Independent Filmmaking 101
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Author | : Deborah S. Patz |
Publisher | : |
Total Pages | : 564 |
Release | : 2010 |
Genre | : Performing Arts |
ISBN | : |
This new edition has undergone a comprehensive update to address the shifting balance between digital and film technologies. The book includes everything a filmmaker needs to know, from budgeting to managing the production office, and comes with downloadable forms.
Author | : Josef Steiff |
Publisher | : Dorling Kindersley Ltd |
Total Pages | : 545 |
Release | : 2005-08-02 |
Genre | : Performing Arts |
ISBN | : 0241882052 |
Designed for people who want to tell a story their way, 'The Complete Idiot's Guide to Indpendent Filmmaking explains everything a budding auteur needs to know, from literary development and financial and organizational pre-production to principal photography production, post-production assembly, exhibition and distribution, and more. The advent of desktop editing and a wide range of consumer cameras enable the average person to create a 'film studio' at homne. A great 'textbook' for novice filmmakers, whether film students or on-their-own auteurs. The proliferation of film festivals around the world, many of which encourage submissions from 'amateur' filmmakers, shows that there are countless filmmakers who aren't learning the ropes in school. Author has terrific credentials and has a feature-length script in development in Hollywood.
Author | : IFH Books |
Publisher | : |
Total Pages | : |
Release | : 2019-11-19 |
Genre | : |
ISBN | : 9780578608655 |
It's harder today than ever before for independent filmmakers to make money with their films. From predatory film distributors ripping them off to huckster film aggregators who prey upon them, the odds are stacked against the indie filmmaker. The old distribution model for making money with indie film is broken and there needs to be a change. The future of independent filmmaking is the entrepreneurial filmmaker or the Filmtrepreneur®. In Rise of the Filmtrepreneur® author and filmmaker Alex Ferrari breaks down how to actually make money with independent film projects and shows filmmakers how to turn their indie films into profitable businesses. This is not all theory, Alex uses multiple real-world case studies to illustrate each part of his method. this book shows you the step by step way to turn your filmmaking passion into a profitable career. If you are making a feature film, series or any kind of video content, The Filmtrepreneur® Method will set you up for success.
Author | : Dale Newton |
Publisher | : |
Total Pages | : 202 |
Release | : 2001 |
Genre | : Computers |
ISBN | : 9780941188333 |
An essential guide to producing low-budget movies. Reveals the secrets of making professional-quality digital moviemaking on ultra-low budgets: (1) Digital video equipment, personal computers, and software for filmmakers; (2) Scripting; (3) Casting; (4) Production; (5) Distribution; (6) Cost cutting techniques; (7) Production techniques; (8) Guerrilla filmmaking; (9) Working the Film Festival circuit; and (10) Jump starting your film career and much more ...
Author | : Yannis Tzioumakis |
Publisher | : Edinburgh University Press |
Total Pages | : 358 |
Release | : 2018-03-07 |
Genre | : Performing Arts |
ISBN | : 1474416853 |
A comparative analysis of key Islamic ity platforms and their debates
Author | : Geoff King |
Publisher | : Bloomsbury Publishing |
Total Pages | : 333 |
Release | : 2014-09-08 |
Genre | : Performing Arts |
ISBN | : 0857737333 |
The independent sector has produced many of the most distinctive films to have appeared in the US in recent decades. From 'Sex, Lies and Videotape' in the 1980s to 'The Blair Witch Project' and New Queer Cinema in the 1990s and the ultra-low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the dominant Hollywood mainstream. But what exactly is 'independent' cinema? This, the first book to examine the question in detail, argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes towards social and political issues, suggesting that independence is a dynamic rather than a fixed quality. Chapters focus on distribution and relationships with Hollywood studios; narrative ('Clerks' and 'Slacker' to 'Pulp Fiction', 'Magnolia' and 'Memento') and other formal dimensions (from 'Blair Witch's' 'authenticity' to expressive and stylized camerawork and editing in work from Harmony Korine to the Coen brothers); approaches to genre and alternative socio-political visions.
