Inside Arabic Music
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Author | : Johnny Farraj |
Publisher | : Oxford University Press |
Total Pages | : 481 |
Release | : 2019-07-18 |
Genre | : Music |
ISBN | : 019065838X |
What makes hundreds of listeners cheer ecstatically at the same instant during a live concert by Egyptian diva Umm Kulthum? What is the unspoken language behind a taqsim (traditional instrumental improvisation) that performers and listeners implicitly know? How can Arabic music be so rich and diverse without resorting to harmony? Why is it so challenging to transcribe Arabic music from a recording? Inside Arabic Music answers these and many other questions from the perspective of two "insiders" to the practice of Arabic music, by documenting a performance culture and a know-how that is largely passed on orally. Arabic music has spread across the globe, influencing music from Greece all the way to India in the mid-20th century through radio and musical cinema, and global popular culture through Raqs Sharqi, known as "Bellydance" in the West. Yet despite its popularity and influence, Arabic music, and the maqam scale system at its heart, remain widely misunderstood. Inside Arabic Music de-mystifies maqam with an approach that draws theory directly from practice, and presents theoretical insights that will be useful to practitioners, from the beginner to the expert - as well as those interested in the related Persian, Central Asian, and Turkish makam traditions. Inside Arabic Music's discussion of maqam and improvisation widens general understanding of music as well, by bringing in ideas from Saussurean linguistics, network theory, and Lakoff and Johnson's theory of cognition as metaphor, with an approach parallel to Gjerdingen's analysis of Galant-period music - offering a lens into the deeper relationships among music, culture, and human community.
Author | : Cameron Powers |
Publisher | : cameron powers |
Total Pages | : 58 |
Release | : 2006-03 |
Genre | : Maqām |
ISBN | : 0974588245 |
How to play Arabic music. Maqam structures with traditional quarter-tone intervals presented in easy-to-read formats. This book has become a widely-used standard for instrumentalists and singers who wish to enter the magical world of Arabic music.
Author | : Johnny Farraj |
Publisher | : Oxford University Press, USA |
Total Pages | : 481 |
Release | : 2019 |
Genre | : Music |
ISBN | : 0190658355 |
What makes hundreds of listeners cheer ecstatically at the same instant during a live concert by Egyptian diva Umm Kulthum? What is the unspoken language behind a taqsim (traditional instrumental improvisation) that performers and listeners implicitly know? How can Arabic music be so rich and diverse without resorting to harmony? Why is it so challenging to transcribe Arabic music from a recording? Inside Arabic Music answers these and many other questions from the perspective of two "insiders" to the practice of Arabic music, by documenting a performance culture and a know-how that is largely passed on orally. Arabic music has spread across the globe, influencing music from Greece all the way to India in the mid-20th century through radio and musical cinema, and global popular culture through Raqs Sharqi, known as "Bellydance" in the West. Yet despite its popularity and influence, Arabic music, and the maqam scale system at its heart, remain widely misunderstood. Inside Arabic Music de-mystifies maqam with an approach that draws theory directly from practice, and presents theoretical insights that will be useful to practitioners, from the beginner to the expert - as well as those interested in the related Persian, Central Asian, and Turkish makam traditions. Inside Arabic Music's discussion of maqam and improvisation widens general understanding of music as well, by bringing in ideas from Saussurean linguistics, network theory, and Lakoff and Johnson's theory of cognition as metaphor, with an approach parallel to Gjerdingen's analysis of Galant-period music - offering a lens into the deeper relationships among music, culture, and human community.
