting up your own website. Packed with advice, and with a fully comprehensive appendix of important web sites, it is the first definitive guide to the net's extraordinary impact on the music business.
Author | : Gary Marshall |
Publisher | : Artemis Music Ltd |
Total Pages | : 132 |
Release | : 2003 |
Genre | : Music |
ISBN | : 9781904411086 |
If you're in a band, you need the Internet. Whether it's building a Web site to showcase your music, downloading free drum loops from online sample libraries or just getting into huge sweary fights with complete strangers, the Net is the best thing that's happened to music since Phil Collins stopped touring. everything from how to build a Web site (find a geek and give him beer) to practical advice on making money and staying out of trouble. Detailed advice about what works and what doesn't features, together with some sneaky tips to help you along the way
Author | : Nancy K. Baym |
Publisher | : NYU Press |
Total Pages | : 280 |
Release | : 2018-07-10 |
Genre | : Business & Economics |
ISBN | : 1479803030 |
Explains what happened to music—for both artists and fans—when music went online. Playing to the Crowd explores and explains how the rise of digital communication platforms has transformed artist-fan relationships into something closer to friendship or family. Through in-depth interviews with musicians such as Billy Bragg and Richie Hawtin, as well as members of the Cure, UB40, and Throwing Muses, Baym reveals how new media has facilitated these connections through the active, and often required, participation of the artists and their devoted, digital fan base. Before the rise of social sharing and user-generated content, fans were mostly seen as an undifferentiated and unidentifiable mass, often mediated through record labels and the press. However, in today’s networked era, musicians and fans have built more active relationships through social media, fan sites, and artist sites, giving fans a new sense of intimacy and offering artists unparalleled information about their audiences. However, this comes at a price. For audiences, meeting their heroes can kill the mystique. And for artists, maintaining active relationships with so many people can be both personally and financially draining, as well as extremely labor intensive. Drawing on her own rich history as an active and deeply connected music fan, Baym offers an entirely new approach to media culture, arguing that the work musicians put in to create and maintain these intimate relationships reflect the demands of the gig economy, one which requires resources and strategies that we must all come to recognize and appreciate.