Inside the Room

Inside the Room
Author: Linda Venis
Publisher: Avery
Total Pages: 274
Release: 2013-08-06
Genre: Language Arts & Disciplines
ISBN: 1592408117

What does it take to go from being a TV fan to a professional TV writer? Television writers--whose many produced credits include The Simpsons; Mad Men; Frasier; X-Files; Battlestar Gallactica; CSI: Miami; Law and Order; and House, M.D.--take aspiring writers through the process of writing their first spec script for an on-air series, creating one-hour drama and sitcom pilots that break out from the pack, and revising their scripts to meet pro standards. They also learn how to launch and sustain a writing career and get a rare look inside the process of creating, selling, and getting a TV show made. Edited by Linda Venis, Director of the UCLA Extension Writers' Program, Inside the Room is an unmatched resource for everything readers need to know to write their way into the Writers Guild of America.

Nit Boy

Nit Boy
Author: Tristan Bancks
Publisher: Penguin Group Australia
Total Pages: 175
Release: 2020-07-02
Genre: Juvenile Fiction
ISBN: 1760147699

Two Nit Boy stories in one book, Lift Off and Bug Off! "Nit Boy is a hilariously fun junior fiction novel for fans of silliness and a good giggle. With dashes of mystery and a fast-paced plot, this is a super fun read for kids." Kids' Book Review Meet Lewis Snow. He has the worst case of nits in world history. Everyone wants him to shave his head. But Lewis thinks of his nits as pets. He’s determined to keep his hair and his nits, whatever it takes. Ned lives on Lewis’s head. He’s the first-ever jumping nit. His dad wants Ned to help nits take over the world. But Ned likes it on Lewis’s head. Ned’s vegan and hates the taste of human blood. And you thought you had problems. Includes interactive quizzes and a bonus Tom Weekly short story! ____________________________________ Praise for Tristan Bancks: 'Reading Tristan Bancks is like jumping on a rollercoaster – fun, exciting and a bit dangerous, too. Where were books like this when I was a kid?' John Boyne, author of The Boy in The Striped Pyjamas 'A tense, hard-edged, no-holds-barred thriller.' Anthony Horowitz, author of the Alex Rider series 'A high stakes adventure that will keep you guessing and breathless until the very end.' Michael Gerard Bauer, author of Don't Call Me Ishmael Also by Tristan Bancks: Two Wolves The Fall Detention Cop and Robber Ginger Meggs Nit Boy Mac Slater 1: Coolhunter Mac Slater 2: Imaginator Tom Weekly 1: My Life and Other Stuff I Made Up Tom Weekly 2: My Life and Other Stuff That Went Wrong Tom Weekly 3: My Life and Other Massive Mistakes Tom Weekly 4: My Life and Other Exploding Chickens Tom Weekly 5: My Life and Other Weaponised Muffins Tom Weekly 6: My Life and Other Failed Experiments

Inside The Writers' Room

Inside The Writers' Room
Author: Christina Kallas
Publisher: Bloomsbury Publishing
Total Pages: 192
Release: 2013-12-13
Genre: Language Arts & Disciplines
ISBN: 1137338121

Television drama has come to rival cinema in its sophisticated narrative form and high production values. At the heart of this success is the television writer, and TV has become the home of some of the most exciting and high quality writing. In a series of original interviews, showrunners and writers from some of the biggest American TV dramas of recent years share their experiences and practices of the 'writers' room', on shows such as The Sopranos, The Wire, Mad Men and Game of Thrones. Christina Kallas frames these insider insights with an astute overview of the writer's instrumental role in the rise of sophisticated TV narrative, and concluding reflections which will be invaluable to writers, critics and fans alike.