Author | : Virginia Danielson |
Publisher | : University of Chicago Press |
Total Pages | : 315 |
Release | : 2008-11-10 |
Genre | : Music |
ISBN | : 0226136086 |
Umm Kulthum, the "voice of Egypt," was the most celebrated musical performer of the century in the Arab world. More than twenty years after her death, her devoted audience, drawn from all strata of Arab society, still numbers in the millions. Thanks to her skillful and pioneering use of mass media, her songs still permeate the international airwaves. In the first English-language biography of Umm Kulthum, Virginia Danielson chronicles the life of a major musical figure and the confluence of artistry, society, and creativity that characterized her remarkable career. Danielson examines the careful construction of Umm Kulthum's phenomenal popularity and success in a society that discouraged women from public performance. From childhood, her mentors honed her exceptional abilities to accord with Arab and Muslim practice, and as her stature grew, she remained attentive to her audience and the public reception of her work. Ultimately, she created from local precendents and traditions her own unique idiom and developed original song styles from both populist and neo-classical inspirations. These were enthusiastically received, heralded as crowning examples of a new, yet authentically Arab-Egyptian, culture. Danielson shows how Umm Kulthum's music and public personality helped form popular culture and contributed to the broader artistic, societal, and political forces that surrounded her. This richly descriptive account joins biography with social theory to explore the impact of the individual virtuoso on both music and society at large while telling the compelling story of one of the most famous musicians of all time. "She is born again every morning in the heart of 120 million beings. In the East a day without Umm Kulthum would have no color."—Omar Sharif
Author | : Cameron Powers |
Publisher | : G. L. Design |
Total Pages | : 0 |
Release | : 2012-04-02 |
Genre | : Maqām |
ISBN | : 9781933983196 |
Finding and performing perfectly harmonious note intervals in Arabic music maqam systems. Knowledge of quartertones is not enough. This book explains how the maqamat follow the laws of acoustic physics and provide a history of clues given by traditional musicians which demonstrate that this knowledge was available by tuning with deep listening.
Author | : Habib Hassan Touma |
Publisher | : Hal Leonard Corporation |
Total Pages | : 264 |
Release | : 2003-01-01 |
Genre | : Music |
ISBN | : 9781574670813 |
(Amadeus). Encompassing a history of more than 2000 years, the music of the Arabs is unique among the world's various musical cultures. This book presents an overview of Arabic music throughout history and examines the artistic output of contemporary musicians, covering secular and sacred, instrumental and vocal, improvised and composed music. Typical musical structures are elucidated, and a detailed bibliography, a discography (mainly covering the last 50 years) and a guide to the Arabic alphabet for English speakers are also provided. The paperback edition (00331635) includes a CD of seven traditional Arabic pieces performed by contemporary Arab musicians.
Author | : Leo Plenckers |
Publisher | : Archaeopress Publishing Ltd |
Total Pages | : 212 |
Release | : 2021-12-16 |
Genre | : Music |
ISBN | : 1789699339 |
This book offers a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, as well as a discussion of the major genres and forms practiced today, such as the Egyptian gīl, the Algerian raï and Palestinian hip hop; it also touches upon musical instruments and folk music.
Author | : Dalia Cohen |
Publisher | : University of Chicago Press |
Total Pages | : 531 |
Release | : 2006-01-16 |
Genre | : Music |
ISBN | : 0226112993 |
Sound disc consists of digitally remastered musical selections originally recorded by the authors.
Author | : Ahmed Mukhtar |
Publisher | : Lulu.com |
Total Pages | : 97 |
Release | : 2018-12-27 |
Genre | : Art |
ISBN | : 0244745536 |
"The Arabic Music Theory I book guides students through the basics of music literacy. Students will have acquired the essential skills needed to read musical scores and use solfege exercises. Topics covered will include basic rhythms, note names, time value, key signatures, and accidental notes. Music Theory II is designed to guide students through learning the basic elements of the maqam system. Students will learn to fine-tune their ear to recognize each of the main maqamaat and understand the ways in which each of them is constructed, transposed, and intertwine with one another. Complex and syncopated rhythms will also be explored"--Publisher marketing.
Author | : Benjamin M. Liu |
Publisher | : Univ of California Press |
Total Pages | : 114 |
Release | : 1989-01-01 |
Genre | : Music |
ISBN | : 9780520097513 |
This work explores the literary and musical connections between Hispano-Arabic strophic songs of the muwashshaha-zajal genre, and their medieval Romance cognates, the ballata, cantiga, dansa, rondeau, villancico, and virelai. The authors begin with a general essay based on recent scholarship in Arabic, Romance, and ethnomusicological studies and then present a translation of Al-Tifashi's key 13th-century Arabic treatise on the musical tradition of Arab Spain. The appendices provide texts and translations of ten poems that modern scholarship attributes to or authenticates as part of the Hispano-Arabic song repertory, and musical notations of these texts as sung in Arab countries today. The authors suggest that the living tradition of Andalusian music surviving in the Arab world preserves a priceless echo, be it ever so distorted, of the lost tradition of Hispano-Arabic songs. They conclude that this tradition was a subtle blending of imported Oriental elements combined with others native to the Romance-singing Iberian Peninsula.