Intellectual Women and Victorian Patriarchy

Intellectual Women and Victorian Patriarchy
Author: Deirdre David
Publisher: Springer
Total Pages: 284
Release: 1987-09-01
Genre: Literary Criticism
ISBN: 1349187925

Examines the works of three Victorian writers, looks at the ways they subverted and affirmed their society, and discusses women's higher education in nineteenth century England.

Intellectual Women and Victorian Patriarchy

Intellectual Women and Victorian Patriarchy
Author: Deirdre David
Publisher:
Total Pages: 304
Release: 1987
Genre: Biography & Autobiography
ISBN:

Examines the works of three Victorian writers, looks at the ways they subverted and affirmed their society, and discusses women's higher education in nineteenth century England.

Femininity to Feminism

Femininity to Feminism
Author: Susan Rubinow Gorsky
Publisher: Twayne Publishers
Total Pages: 240
Release: 1992
Genre: Literary Criticism
ISBN:

In Femininity to Feminism, Susan Rubinow Gorsky combines social history research--including statistics about family life, women's education, and women in the work force--with an examination of the way these issues are presented in literature by and about women. Gorsky's work illuminates women's lives and writings in relation to the cultural attitudes that influenced their creation. Focusing on the intensity of women's struggle to find their own literary and political voices and to be heard in the public sphere, Gorsky traces the emergence of a shared self-consciousness that began to express itself in literary and social resistance to patriarchy.

A. S. Byatt and Intellectual Women

A. S. Byatt and Intellectual Women
Author: Leanne Bibby
Publisher: Springer Nature
Total Pages: 242
Release: 2022-08-30
Genre: Literary Criticism
ISBN: 3031086716

This monograph is a study of the work of British author A. S. Byatt, exploring the cultural representation of the woman intellectual in her fiction. It argues that Byatt’s representations of this figure show narratives of intellectual women to be inherently mythopoeic, or capable of restructuring the myth of the intellectual as male by default. This mythopoeia is, furthermore, intrinsically feminist in function, thus potentially broadening the conventional, limited view of women in intellectual history. The book will be the first study of Byatt’s work to examine this figure in detail, and the first study of women intellectuals in historical and literary discourse to apply concepts of mythopoeia and sexual difference in ways that allow new readings of women’s status and work in public spheres.

Disorderly Sisters

Disorderly Sisters
Author: Leila Silvana May
Publisher: Bucknell University Press
Total Pages: 292
Release: 2001
Genre: Literary Criticism
ISBN: 9780838754597

Historians and literary critics have long understood the crucial significance of the family to the nineteenth-century middle-class sensibility, but almost all critical analyses to date have concentrated on the "vertical" pole of the familial axis - the parent-child relationship - and very little on the "horizontal" pole - the sibling bond. This book looks beyond these analyses to show that at the core of nineteenth-century domestic ideology is the figure of the sister."--BOOK JACKET.

The Yellow Wall-Paper

The Yellow Wall-Paper
Author: Charlotte Perkins Gilman
Publisher: Modernista
Total Pages: 18
Release: 2024-03-21
Genre:
ISBN: 9180946518

She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis.

Rule Britannia

Rule Britannia
Author: Deirdre David
Publisher: Cornell University Press
Total Pages: 252
Release: 2018-10-18
Genre: Literary Criticism
ISBN: 1501723677

Deirdre David here explores women's role in the literature of the colonial and imperial British nation, both as writers and as subjects of representation. David's inquiry juxtaposes the parliamentary speeches of Thomas Macaulay and the private letters of Emily Eden, a trial in Calcutta and the missionary literature of Victorian women, writing about thuggee and emigration to Australia. David shows how, in these texts and in novels such as Charlotte Brontë's Jane Eyre, Charles Dickens's Dombey and Son, Wilkie Collins's Moonstone, and H. Rider Haggard's She, the historical and symbolic roles of Victorian women were linked to the British enterprise abroad. Rule Britannia traces this connection from the early nineteenth-century nostalgia for masculine adventure to later patriarchal anxieties about female cultural assertiveness. Missionary, governess, and moral ideal, promoting sacrifice for the good of the empire—such figures come into sharp relief as David discusses debates over English education in India, class conflicts sparked by colonization, and patriarchal responses to fears about feminism and race degeneration. In conclusion, she reveals how Victorian women, as writers and symbols of colonization, served as critics of empire.

