Treasures from Shanghai

Treasures from Shanghai
Author: Jessica Rawson
Publisher:
Total Pages: 148
Release: 2009
Genre: Art
ISBN:

In contrast to the West, where diamonds, gold and silver have usually been highly valued, in China bronzes and jades were chosen early on for the societyâe(tm)s most valued artefacts, and retained this very high status over millennia. Bronze and jades were used in China for ritual and burial, and were thus associated with the sacred worlds of the ancestors and spirits. In later China, these precious relics of the past were collected by rulers and scholars as routes to understanding a distant golden age. These ancient objects, some dating from the neolithic period, set the artistic standard for all time; this is where Chinese art begins. Chinese bronzes, in particular, are one of the worldâe(tm)s major art forms. Few if any other ancient cultures achieved the artistic excellence and technical virtuosity in bronze attained in China. Using a unique casting method involving multiple ceramic section moulds, the Chinese cast vessels, weapons and ornaments of great beauty and elegance. Jade, too, is central to Chinaâe(tm)s culture. This tough translucent stone has been worked to produce the most prized ornaments and ceremonial implements from the Neolithic period to the present day. The jades featured in this catalogue, carved by some of the groups of ancient inhabitants in the Shanghai area. They include wonderful, decorated ritual jades, cong, bi discs, weapons and ornaments. This catalogue not only celebrates an important collection, but highlights the extraordinary skills of the craftsmen of very early cultures, placing the objects in their historical and archaeological context. Here are exquisite objects made for the ancient Chinese elite and subsequently revered by emperors and collectors alike.

Sources of Western Zhou History

Sources of Western Zhou History
Author: Edward L. Shaughnessy
Publisher: Univ of California Press
Total Pages: 354
Release: 1992-01-08
Genre: Social Science
ISBN: 0520910222

The thousands of ritual bronze vessels discovered by China's archaeologists serve as the major documentary source for the Western Zhou dynasty (1045-771 B.C.). These vessels contain long inscriptions full of detail on subjects as diverse as the military history of the period, the bureaucratic structure of the royal court, and lawsuits among the gentry. Moreover, being cast in bronze, the inscriptions preserve exactly the contemporary script and language. Shaughnessy has written a meticulous and detailed work on the historiography and interpretation of these objects. By demonstrating how the inscriptions are read and interpreted, Shaughnessy makes accessible in English some of the most important evidence about life in ancient China.

Imprints of Kinship

Imprints of Kinship
Author: Edward L. Shaughnessy
Publisher: The Chinese University of Hong Kong Press
Total Pages: 366
Release: 2017-03-15
Genre: History
ISBN: 9629966395

Recent discoveries of bronze ritual vessels from ancient China provide the ground for this collection of essays, which focus in particular on the nature and patterns of family lineages as seen from these artifacts found in tombs throughout north China. Based on careful readings of the inscriptions on the bronze vessels, the editor and his eight contributors reconstruct the genealogies, kinship structures, political identities, and relationship networks of leading families and individuals from BronzeAge China. The rich scholarship also contributes to our understanding of the archaeology, chronology, warfare, and legal structures of ancient China. "The bronze inscriptions from ancient China are far too important to be left to the specialized archaeologists alone. Professor Shaughnessy and his group of leading practitioners of the arcane art of teasing out the meaning implicit and explicit in these extraordinarily difficult--often only recently discovered--inscriptions allow us to look over their shoulders as they struggle valiantly with some of the richest sources from the earliest stages of Chinese intellectual ethnography and literary culture. This volume provides the kind of handson and welldocumented exploratory philology that opens up a wide field of general discussion concerning an early formative stage of Chinese civilization." --Christoph Harbsmeier, Professor Emeritus of Chinese, University of Oslo

中國青銅器萃賞

中國青銅器萃賞
Author: Xueqin Li
Publisher:
Total Pages: 266
Release: 2000
Genre: Art
ISBN:

Anthony Hardy's Sze Yuan Tang Collection of ancient Chinese had its inspirational beginnings in the early 1950s when, as a schoolboy in England, he was struck by the architechtonic beauty of a solitary Shang jue tripod wine vessel in his father's collection of predominantly Western medieval art. There is little doubt that his early encounter with the archaic jue led to an intense interest in early Chinese art and in ancient Chinese ritual bronzes in particular. Hardy started collecting bronzes seriously in the early 1980s and places great importance on what he calls the"Four P's"-Patination, Pictogram, Precision and Provenance. To Hardy, a bronze vessel worthy of collecting must have a good natural Patination, nature's contribution to a great work of bronze art; a Pictogram or inscription of historic significance; Precision and sharpness of casting; and also Provenance recording the academic history of the piece, the collections it has been in, where it has been exhibited and what has been written about it. When Hardy married Susan Chen they decided that the exhibition of Hardy's principally Shang ritual bronzes scheduled for late 2000 at the Asian Civilisations Museum in Singapore should be expanded to include sculptural animal bronzes and the more feminine and jewel-like inlaid bronzes of the Spring and Autumn and Warring States periods belonging to Chen's own collection. Together the two collections offer a more extensive view of the glorious traditions of ancient Chinese bronzes.

Mirroring China's Past

Mirroring China's Past
Author: Tao Wang
Publisher: Yale University Press
Total Pages: 265
Release: 2018-03-27
Genre: Art
ISBN: 0300228635

A lavishly illustrated book that offers an in-depth look at the cultural practices surrounding the tradition of collecting ancient bronzes in China during the 18th and 19th centuries In ancient China (2000–221 b.c.) elaborate bronze vessels were used for rituals involving cooking, drinking, and serving food. This fascinating book not only examines the cultural practices surrounding these objects in their original context, but it also provides the first in-depth study tracing the tradition of collecting these bronzes in China. Essays by international experts delve into the concerns of the specialized culture that developed around the vessels and the significant influence this culture, with its emphasis on the concept of antiquity, had on broader Chinese society. While focusing especially on bronze collections of the 18th and 19th centuries, this wide-ranging catalogue also touches on the ways in which contemporary artists continue to respond to the complex legacy of these objects. Packed with stunning photographs of exquisitely crafted vessels, Mirroring China’s Past is an enlightening investigation into how the role of ancient bronzes has evolved throughout Chinese history.