Indian Love Paintings
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Indian Contemporary Painting
| Author | : Neville Tuli |
| Publisher | : Abradale Press |
| Total Pages | : 0 |
| Release | : 1998 |
| Genre | : Painting |
| ISBN | : 9780810934726 |
This is a survey of the past century of Indian painting, incorporating reproductions of 250 works by 80 artists from Rabindranath Tagore to M.F. Husain. The book also has an historical essay, conversations with 35 of today's leading Indian artists, biographical outlines and exhibition histories. The author's aim is to make the entire realm of contemporary Indian art accessible to the general reader by evoking the nuances of the world in which these artists live and work.
Rajput Painting
| Author | : Roda Ahluwalia |
| Publisher | : |
| Total Pages | : 184 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : |
To enter the world of Rajput painting is to enter a dream world of fantasy and colour, of heroes and heroines gorgeously attired in brilliant hues, of epic poems and love songs, of courtly majesty and India's romantic past. These beautifully illustrated works convey the spirit of the great Hindu classical tradition that existed in painting, literature and all the arts from the 16th to the 19th centuries. Rajput Paintings explores the historical and art-historical background, focusing on the influence of Mughal painting and the important cult of Krishna. It illustrates and explores themes taken from folk tales and epic literature, erotic and religious poems, myths, legends and music, and provides a unique guide to local styles in the principalities of Rajasthan, central India and the Punjab. The illustrations, taken mainly from the collections of the British Museum and the British Library, include many previously unpublished images.
Indian Painting
| Author | : Joan Cummins |
| Publisher | : |
| Total Pages | : 256 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : |
From refined portraits of resplendent maharajas to earthy depictions of divine rogues cavorting with milkmaids, Indian miniature paintings depict the world as it should be: radiant, plentiful and passionate. These manuscript illustrations combine vibrant color with exquisite delicacy, offering immediate impact while also rewarding lengthy examination. Alone on the market, this beautiful volume presents the art form for non-specialists, surveying the most notable styles and periods of Indian painting and offering an introduction to the legends and historic personalities that inspire its entertaining subjects. The text covers such diverse topics as scriptures written on palm leaves, likenesses of favorite animals, images inspired by music, techniques and materials, and Indian reactions to European art. The Boston Museum of Fine Art's collection of Indian paintings, assembled by the esteemed scholar A. K. Coomaraswamy, is justly renowned as one of the finest in the world, and Indian Painting, one of the only readily available comprehensive histories of the subject, is the first book since Coomaraswamy's seminal catalogues of the 1920s to draw so extensively on the MFA's collection. It includes 120 of the most remarkable pieces, many of which are reproduced here in color for the first time
The Puffin Book of Magical Indian Myths
| Author | : Anita Nair |
| Publisher | : Penguin UK |
| Total Pages | : 241 |
| Release | : 2015-05-22 |
| Genre | : Juvenile Fiction |
| ISBN | : 935118353X |
When Surya the sun god got married, his wife could not bear the heat of his rays and ran away. Surya was heartbroken and the world plunged into darkness. A dwarf asked a king for some land, which he measured with three footsteps, and ended up claiming the earth and the sky. Sage Daksha got his daughters married to the moon, but later, in a fit of rage, cursed the moon with consumption, making it wax and wane. These are some of the fifty myths from India recounted in this fabulously produced book. From wise sages to demonic asuras, beautiful river deities to arrogant kings, wayward gods to brave princes, this collection of myths showcases the most enchanting and magical stories from Indian mythology.
The Spirit of Indian Painting
| Author | : B. N. Goswamy |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2016-08-16 |
| Genre | : Art |
| ISBN | : 0500239509 |
“Wonderful . . . A book to make both layman and connoisseur alike realize why pre-modern Indian painting is one of the great arts of the world.” —Neil MacGregor Through close encounters with over a hundred carefully selected works, spanning nearly a thousand years, and ranging from Jain manuscripts and Pahari and Mughal miniatures to Company School paintings, B. N. Goswamy unlocks the many treasures that lie within Indian painting. In an illuminating introduction, and as Goswamy relates the stories behind each work and deciphers the visual vocabulary and language of the painters, he brings to life the cultural, social, and political milieu in which they were created. Lavishly illustrated, and combining erudition with great storytelling, The Spirit of Indian Painting reveals the beauty of this richly varied body of work in a new and brilliant light.
Rembrandt and the Inspiration of India
| Author | : Stephanie Schrader |
| Publisher | : Getty Publications |
| Total Pages | : 162 |
| Release | : 2018-03-20 |
| Genre | : Art |
| ISBN | : 1606065521 |
This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
Indian Life and People in the 19th Century
| Author | : J. P. Losty |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 2019-09 |
| Genre | : Company painting |
| ISBN | : 9788193860816 |
Defining a distinct style of painting produced in India during the British period and influenced by European artistic norms, this catalogue of Company Paintings in the TAPI (Textiles & Art of the People of India) Collection is a unique illustration of the social milieu prevailing in India in the nineteenth century. Tracing the origins and evolution of this genre of painting, the volume shines a fresh beam on subjects commissioned to be painted by officials of the East India Company, such as occupations, customs, dress, bazaars, festivals and daily life of ordinary people, a world removed from the elite and princely environment that was the chosen subject of Indian miniature artists. The catalogue of the TAPI Collection of Company Paintings highlights works from the major regions where such paintings were produced - Murshidabad, Calcutta, Patna, Lucknow, Delhi, Punjab, Kutch, Tanjore, Trichinopoly, Madras, Kerala and the Andhra Coast. It comprises a rich and accurate record of the diverse modes of dress and manners of the people before the advent of photography. This catalogue documents the first-ever exhibition on the subject to be held in India, being a collaboration between TAPI and CSMVS (Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, formerly the Prince of Wales Museum of Western India).
George Catlin and His Indian Gallery
| Author | : George Catlin |
| Publisher | : Washington, D.C. : Smithsonian American Art Museum ; New York : W.W. Norton |
| Total Pages | : 294 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : 9780393052176 |
Showcases the work of the early-nineteenth-century artist who made four trips into Native American country as part of an ambition to paint each tribe, noting the influence of period belief systems on his work as well as his passionate affection for his subjects.
Howard Hodgkin
| Author | : Eleanor Clayton |
| Publisher | : Lund Humphries Publishers Limited |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Art, Indic |
| ISBN | : 9781848222359 |
For popular British artist Howard Hodgkin (b.1932), India has been a source of inspiration since he first visited the country in 1964. Although Hodgkin's collection of Indian art has been featured in various publications, this will be the first to explore the influence of India on his work. The first of Hodgkin's paintings inspired by India, Indian Subject (Blue), 1965-1969, was also the first of his paintings to be painted on wood, rather than canvas. It began a long exploration of paint surface and support that has become a key characteristic of his practice. The book's illustrative journey begins with early works of the 1960s and includes paintings from throughout Hodgkin's career including his most recent. Featuring unpublished archival material, newly commissioned essays and an interview with the artist, this unique publication sheds light on an important strand of Hodgkin's oeuvre and provides valuable insights into his work in general.
