Immanence and Transcendence; the Theater of Jean Rotrou, 1609-1650
Author | : Robert James Nelson |
Publisher | : [Columbus] : Ohio State University Press |
Total Pages | : 248 |
Release | : 1969 |
Genre | : Theater |
ISBN | : |
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Author | : Robert James Nelson |
Publisher | : [Columbus] : Ohio State University Press |
Total Pages | : 248 |
Release | : 1969 |
Genre | : Theater |
ISBN | : |
Author | : Mary Ann Frese Witt |
Publisher | : Rowman & Littlefield |
Total Pages | : 203 |
Release | : 2013 |
Genre | : History |
ISBN | : 1611475384 |
Metatheater and Modernity: Baroque and Neobaroque is the first work to link the study of metatheater with the concepts of baroque and neobaroque. Arguing that the onset of European modernity in the early seventeenth century and both the modernist and the postmodernist periods of the twentieth century witnessed a flourishing of the phenomenon of theater that reflects on itself as theater, the author reexamines the concepts of metatheater, baroque, and neobaroque through a pairing and close analysis of seventeenth and twentieth century plays. The comparisons include Jean Rotrou's The True Saint Genesius with Jean-Paul Sartre's Kean and Jean Genet's The Blacks; Pierre Corneille's L'Illusion comique with Tony Kushner's The Illusion; Gian Lorenzo Bernini's The Impresario with Luigi Pirandello's theater-in-theater trilogy; Shakespeare's Hamlet with Pirandello's Henry IV and Tom Stoppard's Rosencrantz and Guildenstern are Dead; Moli re's Impromptu de Versailles with "impromptus" by Jean Cocteau, Jean Giraudoux, and Eug ne Ionesco. Metatheater and Modernity also examines the role of technology in the creating and breaking of illusions in both centuries. In contrast to previous work on metatheater, it emphasizes the metatheatrical role of comedy. Metatheater, the author concludes, is both performance and performative: it accomplishes a perceptual transformation in its audience both by defending theater and exposing the illusory quality of the world outside.
Author | : J. S. Street |
Publisher | : Cambridge University Press |
Total Pages | : 356 |
Release | : 1983-08-25 |
Genre | : Drama |
ISBN | : 0521245370 |
This 1983 book is a comprehensive study of the French sacred theatre at the crucial transition from medieval to modern conception of theatre.
Author | : Bruno Forment |
Publisher | : Leuven University Press |
Total Pages | : 185 |
Release | : 2012 |
Genre | : Music |
ISBN | : 9058679004 |
Will appeal to all music, literature, and art lovers seeking to deepen their knowledge of an increasingly popular repertoire.
Author | : Joseph Harris |
Publisher | : Gunter Narr Verlag |
Total Pages | : 284 |
Release | : 2005 |
Genre | : Cross-dressers |
ISBN | : 9783823361145 |
Author | : Leonie Pawlita |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 750 |
Release | : 2019-09-02 |
Genre | : Literary Criticism |
ISBN | : 3110660547 |
This volume considers the influential revival of ancient philosophical skepticism in the 16th and early 17th centuries and investigates, from a comparative perspective, its reception in early modern English, Spanish and French drama, dedicating detailed readings to plays by Shakespeare, Calderón, Lope de Vega, Rotrou, Desfontaines, and Cervantes. While all the plays employ similar dramatic devices for "putting skepticism on stage", the study explores how these dramas, however, give different "answers" to the challenges posed by skepticism in relation to their respective historico-cultural and "ideological" contexts.
Author | : H. Gaston Hall |
Publisher | : Syracuse University Press |
Total Pages | : 504 |
Release | : 1983-02-01 |
Genre | : Reference |
ISBN | : 9780815622758 |
Richard A. Brooks, general editor, v.
Author | : Library of Congress. Copyright Office |
Publisher | : Copyright Office, Library of Congress |
Total Pages | : 1830 |
Release | : 1972 |
Genre | : Copyright |
ISBN | : |
Author | : Carl Edmund Rollyson |
Publisher | : |
Total Pages | : 586 |
Release | : 2003 |
Genre | : Drama |
ISBN | : |
Combines, updates, and expands two earlier Salem Press reference sets: Critical survey of drama, Rev. ed., English language series, published in 1994, and Critical survey of drama, Foreign language series, published in 1986. This new 8 vol. set contains 602 essays, of which 538 discuss individual dramatists and 64 cover broad overview topics. The dramatist profiles contain more than 310 photographs and drawings.
Author | : Harriet Amy Stone |
Publisher | : |
Total Pages | : 264 |
Release | : 1996 |
Genre | : History |
ISBN | : |
Literature has its own strategies for ordering information. In this elegant and insightful book about the formation of knowledge in seventeenth-century France, Harriet Stone asks what those strategies conveyed about the limits of science and about the cultural environment of the period. A propensity for reason and control pervaded literature as well as science, allowing classical literature to serve as a unique laboratory for exploring the model of representation developed by science. Literary texts have influenced the establishment and transformation of the paradigms grounding knowledge by drawing attention to meanings that the paradigms fail to name. Stone identifies not only the momentous achievement of the discovery of the scientific method but also the more subtle process of experimentation in literature through which ideas were continually tested and redefined. She offers close readings of works by Rotrou, Corneille, Racine, Moliere, La Rochefoucauld, and Lafayette, as well as by Descartes, Furetiere, and Pascal. Her first and last chapters frame the literary texts within a discussion of Foucault's analysis of classical science. Classical writers began to encode their own world. Once they did, not only science but literature became an authority for mapping knowledge. Notwithstanding the classical period's efforts to affirm the unity of knowledge, Stone concludes that knowledge was never complete or certain. Literature's capacity to rework the model through which it assigns meanings proves essential to unfolding both the art and the science of representation.