Images at War

Images at War
Author: Serge Gruzinski
Publisher: Duke University Press
Total Pages: 300
Release: 2001-06-08
Genre: Art
ISBN: 9780822326434

DIVExplores Mexico and its romance with the image as well as othe issues of Spanish colonialism./div

War/photography

War/photography
Author: Anne Tucker
Publisher: Museum of Fine Arts (Houston)
Total Pages: 0
Release: 2012
Genre: Photography, Artistic
ISBN: 9780300177381

Contains primary source material.

Enemy Images in War Propaganda

Enemy Images in War Propaganda
Author: Marja Vuorinen
Publisher: Cambridge Scholars Publishing
Total Pages: 170
Release: 2012-01-17
Genre: Political Science
ISBN: 1443837024

In the post 9/11 world, the emotionally charged concepts of identity and ideology, enmity and political violence have once again become household words. Contrary to the serene assumptions of the early 1990s, history did not end. Civilisations are busy clashing against one another, and the self-proclaimed pacified humanity is once again showing its barbaric roots. Religion mixes with politics to produce governments that abuse even their own citizens, and victorious insurgents too often fail to carry out the promised reforms. Terrorists blow up unsuspecting pedestrians, and allegedly democratic nations threaten to bomb allegedly less democratic ones back to the Stone Age. Mass demonstrations materialise like flash mobs out of nowhere, prepared to hold their ground until the bitter end. Where does all this passionate intensity come from? To better understand how the ideological enmity of today is moulded, spread and managed, this book investigates the propaganda operations of the past. Its topics range from the ruthless portrayal of female enemy soldiers in an early-20th-century civil war setting to the multiple enemy images cherished by Adolf Hitler, and onwards, to the WWII Soviet Russians as a subtype of a more ancient notion of the Eastern Hordes. Of more recent events, the book covers the Rwandan genocide of 1994 and the still ongoing Israel-Palestine conflict. The closing chapter on cyber warfare introduces the reader to the invisible enemies of the future.

Images of Women in Peace and War

Images of Women in Peace and War
Author: Sharon Macdonald
Publisher: Univ of Wisconsin Press
Total Pages: 268
Release: 1988
Genre: History
ISBN: 9780299117641

As warriors, freedom fighters and victims, as mothers, wives and prostitutes, and as creators and members of peace movements, women are inevitably caught up in the net of war. Yet women's participation in warfare and peace campaigns has often been underestimated or ignored. Images of Women in Peace and War explores women's relationships to war, peace, and revolution, from the Amazons, Inka and Boadicea, to women soldiers in South Africa, Mau Mau freedom fighters and the protestors at Greenham Common. The contributors consider not only the reality of women's participation but also look at how their actions have been perceived and represented across cultures and through history. They examine how sexual imagery is constructed, how it is used to delineate women's relation to warfare and how these images have sometimes been subverted in order to challenge the status quo. The book raises important questions about whether women have a special prerogative to promote peace and considers whether the experience of motherhood leads to a distinctive women's position on war. The authors find that their analyses lead them to deal with arguments on the basic nature of the sexes and to reevaluate our concepts of "peace," "war," and "gender."

The Rise of Hitler

The Rise of Hitler
Author: Trevor Sailsbury
Publisher: Pen and Sword
Total Pages: 178
Release: 2015-03-31
Genre: History
ISBN: 1473822181

In 1945, amidst the ruins of a bomb-damaged German home a tattered book, Deutschland Erwache, was recovered as a souvenir by a British soldier. This rare and invaluable primary resource now forms the basis of The Rise of Hitler Illustrated, which is a photographic record of Hitlers' rise to power from when he was born in 1889, as he took over the hearts and minds of the German people, and his eventual arrival at the top.??The original book is typical of the propaganda of the time, with the obvious non-critical acceptance of everything that Adolf Hitler was and what he stood for. It attempts to present him as a peace–loving man, who wanted nothing other than quiet in his 'beloved Alps', who dearly loved children and was kind to all. But as we all know, the truth was completely different. He was a man who, despite his unbounded evilness, was able to assert limitless power over a nation before creating maximum misery for millions.??When found, the original book was divest of its cover and all the worse for wear, but Trevor Salisbury has gone to every effort to salvage some of the images, the result – a fresh and new perspective that sheds light on Hitler's control of Germany. It is a welcome addition to Pen & Sword's highly acclaimed Images of War series.

Images of War in Contemporary Art

Images of War in Contemporary Art
Author: Uroš Cvoro
Publisher: Bloomsbury Publishing
Total Pages: 246
Release: 2021-08-12
Genre: Art
ISBN: 1350227358

In Images of War in Contemporary Art, Uroš Cvoro and Kit Messham-Muir mount a challenge to the dominance of theoretical tropes of trauma, affect, and emotion that have determined how we think of images of war and terror for the last 20 years. Through analyses of visual culture from contemporary "war art" to the meme wars, they argue that the art that most effectively challenges the ethics and aesthetics of war and terror today is that which disrupts this flow-art that makes alternative perceptions of wartime both visible and possible. As a theoretical work, Images of War in Contemporary Art is richly supported by visual and textual evidence and firmly embedded in current artistic practice. Significantly, though, the book breaks with both traditional and current ways of thinking about war art-offering a radical rethinking of the politics and aesthetics of art today through analyses of a diverse scope of contemporary art that includes Ben Quilty, Abdul Abdullah (Australia), Mladen Miljanovic, Nebojša Šeric Šoba (Bosnia and Herzegovina), Hiwa K, Wafaa Bilal (Iraq), Teresa Margolles (Mexico), and Arthur Jafa (United States).