Inside the TV Writer's Room

Inside the TV Writer's Room
Author: Lawrence Meyers
Publisher: Syracuse University Press
Total Pages: 213
Release: 2010-06-02
Genre: Performing Arts
ISBN: 0815651384

Aspiring writers often ask how they can break into the television writing business. Meyers believes that the answer can be found by asking why people become television writers and what makes them successful. Inside the TV Writer’s Room reveals these insights and much more. This volume, a collection of interviews with some of today’s top episodic writers arranged in a roundtable format, explores the artists’ drive to express how they honed their creativity, and what compromises they have made to pursue their craft both before and after finding success. Each chapter’s topic is distilled into a practical lesson for both professionals and aspirants to heed if they wish to find or maintain success in writing for television. The book includes such leading entertainment writers and producers as Neal Baer, executive producer of the NBC series Law & Order: Special Victims Unit, Tim King of the groundbreaking hit Heroes, Peter Lenkov of 24 and CSI: New York, and Shawn Ryan, creator of the acclaimed series The Shield. Individual writers discuss the struggle to balance artistic fulfillment with the realities of commerce, and how they inject an original voice into a show that is often not their own creation.

Breaking into TV Writing

Breaking into TV Writing
Author: Anton Schettini
Publisher: Turner Publishing Company
Total Pages: 189
Release: 2024-09-03
Genre: Performing Arts
ISBN: 1684429889

The old screenwriting motto is, “Work on your script, and the jobs will come.” This is false. A great script is only as good as the effort you put into your career, but there is little information for the aspiring screenwriter about how to break in. Even those who study TV or film in college are taught to simply “get a production assistant job.” But then what? And how do you get that job to begin with? Breaking into TV Writing contains all the crucial information left out of most screenwriting books, like: How to get your first job in TV What TV writing samples you need How to break into the elusive TV writers’ room How a writers’ room creates an episode of TV Which assistant jobs are worth your time (and which you should avoid at all costs) Anton Schettini provides a rare insider’s glimpse of the modern-day network and streaming TV writers’ room. Here, you will find practical advice, career-path strategies, and first-hand accounts for how to establish your network, grow within it, and acquire the necessary tools to become a TV writer. The industry would love to tell you to put your head down, work hard, write a lot, and pay your dues; Schettini will show you why that hackneyed mantra is misleading, and how you can put yourself in the best position to break through the barriers and see your work on the TV screen.

To Be A Playwright

To Be A Playwright
Author: Janet Neipris
Publisher: Routledge
Total Pages: 177
Release: 2019-04-23
Genre: Performing Arts
ISBN: 0429593856

Originally published in 2005, To Be A Playwright is an insightful and detailed guide to the craft of playwriting. Part memoir and part how-to guide, this useful book outlines the tools and techniques necessary to the aspiring playwright. Comprised of a collection of memoirs and lectures which blend seamlessly to deliver a practical hands-on guide to playwriting, this book illuminates the elusive challenges confronting creators of dynamic expression and offers a roadmap to craft of playwrighting.

The Revolution Will Be Hilarious

The Revolution Will Be Hilarious
Author: Caty Borum
Publisher: NYU Press
Total Pages: 175
Release: 2023-02-28
Genre: Social Science
ISBN: 1479810851

An insider’s look at the power of comedy to effect social change From Trevor Noah’s The Daily Show and Hasan Minhaj’s Patriot Act, to Issa Rae’s Insecure and Corey Ryan Forrester’s Twitter feed, today’s multi-platform comedy refuses to shy away from the social issues that define our time.As more comedians lean into social justice activism, they help reshape the entertainment industry and offer creative, dynamic avenues for social change. The Revolution Will Be Hilarious offers a compelling insider’s look at how comedy and social justice activists are working together in a revolutionary media moment. Caty Borum invites readers into an expanding, enterprising arena of participatory culture and politics through in-depth interviews with comedians, social justice leaders, and Hollywood players. Their insights shed light on questions such as: What role does comedy play in helping communities engage the public with challenging social issues? How do social justice organizations and comedians co-create entertaining comedy designed to build the civic power of marginalized groups? And how are entertainment industry leaders working with social justice organizations to launch new comedy as both entertainment and inspiration for social change? Through this exploration, Borum argues that building creative power is crucial for marginalized groups to build civic power. The Revolution Will Be Hilarious positions the rise of social justice comedy as creative, disruptive storytelling that hilariously invites us to agitate the status quo and re-imagine social realities to come closer to the promise of equity and justice in America.

