The J. Paul Getty Museum Journal

The J. Paul Getty Museum Journal
Author: The J. Paul Getty Muiseum
Publisher: Getty Publications
Total Pages: 90
Release: 1977-01-01
Genre: Art
ISBN: 0892360062

The J. Paul Getty Museum Journal 4 is a compendium of articles and notes pertaining to the Museum’s permanent collections of decorative arts. This volume includes an introduction and two articles by Gillian Wilson, Curator of Decorative Arts. Volume 4 also features articles by Jiří Frel, the Museum’s Curator of Antiquities; Edith Standen, Curatorial Consultant, Department of Western European Art, the Metropolitan Museum of Art in New York; Geraldine Hussman, California State University at Northridge; Jean-Luc Bordeaux, Professor of Art History and Director of the Fine Arts Gallery, California State University at Northridge; and Faya Causey, University of California, Santa Barbara.

La Tour

La Tour
Author: Maurice Quentin De La Tour
Publisher: Legare Street Press
Total Pages: 0
Release: 2022-10-27
Genre: Art
ISBN: 9781016736749

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Mirror of Divinity

The Mirror of Divinity
Author: Robert Ziegler
Publisher: University of Delaware Press
Total Pages: 394
Release: 2004
Genre: Literary Criticism
ISBN: 9780874138733

Using a multidisciplinary approach, this book argues that the operation of art-as-mirror is the key to the hidden unity of Huysmans' fiction. The author claims that only the elimination of Huysmans' stylistic distortions enabled his art finally to become faithful and clear.

Goldsmiths & Silversmiths

Goldsmiths & Silversmiths
Author: Hugh Honour
Publisher: London : Weidenfeld and Nicolson
Total Pages: 320
Release: 1971
Genre: Art metal-workers
ISBN: 9780297003441

Studies of 50 goldsmiths and silversmiths from 10 countries and 11 centuries.

Rococo Echo

Rococo Echo
Author: Melissa Lee Hyde
Publisher:
Total Pages: 397
Release: 2014
Genre: Art, Rococo
ISBN: 9780729411585

In Rococo echo, a team of international contributors adopts a wide lens to explore the relationship of the Rococo with time. Through chapters organised around broad temporal moments -- the French Revolution, the First World War and the turn of the twenty-first century -- contributors show that the Rococo has been viewed variously as modern, late, ruined, revived, preserved and anticipated. Taking into account the temporality of the Rococo as form, some contributors consider its function as both a visual language and a cultural marker engaged in different ways with the politics of nationalism, gender and race. The Rococo is examined, too, as a mode of expression that encompassed and assimilated styles, and which functioned as a surprisingly effective means of resisting both authority -- whether political, religious or artistic -- and cultural norms of gender and class. Contributors also show how the Rococo, from its birth in France, reverberated through England, Germany, Italy, Portugal and the South American colonies to become a pan-European, even global movement.--Back cover.

The Newton Wars & the Beginning of the French Enlightenment

The Newton Wars & the Beginning of the French Enlightenment
Author: J.B. Shank
Publisher: University of Chicago Press
Total Pages: 590
Release: 2008-09-15
Genre: History
ISBN: 0226749479

Nothing is considered more natural than the connection between Isaac Newton’s science and the modernity that came into being during the eighteenth-century Enlightenment. Terms like “Newtonianism” are routinely taken as synonyms for “Enlightenment” and “modern” thought, yet the particular conjunction of these terms has a history full of accidents and contingencies. Modern physics, for example, was not the determined result of the rational unfolding of Newton’s scientific work in the eighteenth century, nor was the Enlightenment the natural and inevitable consequence of Newton’s eighteenth-century reception. Each of these outcomes, in fact, was a contingent event produced by the particular historical developments of the early eighteenth century. A comprehensive study of public culture, The Newton Wars and the Beginning of the French Enlightenment digsbelow the surface of the commonplace narratives that link Newton with Enlightenment thought to examine the actual historical changes that brought them together in eighteenth-century time and space. Drawing on the full range of early modern scientific sources, from studied scientific treatises and academic papers to book reviews, commentaries, and private correspondence, J. B. Shank challenges the widely accepted claim that Isaac Newton’s solitary genius is the reason for his iconic status as the father of modern physics and the philosophemovement.