In Re Logans Estate Appeal Of Lavada Logan 302 Mich 442 1942
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Michigan Reports
Author | : Michigan. Supreme Court |
Publisher | : |
Total Pages | : 864 |
Release | : 1942 |
Genre | : Law reports, digests, etc |
ISBN | : |
Cases Decided in the Supreme Court of Michigan ...
Author | : Michigan. Supreme Court |
Publisher | : |
Total Pages | : 864 |
Release | : 1942 |
Genre | : Law reports, digests, etc |
ISBN | : |
The Improbable Rise of Redneck Rock
Author | : Jan Reid |
Publisher | : University of Texas Press |
Total Pages | : 408 |
Release | : 2004-03-01 |
Genre | : Music |
ISBN | : 9780292701977 |
Jan Reid revitalizes his classic look at the Austin music scene in substantially reworked chapters that include musicians and musical currents from all over Texas that have significantly contributed to the delightful convergence of popular cultures in Austin.
Sound Tracks
Author | : John Connell |
Publisher | : Routledge |
Total Pages | : 338 |
Release | : 2003-09-02 |
Genre | : Science |
ISBN | : 1134699123 |
Sound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts. In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly linked to place, as a stake to originality, a claim to tradition and as a marketing device. This book develops new perspectives on these relationships and how they are situated within cultural and geographical thought.
Dissonant Identities
Author | : Barry Shank |
Publisher | : Wesleyan University Press |
Total Pages | : 315 |
Release | : 2012-01-01 |
Genre | : Music |
ISBN | : 0819572675 |
Music of the bars and clubs of Austin, Texas has long been recognized as defining one of a dozen or more musical "scenes" across the country. In Dissonant Identities, Barry Shank, himself a musician who played and lived in the Texas capital, studies the history of its popular music, its cultural and economic context, and also the broader ramifications of that music as a signifying practice capable of transforming identities. While his focus is primarily on progressive country and rock, Shank also writes about traditional country, blues, rock, disco, ethnic, and folk musics. Using empirical detail and an expansive theoretical framework, he shows how Austin became the site for "a productive contestation between two forces: the fierce desire to remake oneself through musical practice, and the equally powerful struggle to affirm the value of that practice in the complexly structured late-capitalist marketplace."
The Politics of Authenticity
Author | : Douglas Charles Rossinow |
Publisher | : Columbia University Press |
Total Pages | : 514 |
Release | : 1998 |
Genre | : History |
ISBN | : 9780231110570 |
In the 1960s a left-wing movement emerged in the United States that not only crusaded against social and economic exploitation, but also confronted the problem of personal alienation in everyday life. These new radicals - young, white, raised in relative affluence - struggled for peace, equality and social justice. Their struggle was cultural as well as political, a search for meaning and authenticity that marked a new phase in the long history of American radicalism.
The Seventies
Author | : Bruce J. Schulman |
Publisher | : Simon and Schuster |
Total Pages | : 353 |
Release | : 2001-08-07 |
Genre | : History |
ISBN | : 0743219481 |
Most of us think of the 1970s as an "in-between" decade, the uninspiring years that happened to fall between the excitement of the 1960s and the Reagan Revolution. A kitschy period summed up as the "Me Decade," it was the time of Watergate and the end of Vietnam, of malaise and gas lines, but of nothing revolutionary, nothing with long-lasting significance. In the first full history of the period, Bruce Schulman, a rising young cultural and political historian, sweeps away misconception after misconception about the 1970s. In a fast-paced, wide-ranging, and brilliant reexamination of the decade's politics, culture, and social and religious upheaval, he argues that the Seventies were one of the most important of the postwar twentieth-century decades. The Seventies witnessed a profound shift in the balance of power in American politics, economics, and culture, all driven by the vast growth of the Sunbelt. Country music, a southern silent majority, a boom in "enthusiastic" religion, and southern California New Age movements were just a few of the products of the new demographics. Others were even more profound: among them, public life as we knew it died a swift death. The Seventies offers a masterly reconstruction of high and low culture, of public events and private lives, of Jonathan Livingston Seagull, Evel Knievel, est, Nixon, Carter, and Reagan. From The Godfather and Network to the Ramones and Jimmy Buffett; from Billie jean King and Bobby Riggs to Phyllis Schlafly and NOW; from Proposition 13 to the Energy Crisis; here are all the names, faces, and movements that once filled our airwaves, and now live again. The Seventies is powerfully argued, compulsively readable, and deeply provocative.
Democracy is in the Streets
Author | : Jim Miller |
Publisher | : Harvard University Press |
Total Pages | : 446 |
Release | : 1994 |
Genre | : Education |
ISBN | : 9780674197251 |
On June 12, 1962, 60 young activists drafted a manifesto for their generation--The Port Huron Statement--that ignited a decade of dissent. Miller brings to life the hopes and struggles, the triumphs and tragedies, of the students and organizers who took the political vision of The Port Huron Statement to heart--and to the streets.