Author | : Blain Brown |
Publisher | : Routledge |
Total Pages | : 414 |
Release | : 2020-05-04 |
Genre | : Art |
ISBN | : 0429677081 |
The Basics of Filmmaking is an introductory textbook tailored to the needs of beginning and intermediate film students and independent filmmakers that expertly guides you through the entirety of the craft, from screenwriting all the way through to editing, with detailed chapters covering each department involved in the filmmaking process. The book takes a behind-the-scenes look at every aspect of the filmmaking process: writing the screenplay (and getting it critiqued by a professional), pre-production, cinematography, lighting, the shooting process, getting good audio, editing, and even going to a pitch meeting to sell it. It addresses the real fundamentals, the mechanics and the basic concepts of how to write, produce, direct, shoot, record, and edit your movie. Written by Blain Brown, a seasoned expert who has worked professionally as a cinematographer, screenwriter, director, producer, line producer, assistant director, gaffer, grip, and editor; this is a must have resource for any filmmaking student. Featuring an accompanying companion website with video examples of scene directing methods, continuity and coverage, working with the camera, lighting, audio, and editing, and downloadable production forms you can fill out and use for your projects.
Author | : Deborah Patz |
Publisher | : |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Performing Arts |
ISBN | : 9781615932641 |
Today's digital technology allows teens to produce short films with enviable accessibility. But there is a darker side to today's technology, too: the expectation to live and share your life online, to become an instant success with your first creations. Imagine being free to experiment and play with the medi-um, with a mentor beside you helping you craft solid, professional work that never looks like a home movie. Industry pro Deborah Patz is that mentor. Much like writers pen journals they don't publish (aka "writing practice," as taught by Natalie Gold-berg), Write! Shoot! Edit! mentors teens in "first film-making" -- crafting complete, scripted movies in a safe place free from public exhibition and scrutiny, experimenting with the medium, and discovering one's own visual storytelling voice. You want to direct and edit, but your friend wants to write? Not a problem. Don't read the book in order! Just follow the path. Write! Shoot! Edit! is written in three distinct and intertwining paths, so you can experience the book as you want to: as a writer, director / DOP, or editor. Start making scripted films today so that you can be the overnight success of tomorrow!
Author | : Sherry B. Ortner |
Publisher | : Duke University Press |
Total Pages | : 349 |
Release | : 2013-02-27 |
Genre | : Social Science |
ISBN | : 0822354268 |
The pioneering anthropologist Sherry B. Ortner combines her trademark ethnographic expertise with critical film interpretation to explore the independent film scene in New York and Los Angeles since the late 1980s. Not Hollywood is both a study of the lived experience of that scene and a critical examination of America as seen through the lenses of independent filmmakers. Based on interviews with scores of directors and producers, Ortner reveals the culture and practices of indie filmmaking, including the conviction of those involved that their films, unlike Hollywood movies, are "telling the truth" about American life. These films often illuminate the dark side of American society through narratives about the family, the economy, and politics in today's neoliberal era. Offering insightful interpretations of many of these films, Ortner argues that during the past three decades independent American cinema has functioned as a vital form of cultural critique.
Author | : Gabriel Campisi |
Publisher | : McFarland |
Total Pages | : 222 |
Release | : 2020-09-04 |
Genre | : Performing Arts |
ISBN | : 1476640459 |
Netflix and its competitors like Disney+, Amazon Prime and Hulu have brought unprecedented levels of entertainment to consumers everywhere, providing the richest, most abundant aggregate of motion pictures and cinematic television the world has ever seen. Behind the facade, however, things are not as pleasant. A very costly paradigm shift is underway, altering not only conventional business and finance models, but also threatening long-established avenues of entertainment such as movie theaters, traditional television, and home video, and wreaking havoc on independent filmmakers and veteran producers alike. This book attempts to make sense of ongoing economic and creative shifts of infrastructure and intellectual property, to understand where the industry is headed, and to distinguish which business models should be maintained and which ones should be left behind. Featuring exclusive interviews with some of the industry's most prolific filmmakers and executives, it dives into the trenches of Hollywood to provide readers with the knowledge necessary to rethink the business, see past the turmoil, recognize the new opportunities, and take advantage of exciting new possibilities. Change sparks innovation, and innovation brings about great opportunity--but only for the well-informed and prepared.