Unsustainable

Unsustainable
Author: Jessica Restaino
Publisher: Rowman & Littlefield
Total Pages: 287
Release: 2013
Genre: Education
ISBN: 0739172565

Unsustainable: Re-imagining Community Literacy, Public Writing, Service-Learning, and the University, edited by Jessica Restaino and Laurie Cella, explores short-lived university/community writing projects in an effort to rethink the long-held "gold standard" of long-term sustainability in community writing work. Contributors examine their own efforts in order to provide alternate models for understanding, assessing, and enacting university/community writing projects that, for a range of reasons, fall outside of traditional practice. This collection considers what has become an increasingly unified call for praxis, where scholar-practitioners explore a specific project that fell short of theorized "best practice" sustainability in order to determine not only the nature of what remains--how and why we might find value in a community-based writing project that lacks long-term sustainability, for example--but also how or why we might rethink, redefine, and reevaluate best practice ideals in the first place. In so doing, the contributors are at once responding to what has been an increasing acknowledgment in the field that, for a variety of reasons, many community-based writing projects do not go as initially planned, and also applying--in praxis--a framework for thinking about and studying such projects. Unsustainable represents the kind of scholarly work that some of the most recognizable names in the field have been calling for over the past five years. This book affirms that unpredictability is an indispensable factor in the field, and argues that such unpredictability presents--in fact, demands--a theoretical approach that takes these practical experiences as its base.

Understanding the Business of Media Entertainment

Understanding the Business of Media Entertainment
Author: Gregory Bernstein
Publisher: Routledge
Total Pages: 387
Release: 2019-05-28
Genre: Art
ISBN: 0429665172

This revised edition of Understanding the Business of Media Entertainment is an indispensable guide to the business aspects of the entertainment industry, providing the information you need to break in and to succeed. Written in a clear and engaging tone, the second edition of this book covers the essential topics in a thorough but reader-friendly manner and includes plenty of real-world examples that bring business and legal concepts to life, such as the growing clout of digital companies and the rise of streaming providers like Netflix and Amazon, the transformation of independent film development and distribution, and changes to the media ownership landscape. Award-winning screenwriter and entertainment attorney Gregory Bernstein gives an insider's look at the filmmaking business, from copyright law and government media regulation to development, distribution, revenue, the role of agents, managers, and unions, entertainment contracts, and more. Other topics covered include: Hollywood's growth and the current conglomerates that own most of the traditional media. How specific entertainment companies operate, including facts about particular studios and employee tasks. How studios develop projects and engage in marketing and distribution. The kinds of revenues studios earn and how they account for these revenues.

Sitcom Writers Talk Shop

Sitcom Writers Talk Shop
Author: Paula Finn
Publisher: Rowman & Littlefield
Total Pages: 275
Release: 2018-09-22
Genre: Performing Arts
ISBN: 1538109190

Behind every great television show is a group of professionals working at the top of their games—but no one is more important than the writers. And while writing comedy, especially good comedy, is serious business—fraught with actor egos, demanding producers, and sleepless nights—it also can result in classic lines of dialogue. Sitcom Writers Talk Shop: Behind the Scenes with Carl Reiner, Norman Lear, and Other Geniuses of TV Comedy is a collection of conversations with the writers responsible for some of the most memorable shows in television comedy. The men and women interviewed here include series creators, show runners, and staff writers whose talent and hard work have generated literally millions of laughs. In addition to Reiner (The Dick Van Dyke Show) and Lear (All in the Family), this book features in-depth interviews with: James L. Brooks (The Mary Tyler Moore Show, The Simpsons) Al Jean (The Simpsons, The Critic) Leonard Stern (The Honeymooners, Get Smart) Treva Silverman (The Mary Tyler Moore Show) Ken Estin (Cheers) Matt Williams (Roseanne, Home Improvement) Dava Savel (Ellen) Larry Charles (Seinfeld) David Lee (Frasier) Phil Rosenthal (Everybody Loves Raymond) Mike Reiss (The Simpsons) From these conversations, readers will learn that the business of writing funny has never been all laughs. Writers discuss the creative process, how they get unstuck, the backstories of iconic episodes, and how they cope with ridiculous censors, outrageous actors, and their own demons and fears. Sitcom Writers Talk Shop will appeal to fans of all of these shows and may serve as inspiration to anyone considering a life in comedy.