The Warrior Image

The Warrior Image
Author: Andrew J. Huebner
Publisher: Univ of North Carolina Press
Total Pages: 384
Release: 2011-12-01
Genre: History
ISBN: 0807868213

Images of war saturated American culture between the 1940s and the 1970s, as U.S. troops marched off to battle in World War II, the Korean War, and the Vietnam War. Exploring representations of servicemen in the popular press, government propaganda, museum exhibits, literature, film, and television, Andrew Huebner traces the evolution of a storied American icon--the combat soldier. Huebner challenges the pervasive assumption that Vietnam brought drastic changes in portrayals of the American warrior, with the jaded serviceman of the 1960s and 1970s shown in stark contrast to the patriotic citizen-soldier of World War II. In fact, Huebner shows, cracks began to appear in sentimental images of the military late in World War II and were particularly apparent during the Korean conflict. Journalists, filmmakers, novelists, and poets increasingly portrayed the steep costs of combat, depicting soldiers who were harmed rather than hardened by war, isolated from rather than supported by their military leadership and American society. Across all three wars, Huebner argues, the warrior image conveyed a growing cynicism about armed conflict, the federal government, and Cold War militarization.

War is Beautiful - The New York Times Pictorial Guide to the Glamour of Armed Conflict

War is Beautiful - The New York Times Pictorial Guide to the Glamour of Armed Conflict
Author: David Shields
Publisher: Simon and Schuster
Total Pages: 112
Release: 2019-06-11
Genre: History
ISBN: 1576879496

Bestselling author David Shields analyzed over a decade's worth of front-page war photographs fromTheNew York Timesand came to a shocking conclusion: the photo-editing process ofthe "paper of record,"by way of pretty, heroic, and lavishly aesthetic image selection, pullsthe woolover the eyes of its readers; Shields forces us to face not only the the media's complicity in dubious and catastrophic military campaigns but our own as well.This powerful media mouthpiece, the mightyTimes, far from being a check on governmental power, is in reality a massive amplifier for its dark forces by virtue of the way it aestheticizeswarfare. Anyone baffled by the willful American involvement in Iraq and Afghanistan can't help but see in this book how eagerly and invariably theTimesled the way in making the case for these wars through the manipulation of its visuals. Shields forces the reader to weigh the consequences of our own passivity in the face of these images' opiatic numbing. The photographs gathered inWar Is Beautiful, often beautiful and always artful, are filters of reality rather than the documentary journalism they purport to be.

Images at War

Images at War
Author: Michèle Martin
Publisher: University of Toronto Press
Total Pages: 313
Release: 2006-01-01
Genre: Social Science
ISBN: 0802037577

Using the press coverage of the Franco-Prussian war as a starting point, Michèle Martin's Images at War examines nineteenth-century illustrated periodicals published in France, Germany, England, and Canada (with references also to Italy and the United States), and argues that periodicals during this period worked to reinforce particular national identities. Images in periodicals played an essential role in how the concept of nationalism was expressed and reproduced, usually by pitting cultures and countries against one another. These illustrated periodicals helped to shape nations where nations had not previously existed - such as with Germany, Italy, and Canada, which were only just coming into their own as states. In war, Martin observes, these documents also represented a non-verbal method of communicating emotionally trying, politically challenging, and oftentimes contradictory information to the public, literate and non-literate alike. The history of nineteenth-century illustrated papers underscores their legitimacy as a form of journalism. They were more than a commodity produced for profit; they offered serious reflection and commentary on the times designed by editors to have specific effects on the readers. Images at War is a much-needed study of this early news medium and its part in the construction of nationalism in the midst of war.

Images of War

Images of War
Author: Glyn Harper
Publisher:
Total Pages: 400
Release: 2013
Genre: Soldiers
ISBN: 9781775540342

In 1914, despite being forbidden, many a Kiwi soldier's kitbag included a portable camera known as 'The Soldier's Kodak'. The images they recorded form the basis of this poignant collection of our soldiers from the First World War. In a major research project, Glyn Harper and the National Army Museum combined official war photographs with more informal images to provide a moving visual history. Originally published in 2008, this book has now been beautifully redesigned as a stunning large-format hardback. While primarily drawn from the Museum's collection, many photographs from private sources were included. From more than 25,000 photographs, just over 800 were selected - most of which had never been published before. Chosen to depict each theatre of the 1914-18 war, including Gallipoli, Sinai-Palestine and the Western Front, poignant images from the home front were included, along with graphic portraits of wounded soldiers, whose treatment marked the beginnings of modern plastic surgery.Despite the First World War being described as the most important and far-reaching political and military event of the twentieth century, pivotal in forging our national sense of identity, relatively little photographic material had been published from a soldier's perspective. This new edition contains additional information that has come to light since the first edition regarding many of the photos, as well as some new images. Poignant, stirring and at times unbearable, it records the appalling, brutalising, mundane and touching experiences of those who were there. Lest we forget.