Immigrant Subjectivities In Asian American And Asian Diaspora Literatures
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Author | : Sheng-mei Ma |
Publisher | : State University of New York Press |
Total Pages | : 202 |
Release | : 1998-07-10 |
Genre | : Biography & Autobiography |
ISBN | : 1438411529 |
This book opens with an interrogation of the representation of immigrants in Asian American and, to a lesser extent, Asian Diaspora literatures, including works by such writers as Maxine Hong Kingston, Frank Chin, Amy Tan, and Bharati Mukherjee. Immigrant subjectivities in these texts are frequently subsumed in the urgent need to self-fashion an Asian American identity, and take the peculiar form of "immigrant schizophrenic." Ma also explores how the drive to "claim America" manifests itself as an eroticization of white bodies in male immigrant and minority writers. He then directs his attention to immigrant self-representation from the unique yet representative positionality of Taiwanese immigrants, as found in overseas student literature and in the recent films of Ang Lee. With a contrapuntal reading of the portrayal of immigrants in Asian American and Asian Diaspora literatures, this book maps out a terrain largely uncharted by scholars of various disciplines.
Author | : Sheng-mei Ma |
Publisher | : SUNY Press |
Total Pages | : 202 |
Release | : 1998-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780791438299 |
Offers a new way of reading Asian American and Asian Diaspora literatures, thereby addressing an overlapping lacuna in ethnic, postcolonial, and area studies: the construction of immigrant subjectivities.
Author | : Wenying Xu |
Publisher | : Rowman & Littlefield |
Total Pages | : 513 |
Release | : 2022-08-15 |
Genre | : Literary Criticism |
ISBN | : 1538157322 |
A Library Journal Best Reference Book of 2022 This book represents the culmination of over 150 years of literary achievement by the most diverse ethnic group in the United States. Diverse because this group of ethnic Americans includes those whose ancestral roots branch out to East Asia, Southeast Asia, South Asia, and Western Asia. Even within each of these regions, there exist vast differences in languages, cultures, religions, political systems, and colonial histories. From the earliest publication in 1887 to the latest in 2021, this dictionary celebrates the incredibly rich body of fiction, poetry, memoirs, plays, and children’s literature. Historical Dictionary of Asian American Literature and Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 700 cross-referenced entries on genres, major terms, and authors. This book is an excellent resource for students, researchers, and anyone wanting to know more about this topic.
Author | : Sheng-mei Ma |
Publisher | : Routledge |
Total Pages | : 192 |
Release | : 2010-11-22 |
Genre | : Art |
ISBN | : 1136893946 |
This book offers an incisive and ambitious critique of Asian Diaspora culture, looking specifically at literature and visual popular culture. Sheng-mei Ma’s engaging text discusses issues of self and its relationship with Asian Diaspora culture in the global twenty-first century. Using examples from Asia, Asian America, and Asian Diaspora from the West, the book weaves a narrative that challenges the twenty-first century triumphal discourse of Asia and argues that given the long shadow cast across modern film and literature, this upward mobility is inescapably escapist, a flight from itself; Asia’s stunning self-transformation is haunted by self-alienation. The chapters discuss a wealth of topics, including Asianness, Orientalism, and Asian American identity, drawing on a variety of pop culture sources from The Matrix Trilogy to Crouching Tiger, Hidden Dragon. This book forms an analysis of the new idea of Asian Diaspora that cuts across area, ethnicity, and nation, incorporating itself into the contemporary global culture whilst retaining a distinct Asian flavor. Covering the mediums of literature, film, and visual cultures, this book will be of immense interest to scholars and students of Asian studies and literature, ethnic studies, cultural studies, and film.
Author | : Sheng-mei Ma |
Publisher | : Purdue University Press |
Total Pages | : 178 |
Release | : 2012 |
Genre | : History |
ISBN | : 1557536112 |
In this book, Asian Diaspora and East-West Modernity, Sheng-mei Ma analyzes Asian, Asian diaspora, and Orientalist discourse and probes into the conjoinedness of West and East and modernity's illusions. Drawing from Anglo-American, Asian American, and Asian literature, as well as J-horror and manga, Chinese cinema, the internet, and the Korean Wave, Ma's analyses render fluid the two hemispheres of the globe, the twin states of being and nonbeing, and things of value and nonentity. Suspended on the stylistic tightrope between research and poetry, critical analysis and intution, Asian Diaspora restores affect and heart to diaspora in between East and West, at-homeness and exilic attrition. Diaspora, by definition, stems as much from socioeconomic and collective displacement as it points to emotional reaction. This book thus challenges the fossilized conceptualizations in area studies, ontology, and modernism.
