In Search Of Stanislavskys Creative State On The Stage
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Author | : Gabriela Curpan |
Publisher | : Routledge |
Total Pages | : 280 |
Release | : 2021-04-12 |
Genre | : Performing Arts |
ISBN | : 1000377032 |
This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state. Filtered through the lens of his unaddressed Christian Orthodox background, as well as his yogic or Hindu interest, the practical work followed the odyssey of the artist, from being oneself towards becoming the character, being structured in three major horizontal stages and developed on another three vertical, interconnected levels. Throughout the book, Gabriela Curpan aims to question both the cartesian approach to acting and the realist-psychological line, generally viewed as the only features of Stanislavski’s work. This book will be of great interest to theatre and performance academics as well as practitioners in the fields of acting and directing.
Author | : Gabriela Curpan |
Publisher | : Routledge |
Total Pages | : 331 |
Release | : 2021-04-13 |
Genre | : Performing Arts |
ISBN | : 1000377059 |
This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state. Filtered through the lens of his unaddressed Christian Orthodox background, as well as his yogic or Hindu interest, the practical work followed the odyssey of the artist, from being oneself towards becoming the character, being structured in three major horizontal stages and developed on another three vertical, interconnected levels. Throughout the book, Gabriela Curpan aims to question both the cartesian approach to acting and the realist-psychological line, generally viewed as the only features of Stanislavski’s work. This book will be of great interest to theatre and performance academics as well as practitioners in the fields of acting and directing.
Author | : Konstantin Sergeevič Stanislavskij |
Publisher | : |
Total Pages | : 295 |
Release | : 1967 |
Genre | : |
ISBN | : |
Author | : Maria Knebel |
Publisher | : Routledge |
Total Pages | : 265 |
Release | : 2021-12-30 |
Genre | : Performing Arts |
ISBN | : 1136448926 |
Active Analysis combines two of Maria Knebel’s most important books, On Active Analysis of the Play and the Role and The Word in the Actor’s Creative Work, in a single edition conceived and edited by one of Knebel's most famous students, the renowned theatre and film director, Anatoli Vassiliev. This is the first English translation of an important and authoritative fragment of the great Stanislavski jigsaw. A landmark publication. This book is an indispensable resource for professional directors, student directors, actors and researchers interested in Stanislavski, directing, rehearsal methods and theatre studies more generally.
Author | : Gabriela Curpan |
Publisher | : |
Total Pages | : 266 |
Release | : 2021 |
Genre | : Method acting |
ISBN | : 9780367630645 |
This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state. Filtered through the lens of his unaddressed Christian Orthodox background, as well as his yogic or Hindu interest, the practical work followed the odyssey of the artist, from being oneself towards becoming the character, being structured in three major horizontal stages and developed on another three vertical, interconnected levels. Throughout the book, Gabriela Curpan aims to question both the cartesian approach to acting and the realist-psychological line, generally viewed as the only features of Stanislavski's work. This book will be of great interest to theatre and performance academics as well as practitioners in the fields of acting and directing.
Author | : Maria Shevtsova |
Publisher | : Cambridge University Press |
Total Pages | : 305 |
Release | : 2020 |
Genre | : Drama |
ISBN | : 1107023394 |
An interdisciplinary approach to Stanislavsky's theatre practice in sociocultural and political contexts and its legacy in the twenty-first century.
Author | : Konstantin Stanislavski |
Publisher | : Routledge |
Total Pages | : 963 |
Release | : 2016-10-04 |
Genre | : Performing Arts |
ISBN | : 1315474239 |
Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.
Author | : Elizabeth Y. Kelly |
Publisher | : |
Total Pages | : 200 |
Release | : 1973 |
Genre | : Child actors |
ISBN | : |
Author | : Konstantin Stanislavsky |
Publisher | : Taylor & Francis |
Total Pages | : 324 |
Release | : 1989 |
Genre | : Performing Arts |
ISBN | : 9780878309818 |
This third volume examines the development of a character from the viewpoint of three widely contrasting plays.
Author | : Konstantin Stanislavsky |
Publisher | : Methuen Drama |
Total Pages | : 209 |
Release | : 1981 |
Genre | : Acting |
ISBN | : 9780413477705 |
"The most informal - and in some ways the most delightful - of all Stanislavski books" - Sir Michael Redgrave No one has had a greater influence on acting as we know it than Stanislavski. His "method" - or interpretations of it - has become the central force determining almost every performance we see on stage or screen. Stanislavski's Legacy is a companion volume to his three great teaching books, An Actor Prepares, Building a Character and Creating a Role. It is a carefully arranged selection of the articles, speeches, notes and memoirs written between 1898, when the Moscow Art Theatre opened, and his death in 1938. Among the items are a series of brilliant letters on the interpretation of Othello, the long and affectionate article "Memories of Chekhov" and a final section in which Stanislavski envisages the theatre and the actors of the future. "The legacy which Stanislavski and his collaborators have left us is, in all truth, magnificent; and its benefits are available not only to the actor and actress but to everyone who aspires to become a rounded human being" - Observer