Too Much

Too Much
Author: Rachel Vorona Cote
Publisher: Grand Central Publishing
Total Pages: 352
Release: 2020-02-25
Genre: Social Science
ISBN: 1538729717

Lacing cultural criticism, Victorian literature, and storytelling together, "TOO MUCH spills over: with intellect, with sparkling prose, and with the brainy arguments of Vorona Cote, who posits that women are all, in some way or another, still susceptible to being called too much." (Esmé Weijun Wang) A weeping woman is a monster. So too is a fat woman, a horny woman, a woman shrieking with laughter. Women who are one or more of these things have heard, or perhaps simply intuited, that we are repugnantly excessive, that we have taken illicit liberties to feel or fuck or eat with abandon. After bellowing like a barn animal in orgasm, hoovering a plate of mashed potatoes, or spraying out spit in the heat of expostulation, we've flinched-ugh, that was so gross. I am so gross. On rare occasions, we might revel in our excess--belting out anthems with our friends over karaoke, perhaps--but in the company of less sympathetic souls, our uncertainty always returns. A woman who is Too Much is a woman who reacts to the world with ardent intensity is a woman familiar to lashes of shame and disapproval, from within as well as without. Written in the tradition of Shrill, Dead Girls, Sex Object and other frank books about the female gaze, TOO MUCH encourages women to reconsider the beauty of their excesses-emotional, physical, and spiritual. Rachel Vorona Cote braids cultural criticism, theory, and storytelling together in her exploration of how culture grinds away our bodies, souls, and sexualities, forcing us into smaller lives than we desire. An erstwhile Victorian scholar, she sees many parallels between that era's fixation on women's "hysterical" behavior and our modern policing of the same; in the space of her writing, you're as likely to encounter Jane Eyre and Lizzie Bennet as you are Britney Spears and Lana Del Rey. This book will tell the story of how women, from then and now, have learned to draw power from their reservoirs of feeling, all that makes us "Too Much."

Women’s Orients: English Women and the Middle East, 1718–1918

Women’s Orients: English Women and the Middle East, 1718–1918
Author: Billie Melman
Publisher: Springer
Total Pages: 439
Release: 2016-01-06
Genre: Social Science
ISBN: 1349101575

In this highly acclaimed study, Billie Melman recovers the unwritten history of the European experience of the Middle-East during the colonial era. She focuses on the evolution of Orientalism and the reconstruction - through contact with other cultures - of gender and class. Beginning with the eighteenth century Billie Melman describes the many ways in which women looked at oriental people and places and developed a discourse which presented a challenge to hegemonic notions on the exotic and 'different'. Through her examination of the writings of famous feminist writers, travellers, ethnographers, missionaries, archaeologists and Biblical scholars, many of which are studied here for the first time, Billie Melman challenges traditional interpretations of Orientalism, placing gender at the forefront of colonial studies. 'This book provides a real extension to Edward Said's writing not only in the sense of challenging Edward Said's perspective, but also by adding a significant empirical and conceptual element to the discussion on orientalism. Those interested in women's history, in the cultural politics of cross-cultural encounters and in feminist or cultural theory will find much to engage them, inform them and challenge them in Melman's book.' - Joanna De Groot, Times Higher Education Supplement 'Using the perspectives of both gender and class Melman sets an alternative view of the Orient against that of Said... a much less monolithic and much more complex and heterogenous than that of Said' - Francis Robinson, Times Literary Supplement 'Women's Orients is an important contribution to our understanding of Orientalism. Melman's work is characterized by a fruitful bringing together of the skills of the historian with the sensitive reading of the British women writers...' - Catherine Hall, The Feminist Review 'An excellent work... This book is a must for anyone interested in women's history, both English and Middle Eastern. It is well written and well argued and effectively does what it promises to do' - Afaf Lutfi Al-Sayyid Marsot, The International History Review 'Women's Orients, a project of recovery and analysis, is an important consideration of European women traveller's writing on the Middle East. It provides a rich and detailed interpretation of a feminine version of the Orient' - Sherifa Zuhur, MESA Bulletin 'The book raises provocative issues and suggests complexities that deepen our understanding of colonial changes and representations' - Dorothy O.Helly, American Historical Review.

Mobility and Modernity in Women's Novels, 1850s-1930s

Mobility and Modernity in Women's Novels, 1850s-1930s
Author: W. Parkins
Publisher: Springer
Total Pages: 205
Release: 2008-11-27
Genre: Fiction
ISBN: 0230583113

Analyzing novels by women writers from the 1850s to the 1930s, this book argues that representations of mobility offer a fruitful way to explore the location of women within modernity and, specifically, the opportunities for (or limitations on) women's agency in this period, considering the mobility of the female subject in the city and beyond.