Indigenous Art Wisdom Journal
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| Author | : Diana Frost |
| Publisher | : |
| Total Pages | : 172 |
| Release | : 2019-08-11 |
| Genre | : |
| ISBN | : 9781989258002 |
In this journal, Diana Frost invites you to discover the beauty of Indigenous artwork from various artists across Canada from different nations including Cree, Saulteaux, Inuk, Blackfoot, Mohawk, Mi'gmaq, Metis and more. You will also have the opportunity to learn traditional teachings from Cree elder John Sinclair, while you meditate, write and create your own artwork. This journal will also include a donation to an Indigenous healing project.
| Author | : Diana Frost |
| Publisher | : |
| Total Pages | : 120 |
| Release | : 2018-05-23 |
| Genre | : |
| ISBN | : 9780995285255 |
The Colouring It Forward - Cree Nation Art & Wisdom Colouring Book features the beautiful art created by Cree artists Sam Bighetty and Delree Dumont as well as teachings and stories from John Sinclair, a Cree elder born in Alberta. Part of the proceeds from your purchase will go to these two artists, to Mr. Sinclair and to foster community projects for Indigenous people.
| Author | : Heather Igloliorte |
| Publisher | : Taylor & Francis |
| Total Pages | : 582 |
| Release | : 2022-12-30 |
| Genre | : Art |
| ISBN | : 1000608565 |
This companion consists of chapters that focus on and bring forward critical theories and productive methodologies for Indigenous art history in North America. This book makes a major and original contribution to the fields of Indigenous visual arts, professional curatorial practice, graduate-level curriculum development, and academic research. The contributors expand, create, establish and define Indigenous theoretical and methodological approaches for the production, discussion, and writing of Indigenous art histories. Bringing together scholars, curators, and artists from across the intersecting fields of Indigenous art history, critical museology, cultural studies, and curatorial practice, the companion promotes the study and dissemination of Indigenous art and stimulates new conversations on such key areas as visual sovereignty and self-determination; resurgence and resilience; land-based, embodied, and nation-specific knowledges; epistemologies and ontologies; curatorial and museological methodologies; language; decolonization and Indigenization; and collaboration, consultation, and mentorship.
| Author | : Darcia Narvaez |
| Publisher | : Peter Lang Incorporated, International Academic Publishers |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Culture and globalization |
| ISBN | : 9781433163654 |
Indigenous Sustainable Wisdom: First Nation Know-how for Global Flourishing is an edited collection that explores the practical traditional wisdom that stems from Nature-based relational cultures that were or are guided by this worldview.
| Author | : Tiffany Lethabo King |
| Publisher | : Duke University Press |
| Total Pages | : 211 |
| Release | : 2019-09-27 |
| Genre | : Social Science |
| ISBN | : 1478005688 |
In The Black Shoals Tiffany Lethabo King uses the shoal—an offshore geologic formation that is neither land nor sea—as metaphor, mode of critique, and methodology to theorize the encounter between Black studies and Native studies. King conceptualizes the shoal as a space where Black and Native literary traditions, politics, theory, critique, and art meet in productive, shifting, and contentious ways. These interactions, which often foreground Black and Native discourses of conquest and critiques of humanism, offer alternative insights into understanding how slavery, anti-Blackness, and Indigenous genocide structure white supremacy. Among texts and topics, King examines eighteenth-century British mappings of humanness, Nativeness, and Blackness; Black feminist depictions of Black and Native erotics; Black fungibility as a critique of discourses of labor exploitation; and Black art that rewrites conceptions of the human. In outlining the convergences and disjunctions between Black and Native thought and aesthetics, King identifies the potential to create new epistemologies, lines of critical inquiry, and creative practices.
| Author | : Jill Ahlberg Yohe |
| Publisher | : University of Washington Press |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Indian art |
| ISBN | : 9780295745794 |
"Women have long been the creative force behind Native American art, yet their individual contributions have been largely unrecognized, instead treated as anonymous representations of entire cultures. 'Hearts of Our People: Native Women Artists' explores the artistic achievements of Native women and establishes their rightful place in the art world. This lavishly illustrated book, a companion to the landmark exhibition, includes works of art from antiquity to the present, made in a variety of media from textiles and beadwork to video and digital arts. It showcases more than 115 artists from the United States and Canada, spanning over one thousand years, to reveal the ingenuity and innovation fthat have always been foundational to the art of Native women."--Page 4 of cover.
| Author | : |
| Publisher | : |
| Total Pages | : 1184 |
| Release | : 1884 |
| Genre | : Art |
| ISBN | : |
| Author | : Sherri Mitchell |
| Publisher | : North Atlantic Books |
| Total Pages | : 257 |
| Release | : 2018-02-13 |
| Genre | : Social Science |
| ISBN | : 1623171962 |
A “profound and inspiring” collection of ancient indigenous wisdom for “anyone wanting the healing of self, society, and of our shared planet” (Peter Levine, author of Waking the Tiger: Healing Trauma). A Penobscot Indian draws on the experiences and wisdom of the First Nations to address environmental justice, water protection, generational trauma, and more. Drawing from ancestral knowledge, as well as her experience as an attorney and activist, Sherri Mitchell addresses some of the most crucial issues of our day—including indigenous land rights, environmental justice, and our collective human survival. Sharing the gifts she has received from the elders of her tribe, the Penobscot Nation, she asks us to look deeply into the illusions we have labeled as truth and which separate us from our higher mind and from one another. Sacred Instructions explains how our traditional stories set the framework for our belief systems and urges us to decolonize our language and our stories. It reveals how the removal of women from our stories has impacted our thinking and disrupted the natural balance within our communities. For all those who seek to create change, this book lays out an ancient world view and set of cultural values that provide a way of life that is balanced and humane, that can heal Mother Earth, and that will preserve our communities for future generations.
| Author | : Walter Scott |
| Publisher | : Drawn & Quarterly |
| Total Pages | : 273 |
| Release | : 2021-01-06 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1770465022 |
THE EXISTENTIAL DREAD OF MAKING (OR NOT MAKING) ART TAKES CENTER STAGE IN THIS TRENCHANT SATIRE OF MFA CULTURE Wendy is an aspiring contemporary artist whose adventures have taken her to galleries, art openings, and parties in Los Angeles, Tokyo, and Toronto. In Wendy, Master of Art, Walter Scott’s sly wit and social commentary zero in on MFA culture as our hero decides to hunker down and complete a master of fine arts at the University of Hell in small-town Ontario. Finally Wendy has space to refine her artistic practice, but in this calm, all of her unresolved insecurities and fears explode at full volume—usually while hungover. What is the post-Jungian object as symbol? Will she ever understand her course reading—or herself? What if she’s just not smart enough? As she develops as an artist and a person, Wendy also finds herself in a teaching position, mentoring a perpetually sobbing grade-grubbing undergrad. Scott’s incisively funny take on art school pretensions isn’t the only focus. Wendy, Master of Art explores the politics of open relationships and polyamoury, performative activism, the precarity of a life in the arts, as well as the complexities of gender identity, sex work, drug use, and more. At its heart, this is a book about the give and take of community - about someone learning how to navigate empathy and boundaries, and to respect herself. It is deeply funny and endlessly relatable as it shows Wendy growing up from Millennial art party girl to successful artist, friend, teacher—and Master of Art.
| Author | : Kathryn Bunn-Marcuse |
| Publisher | : University of Washington Press |
| Total Pages | : 344 |
| Release | : 2020-07-20 |
| Genre | : Art |
| ISBN | : 0295747145 |
Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to this volume foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices.