Author | : Kyunghee Pyun |
Publisher | : Springer Nature |
Total Pages | : 261 |
Release | : |
Genre | : |
ISBN | : 3031598849 |
Author | : Douglas W. Lee, PhD |
Publisher | : Dorrance Publishing |
Total Pages | : 1045 |
Release | : 2024-06-12 |
Genre | : History |
ISBN | : 1639376429 |
This book is a two-part discussion about mid-late nineteenth-century traditional Cantonese society and the material conditions that fostered large-scale Cantonese overseas emigration. Part I: discusses the Peasant-farmer, merchant, and Gentry (scholar-official-landed Gentry) social classes. An additional chapter focuses on Cantonese “special interests’ groups,” which embraced those people with shared group needs, identities, and interests, which cut across social class lines. Part II: analyzes four adverse material conditions, which motivated and contextualized large-scale Cantonese overseas emigration. This includes: 1) high-density population concentration and over-population; 2) economic immiseration of the Cantonese peasant-farmer class; 3) Cantonese communal conflict and social chaos; and 4) local Cantonese/fan-kwai (“foreign devils”) conflicts in the Cantonese heartland. This book is the product of over forty-five years of research and writing, it is the third volume of a new series entitled The Gum-Shaan Chronicles: The Early History of Cantonese-Chinese America, 1850-1900. About the Author Douglas W. Lee, PhD is a second-generation Cantonese-Chinese American, trained as a historian of Modern China, with a special research interest in early Chinese American History. He earned a BA at Lewis and Clark College, Portland, Oregon (1967); an MA at the University of Michigan, Ann Arbor (1969); a PhD from the University of California, Santa Barbara (1979); and JD from Lewis and Clark Law School, Portland, Oregon (1988). In 1979-1980, Lee was the cofounder and first national President of the National Association for Asian American Studies. In 1981, he was cofounder of the Chinese Historical Society of the Pacific Northwest, and the first editor of its journal, The Annals of the Chinese Historical Society of the Pacific Northwest (Seattle, Washington).
Author | : Klara Szmańko |
Publisher | : McFarland |
Total Pages | : 229 |
Release | : 2008-09-08 |
Genre | : Social Science |
ISBN | : 0786439521 |
The book is a comparative study of the invisibility trope in African American and Asian American literature. It distinguishes between various kinds of invisibility and offers a genealogy of the term while providing a theoretical dissection of the invisibility trope itself. Investigating the various ways of striving for visibility, the author places special emphasis on the need for cooperation among various racial groups. While the book explores invisibility in a variety of African American and Asian American literary texts, the main focus is on four novels: Ralph Ellison's Invisible Man, Sam Greenlee's The Spook Who Sat by the Door, Maxine Hong Kingston's Tripmaster Monkey and Chang-rae Lee's Native Speaker. The book not only sheds light on the oppressed but also exposes the structures of oppression and the apparatus of power, which often renders itself invisible. Throughout the study the author emphasizes that power is multi-directional, never flowing only in one direction. The book brings to light mechanisms of oppression within the dominant society as well as within and between marginalized racial groups.
Author | : Seiwoong Oh |
Publisher | : Infobase Publishing |
Total Pages | : 401 |
Release | : 2010-05-12 |
Genre | : Literary Criticism |
ISBN | : 1438120885 |
Traces American writers whose roots are in all parts of Asia, including China, Korea, Japan, Southeast Asia, the Philippines, the Indian subcontinent, and the Middle East.
Author | : Xiaojing Zhou |
Publisher | : University of Washington Press |
Total Pages | : 305 |
Release | : 2011-07-01 |
Genre | : Social Science |
ISBN | : 0295802308 |
This critical anthology draws on current theoretical movements to examine the breadth of Asian American literature from the earliest to the most recent writers. Covering fiction, essays, poetry, short stories, ethnography, and autobiography, Form and Transformation in Asian American Literature advances the development of a theoretically informed, historically and culturally specific methodology for studying this increasingly complex field. The essays in this anthology probe into hotly debated issues as well as understudied topics, including the relations between Asian American and other minority American writings.