The Influence of the Audience on Shakespeare's Drama
Author | : Robert Bridges |
Publisher | : |
Total Pages | : 46 |
Release | : 1966 |
Genre | : Dramatists, English |
ISBN | : |
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Author | : Robert Bridges |
Publisher | : |
Total Pages | : 46 |
Release | : 1966 |
Genre | : Dramatists, English |
ISBN | : |
Author | : William Shakespeare |
Publisher | : Hal Leonard Corporation |
Total Pages | : 216 |
Release | : 2013-04-01 |
Genre | : Drama |
ISBN | : 1623160332 |
(Book). Shakespeare was a man of the theatre to his core, so it is no surprise that he repeatedly contemplated the nuts and bolts of his craft in his plays and poems. Shakespeare scholar Nick de Somogyi here draws together all the cherishable set pieces including "All the world's a stage," Hamlet's encounters with the Players, and Bottom's amateur theatricals along with many other oblique but no less revealing glances, and further insights into theatre practice by Shakespeare's contemporaries and rivals. De Somogyi's commentary takes us through the entire process of Shakespeare's theatrical production, from its casting and auditions, via rehearsals, costumes, and props, to its premiere and audience reception. Shakespeare on Theatre eavesdrops on the urgently whispered noises-off in the "tiring-house" and inhales the heady aroma of the Globe's first audiences.
Author | : Farah Karim Cooper |
Publisher | : Bloomsbury Publishing |
Total Pages | : 317 |
Release | : 2015-01-05 |
Genre | : Drama |
ISBN | : 1408157055 |
How did Elizabethan and Jacobean acting companies create their visual and aural effects? What materials were available to them and how did they influence staging and writing? What impact did the sensations of theatre have on early modern audiences? How did the construction of the playhouses contribute to technological innovations in the theatre? What effect might these innovations have had on the writing of plays? Shakespeare's Theatres and The Effects of Performance is a landmark collection of essays by leading international scholars addressing these and other questions to create a unique and comprehensive overview of the practicalities and realities of the theatre in the early modern period.
Author | : BRADD. SHORE |
Publisher | : Routledge |
Total Pages | : 296 |
Release | : 2021-08-23 |
Genre | : |
ISBN | : 9781032017174 |
This book provides a bridge between Shakespeare Studies and classical social theory, opening up readings of Shakespeare to a new audience outside of literary studies and the humanities. Shakespeare has long been known as a 'great thinker' and this book reads his plays through the lens of an anthropologist, revealing new connections between Shakespeare's plays and the lives we now lead. Close readings of a selection of frequently studied plays - Hamlet, The Winter's Tale, Romeo and Juliet, A Midsummer Night's Dream, Julius Caesar and King Lear - engage with the plays in detail while connecting them with some of the biggest questions we all ask ourselves, about love, friendship, ritual, language, human interactions and the world around us. The plays are examined through various social theories including performance theory, cognitive theory, semiotics, exchange theory and structuralism. The book concludes with a consideration of how "the new astronomy" of his day and developments in optics changed the very idea of "perspective," and shaped Shakespeare's approach to embedding social theory in his dramatic texts. This accessible and engaging book will appeal to those approaching Shakespeare from outside literary studies, but will also be valuable to literature students approaching Shakespeare for the first time, or looking for a new angle on the plays.
Author | : Bruce R. Smith |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : LITERARY CRITICISM |
ISBN | : 9781107057258 |
This transhistorical, international and interdisciplinary work will be of interest to students, theater professionals and Shakespeare scholars.
Author | : Kirsty Sedgman |
Publisher | : Springer |
Total Pages | : 178 |
Release | : 2018-11-02 |
Genre | : Performing Arts |
ISBN | : 3319991663 |
Audiences are not what they used to be. Munching crisps or snapping selfies, chatting loudly or charging phones onstage – bad behaviour in theatre is apparently on the rise. And lately some spectators have begun to fight back... The Reasonable Audience explores the recent trend of ‘theatre etiquette’: an audience-led crusade to bring ‘manners and respect’ back to the auditorium. This comes at a time when, around the world, arts institutions are working to balance the traditional pleasures of receptive quietness with the need to foster more inclusive experiences. Through investigating the rhetorics of morality underpinning both sides of the argument, this book examines how models of 'good' and 'bad' spectatorship are constructed and legitimised. Is theatre etiquette actually snobbish? Are audiences really more selfish? Who gets to decide what counts as ‘reasonable’ within public space?Using theatre etiquette to explore wider issues of social participation, cultural exclusion, and the politics of identity, Kirsty Sedgman asks what it means to police the behaviour of others.
Author | : Ashley Horace Thorndike |
Publisher | : |
Total Pages | : 530 |
Release | : 1916 |
Genre | : Theater |
ISBN | : |
Author | : Andrew Gurr |
Publisher | : Cambridge University Press |
Total Pages | : 364 |
Release | : 2004 |
Genre | : Drama |
ISBN | : 9780521543224 |
This is a newly revised edition of Andrew Gurr's classic account of the people for whom Shakespeare wrote his plays. Gurr assembles evidence from the writings of the time to describe the physical, social and mental conditions of playgoing. For this edition, as well as revising and adding new material which has emerged since the second edition, Gurr develops new sections about points of special interest. Fifty new entries have been added to the list of playgoers and there are a dozen fresh quotations about the experience of playgoing.
Author | : Travis Curtright |
Publisher | : Rowman & Littlefield |
Total Pages | : 197 |
Release | : 2016-12-05 |
Genre | : Literary Criticism |
ISBN | : 1611479398 |
In Shakespeare’s Dramatic Persons, Travis Curtright examines the influence of the classical rhetorical tradition on early modern theories of acting in a careful study of and selection from Shakespeare’s most famous characters and successful plays. Curtright demonstrates that “personation”—the early modern term for playing a role—is a rhetorical acting style that could provide audiences with lifelike characters and action, including the theatrical illusion that dramatic persons possess interiority or inwardness. Shakespeare’s Dramatic Persons focuses on major characters such as Richard III, Katherina, Benedick, and Iago and ranges from Shakespeare’s early to late work, exploring particular rhetorical forms and how they function in five different plays. At the end of this study, Curtright envisions how Richard Burbage, Shakespeare’s best actor, might have employed the theatrical convention of directly addressing audience members. Though personation clearly differs from the realism aspired to in modern approaches to the stage, Curtright reveals how Shakespeare’s sophisticated use and development of persuasion’s arts would have provided early modern actors with their own means and sense of performing lifelike dramatic persons.