Imperial Arts
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| Author | : John R King, IV |
| Publisher | : |
| Total Pages | : 204 |
| Release | : 2008-09-15 |
| Genre | : |
| ISBN | : 9781329480605 |
This book describes the first-hand experiences of the author in his exorcism of 24 demons over the past six years. Known from an ancient text called Goetia, perhaps the most infamous of all occult works, these demons were supposedly bound by King Solomon in a vessel of brass, and later released by Babylonians to whom they delivered occult secrets, magic arts, and various blasphemies. Many of these demons are known in history as gods and goddesses, and some are given worship even today. This book describes in detail the circumstances under which the author has bound these demons and made them subject to his will by the names of God. The method the author used, the record of each evocation, and the effects following are all described in detail. These fetaures make this book unique among all works on demonology. This is the only existing printed account of the Goetia performed according to its proper and traditional form.
| Author | : Jeffrey F. Hamburger |
| Publisher | : Giles |
| Total Pages | : 216 |
| Release | : 2021 |
| Genre | : Antiques & Collectibles |
| ISBN | : 9781911282860 |
A highly-illustrated history and survey of centers of book production and use within the Holy Roman Empire over the course of seven hundred years.
| Author | : Jeannette Shambaugh Elliot |
| Publisher | : University of Washington Press |
| Total Pages | : 204 |
| Release | : 2015-07-16 |
| Genre | : Art |
| ISBN | : 9780295801384 |
The Odyssey of China's Imperial Art Treasures traces the three-thousand-year history of the emperor's imperial collection, from the Bronze Age to the present. The tortuous story of these treasures involves a succession of dynasties, invasion and conquest, and civil war, resulting in valiant attempts to rescue and preserve the collection. Throughout history, different Chinese regimes used the imperial collection to bolster their own political legitimacy, domestically and internationally. The narrative follows the gradual formation of the Peking Palace Museum in 1925, then its hasty fragmentation as large parts of the collection were moved perilously over long distances to escape wartime destruction, and finally its formal division into what are today two Palace Museums-one in Beijing, the other in Taipei. Enlivened by the personalities of those who cared for the collection, this textured account of the imperial treasures highlights magnificent artworks and their arduous transit through politics, war, and diplomatic reconciliations. Over the years, control of the collections has been fiercely contested, from early dynasties through Mongol and Japanese invaders to Nationalist and Communist rivals- a saga that continues today. This first book-length investigation of the imperial collections will be of great interest to China scholars, historians, and Chinese art specialists. Its tales of palace intrigue will fascinate a wide variety of readers.
| Author | : Vidya Dehejia |
| Publisher | : Columbia University Press |
| Total Pages | : 176 |
| Release | : 1990-10-18 |
| Genre | : Art |
| ISBN | : 9780231515245 |
The rule of the Chola dynasty in South India between the ninth and thirteenth centuries was a period of unparalleled creativity in Indian art. Known as the Golden Age of Tamil Culture, the Chola period produced dynamic royal personalities who shaped the artistic activity of theirtimes. Art of the Imperial Cholas examines the dynasty's architectural and sculptural achievements, which stand among the masterpieces of India.
| Author | : Michael Elia Yonan |
| Publisher | : Penn State Press |
| Total Pages | : 244 |
| Release | : 2011 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780271037226 |
"Explores the intersections between monarchy, gender, and art through an investigation of the visual and architectural culture of the eighteenth-century Habsburg empress Maria Theresa"--Provided by publisher.
| Author | : William T. Vollmann |
| Publisher | : Penguin |
| Total Pages | : 1789 |
| Release | : 2009-07-30 |
| Genre | : History |
| ISBN | : 1101105151 |
From the author of Europe Central, winner of the National Book Award, a journalistic tour de force along the Mexican-American border – a finalist for the National Book Critics Circle Award For generations of migrant workers, Imperial Country has held the promise of paradise and the reality of hell. It sprawls across a stirring accidental sea, across the deserts, date groves and labor camps of Southeastern California, right across the border into Mexico. In this eye-opening book, William T. Vollmann takes us deep into the heart of this haunted region, exploring polluted rivers and guarded factories and talking with everyone from Mexican migrant workers to border patrolmen. Teeming with patterns, facts, stories, people and hope, this is an epic study of an emblematic region.
| Author | : Kristina Kleutghen |
| Publisher | : University of Washington Press |
| Total Pages | : 388 |
| Release | : 2015-01-01 |
| Genre | : Art |
| ISBN | : 0295805528 |
In the Forbidden City and other palaces around Beijing, Emperor Qianlong (r. 1736-1795) surrounded himself with monumental paintings of architecture, gardens, people, and faraway places. The best artists of the imperial painting academy, including a number of European missionary painters, used Western perspectival illusionism to transform walls and ceilings with visually striking images that were also deeply meaningful to Qianlong. These unprecedented works not only offer new insights into late imperial China’s most influential emperor, but also reflect one way in which Chinese art integrated and domesticated foreign ideas. In Imperial Illusions, Kristina Kleutghen examines all known surviving examples of the Qing court phenomenon of “scenic illusion paintings” (tongjinghua), which today remain inaccessible inside the Forbidden City. Produced at the height of early modern cultural exchange between China and Europe, these works have received little scholarly attention. Richly illustrated, Imperial Illusions offers the first comprehensive investigation of the aesthetic, cultural, perceptual, and political importance of these illusionistic paintings essential to Qianlong’s world. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/imperial-illusions
| Author | : Jaś Elsner |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 344 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : 9780192842015 |
Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periodsof internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylisticchange, Jas Elsner presents a fresh and challenging account of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. 'a highly individual work . . . wonderful visual and comparative analysis . . . I can think of no other general book on Roman art that deals so elegantly and informatively with the theme of visuality and visual desire.' Professor Natalie Boymel Kampen, Barnard College, New York 'exciting and original . . . a vibrant impression of creative energy and innovation held in constant tension by the persistence of more traditional motifs and techniques. Elsner constantly surprises and intrigues the reader by approaching familiar material in new ways.' Professor Averil Cameron,Keble College, Oxford
| Author | : Richard Stites |
| Publisher | : Yale University Press |
| Total Pages | : 636 |
| Release | : 2008-10-01 |
| Genre | : History |
| ISBN | : 0300128185 |
Serf-era and provincial Russia heralded the spectacular turn in cultural history that began in the 1860s. Examining the role of arts and artists in society’s value system, Richard Stites explores this shift in a groundbreaking history of visual and performing arts in the last decades of serfdom. Provincial town and manor house engaged the culture of Moscow and St. Petersburg while thousands of serfs and ex-serfs created or performed. Mikhail Glinka raised Russian music to new levels and Anton Rubinstein struggled to found a conservatory. Long before the itinerants, painters explored town and country in genre scenes of everyday life. Serf actors on loan from their masters brought naturalistic acting from provincial theaters to the imperial stages. Stites’s richly detailed book offers new perspectives on the origins of Russia’s nineteenth-century artistic prowess.
| Author | : Eliza Garrison |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 248 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 9780754669685 |
Ottonian Imperial Art and Portraiture represents the first art historical consideration of the patronage of the Ottonian Emperors Otto III (983-1002) and Henry II (1002-1024). Author Eliza Garrison analyzes liturgical artworks created for Otto III and Henry II with the larger goal of addressing the ways in which individual art objects and the collections to which they belonged were perceived as elements of a material historical narrative and as portraits.
