Influence Of Chaucer On Robert Henryson
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Author | : Robert Henryson |
Publisher | : Cambridge University Press |
Total Pages | : 43 |
Release | : 2013-01-24 |
Genre | : Literary Criticism |
ISBN | : 1107636264 |
Originally published in 1926, this volume contains the full text of The Testament of Cresseid by Scottish poet Robert Henryson.
Author | : Nickolas Haydock |
Publisher | : |
Total Pages | : 376 |
Release | : 2010 |
Genre | : Literary Criticism |
ISBN | : 9781604977660 |
"Situational Poetics is a deep, cultural history of Henryson's problematic Testament of Cresseid. This book offers wonderful insights throughout, from its analysis of the hybrid "dislocations and double consciousness" of late medieval Scottish literature, Henryson's "Virgilian" career, his admixture of tragedy and satire in the Testament, and the anamorphic temporalities that link Chaucer, Henryson and Shakespeare in their telling and re-telling of the Troilus and Criseyde story. This is an utterly compelling study of Henryson's Testament, one that promises to re-shape completely our understanding of the poem." --Stephanie Trigg, Professor of English, University of Melbourne "A remarkably ambitious attempt to re-situate Henryson's Testament of Cresseid within literary history and to recover the author's deliberately constructed career-profile from the many accidents of transmission. ... the first ever view of Henryson "in the round." --Tom Shippey, Professor Emeritus, St. Louis University "Nickolas Haydock's new book on the great Scot poet Robert Henryson manages to do several things at once that seemed to the rest of us to be incompatible. He firmly places Henryson's work in literary history, but renders him accessible and even in dialogue with new ways of thinking about literature and culture. He is respectful of Henryson's canonical place in Scottish identity but raises questions about how literature works in making national and ethnic identities. Haydock gives us a Henryson for the twenty-first century." --John M. Ganim, Professor of English, University of California, Riverside
Author | : Robert Henryson |
Publisher | : |
Total Pages | : 130 |
Release | : 1832 |
Genre | : Aesop's fables |
ISBN | : |
Author | : George Edmondson |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Cressida (Fictitious character). |
ISBN | : 9780268027759 |
The Neighboring Text uses recent work in psychoanalysis and political philosophy to examine the figure of Troilus in three major works of medieval literature.
Author | : Robert L. Kindrick |
Publisher | : Macmillan Reference USA |
Total Pages | : 224 |
Release | : 1979 |
Genre | : Poetry |
ISBN | : |
Author | : Kathleen A. Bishop with a Foreword by David Matthews |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 330 |
Release | : 2020-05-22 |
Genre | : Poetry |
ISBN | : 1527553299 |
Standing in the Shadow of the Master? Chaucerian Influences and Interpretations grew out of a session at the 2008 International Medieval Congress at the University of Leeds. In this volume Editor Kathleen A. Bishop brings together a collection of essays contributed by a talented and diverse group of scholars from the United States, Canada, and Europe. The articles question the traditional supremacy of Chaucer in the canon while also reaffirming the lasting impact of this great English writer of the Middle Ages. Topics covered include Shakespeare, Lydgate, Gower, Henryson, Douglas, Clanvowe, Bokenham, and the Gawain Poet, as well as a modern psychoanalytic assessment of the Wife of Bath, and a dialogue on making Chaucer relevant to undergraduates immersed in 21st century culture.
Author | : Patience Agbabi |
Publisher | : Canongate Books |
Total Pages | : 96 |
Release | : 2014-04-03 |
Genre | : Poetry |
ISBN | : 1782111565 |
SHORTLISTED FOR THE TED HUGHES PRIZE 2015 Tabard Inn to Canterb'ry Cathedral, Poet pilgrims competing for free picks, Chaucer Tales, track by track, it's the remix From below-the-belt base to the topnotch; I won't stop all the clocks with a stopwatch when the tales overrun, run offensive, or run clean out of steam, they're authentic and we're keeping it real, reminisce this: Chaucer Tales were an unfinished business. In Telling Tales award-winning poet Patience Agbabi presents an inspired 21st-Century remix of Chaucer's Canterbury Tales retelling all of the stories, from the Miller's Tale to the Wife of Bath's in her own critically acclaimed poetic style. Celebrating Chaucer's Middle-English masterwork for its performance element as well as its poetry and pilgrims, Agbabi's newest collection is utterly unique. Boisterous, funky, foul-mouthed, sublimely lyrical and bursting at the seams, Telling Tales takes one of Britain's most significant works of literature and gives it thrilling new life.
Author | : Nicole Nyffenegger |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 407 |
Release | : 2018-09-10 |
Genre | : Literary Criticism |
ISBN | : 3110575876 |
Owing to its relatedness to parchment as the primary writing matter of the Middle Ages, human skin was not only a topic to write about in medieval texts, it was also conceived of as an inscribable surface, both in the material and in the figurative sense. This volume explores the textuality of human skin as discussed by Geoffrey Chaucer and other writers (medical, religious, philosophical, and literary) of the fourteenth and fifteenth century. It presents four main aspects of the complex relations between text, parchment, and human skin as they have been discussed in recent scholarship. These four aspects are, first, the (mostly figurative) resonances between parchment-making and transformations of human skin, second, parchment as a space of contact between animal and human spheres, third, human skin and parchment as sites where (gender) identities are negotiated, and fourth, the place of medieval skin studies within cultural studies and its relationship to the major concerns of cultural studies: the difficult demarcation of skin from body, the instability of any inscription, and the skin’s precarious state as an entity of its own.
Author | : Ruth Morse |
Publisher | : Cambridge University Press |
Total Pages | : 296 |
Release | : 2006-11-02 |
Genre | : Literary Criticism |
ISBN | : 9780521031493 |
An important collection of essays which will be of interest to teachers and students of Chaucer.
Author | : Seth Lerer |
Publisher | : Princeton University Press |
Total Pages | : 326 |
Release | : 1993 |
Genre | : Literary Criticism |
ISBN | : 0691029237 |
Challenging the view that the fifteenth century was the "Drab Age" of English literary history, Seth Lerer seeks to recover the late-medieval literary system that defined the canon of Chaucer's work and the canonical approaches to its understanding. Lerer shows how the poets, scribes, and printers of the period constructed Chaucer as the "poet laureate" and "father" of English verse. Chaucer appears throughout the fifteenth century as an adviser to kings and master of technique, and Lerer reveals the patterns of subjection, childishness, and inability that characterize the stance of Chaucer's imitators and his readers. In figures from the Canterbury Tales such as the abused Clerk, the boyish Squire, and the infantilized narrator of the "Tale of Sir Thopas," in the excuse-ridden narrator of Troilus and Criseyde, and in Chaucer's cursed Adam Scriveyn, the poet's inheritors found their oppressed personae. Through close readings of poetry from Lydgate to Skelton, detailed analysis of manuscript anthologies and early printed books, and inquiries into the political environments and the social contexts of bookmaking, Lerer charts the construction of a Chaucer unassailable in rhetorical prowess and political sanction, a Chaucer aureate and laureate.