India

India
Author: Pran Nan Chopra
Publisher:
Total Pages: 123
Release: 1981
Genre:
ISBN:

India

India
Author: Pran Nath Chopra
Publisher:
Total Pages: 123
Release: 1991
Genre: Architecture, Indic
ISBN:

The Ancient and Medieval Architecture of India

The Ancient and Medieval Architecture of India
Author: Ernest Binfield Havell
Publisher: Franklin Classics
Total Pages: 452
Release: 1915
Genre: History
ISBN:

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Essays on Indian Art and Architecture

Essays on Indian Art and Architecture
Author: Raj Kumar
Publisher: Discovery Publishing House
Total Pages: 278
Release: 2003
Genre: Architecture
ISBN: 9788171417155

Contents: Introduction, Studies in Indian Architecture, Fort Architecture in Ancient and Medieval India, Art and Architecture: Northern India, Art and Architecture: South India, The Aspect and Orientation in Hindu Architecture, Kalinga Style of Architecture, Symbolism of the Dome, Art and Architecture, Muslim Architecture in India, A Plea for Indian Architecture.

Art and History

Art and History
Author:
Publisher: Bloomsbury Publishing
Total Pages: 304
Release: 2021-12-30
Genre: History
ISBN: 938961189X

Art and History: Texts, Contexts and Visual Representations in Ancient and Early Medieval India seeks to locate the historical contexts of premodern Indian art traditions. The volume examines significant questions, such as: What were the purposes served by art? How were religious and political ideas and philosophies conveyed through visual representations? How central were prescription, technique and style to the production of art? Who were the makers and patrons of art? How and why do certain art forms, meanings and symbols retain a relevance across context? With contributions from historians and art historians seeking to unravel the interface between art and history, the volume dwells on the significance of visual representations in specific regional historical contexts, the range of symbolic signification attached to these and the mythologies and textual prescriptions that contribute to the codification and use of representational forms. Supplemented with over 60 images, this volume is a must-read for scholars and researchers of history and art.

Elements of Indian Art & Architecture

Elements of Indian Art & Architecture
Author: Prof Nath
Publisher:
Total Pages: 222
Release: 2020-06-03
Genre:
ISBN: 9781983032936

This work ventures to study Indian Art and Architecture with reference to, and in the context of, its theory which, though available to us in Sanskrit texts, is not generally studied and it is essentially a study of the Theory of SILPA (Indian Plastic Arts) from the Ancient to Medieval times. The first Chapter studies 'Mithuna' in the temple forum. Overwhelming textual prescriptions affirm that Devangana Mithuna sculptures both in Dance and Kama (Erotic) postures are incarnation of Srngara. Roct Cut Temple Architecture has been studied in the next chapter. A Saila Guha (Cave) is excavated into the living rock while a saila mandira is carved out of the Rock; independent and structural, it has all the four facades and a grand superstructure open to sky. another chapter is devoted to the study of sculptural aestheticism. Iconography prescribed the figure and its broad outlines, and sometimes the posture too with weapons and ornaments but it did not prescribe the depth of the sculpture in the third dimension, and the sculptor was free to bring out an expression.The chapter on Lahara Vallari is study of a formal ornament in Indian Art. It has no floral element and it rises and falls like wave and moves forth with exquisite grace like a sinuous scroll. The Chapter on the Inter relationship of the Performing and the Plastic Arts is devoted to the study of non iconographic devangana sculptures. The last chapter deals with lotus fountain of the Rang Mahal Red Fort DELHI of Shah Jehan 1628-58 A.D, which is unique creation of Indian Sculptor during the Medieval Period. Its petals appear to rise and fall when water ripples on their edges like a magical charisma.

Architecture in Medieval India

Architecture in Medieval India
Author: Monica Juneja
Publisher:
Total Pages: 672
Release: 2001
Genre: Architecture
ISBN:

The Writings Reproduced In This Anthology Make It A Major Historiographical Intervention Which Traces The Colonial Emergence And Nationalist Development Of As Well As Contemporary Advances In The Discipline Of Architectural History Both Within India And In Relation To Art History In The West. Required Reading For General Readers And Scholars Both.

A History of Ancient and Early Medieval India

A History of Ancient and Early Medieval India
Author: Upinder Singh
Publisher: Pearson Education India
Total Pages: 708
Release: 2008
Genre: History
ISBN: 9788131711200

Basic Approach Developed as a comprehensive introductory work for scholars and students of ancient and early medieval Indian history, this books provides the most exhaustive overview of the subject. Dividing the vast historical expanse from the stone age to the 12th century into broad chronological units, it constructs profiles of various geographical regions of the subcontinent, weaving together and analysing an unparalleled range of literary and archaeological evidence. Dealing with prehistory and protohistory of the subcontinent in considerable detail, the narrative of the historical period breaks away from conventional text-based history writing. Providing a window into the world primary sources, it incorporates a large volume of archaeological data, along with literary, epigraphic, and numismatic evidence. Revealing the ways in which our past is constructed, it explains fundamental concepts, and illuminates contemporary debates, discoveries, and research. Situating prevailing historical debates in their contexts, Ancient and Early Medieval India presents balanced assessments, encouraging readers to independently evaluate theories, evidence, and arguments. Beautifully illustrated with over four hundred photographs, maps, and figures, Ancient and Early Medieval India helps visualize and understand the extraordinarily rich and varied remains of the ancient past of Indian subcontinent. It offers a scholarly and nuanced yet lucid account of India s early past, and will surely transform the discovery of this past into an exciting experience. Tabel of Contents List of photographs List of maps List of figures About the author Preface Acknowledgements A readers guide 1. Understanding Literary and Archaeological Sources 2. Hunter-Gatherers of the Palaeolithic and Mesolithic Ages 3. The Transition to Food Production: Neolithic,Neolithic Chalcolithic, and Chalcolithic Villages, c. 7000 2000 bce 4. The Harappan Civilization, c. 2600 1900 bce 5. Cultural Transitions: Images from Texts and Archaeology, c. 2000 600 bce 6. Cities, Kings, and Renunciants: North India, c. 600 300 bce 7. Power and Piety: The Maurya Empire, c. 324 187 bce 8. Interaction and Innovation, c. 200 BCE 300 ce 9. Aesthetics and Empire, c. 300 600 ce 10. Emerging Regional Configurations, c. 600 1200 ce Note on diacritics Glossary Further readings References Index Author Bio Upinder Singh is Professor in the Department of History at the University of Delhi. She taught history at St. Stephen s College, Delhi, from 1981 until 2004, after which she joined the faculty of the Department of History at the University of Delhi. Professor Singh s wide range of research interests and expertise include the analysis of ancient and early medieval inscriptions; social and economic history; religious institutions and patrona≥ history of archaeology; and modern history of ancient monuments. Her research papers have been published in various national and international journals. Her published books include: Kings, Brahmanas, and Temples in Orissa: An Epigraphic Study (AD 300 1147) (1994); Ancient Delhi (1999; 2nd edn., 2006); a book for children, Mysteries of the Past: Archaeological Sites in India (2002); The Discovery of Ancient India: Early Archaeologists and the Beginnings of Archaeology (2004); and Delhi: Ancient History (edited, 2006).

The Art of Ancient India

The Art of Ancient India
Author: Susan L. Huntington
Publisher: Motilal Banarsidass
Total Pages: 786
Release: 2014-01-01
Genre: Art
ISBN: 8120836170

To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.